1,721,120 research outputs found
"Castelao e a sua época"’s censorship
Full text linkCastelao e a sua época foi o segundo espectáculo que o director catalán Ricard Salvat preparou co CITAC durante a temporada de teatro universitario 68/69, que coincide coa Crise Académica de 69. Este espectáculo non chega ver a luz, pois a censura o prohíbe e, despois, a policía política expulsa o director do país. Neste artigo, tentaremos presentar brevemente o acontecido para despois analizar as marcas que a censura deixou no texto dramático da peza.Castelao e a sua época was the second show that Ricard Salvat prepared with CITAC during the 68/69´s theater season, which coincides with the “Crise Académica de 69”. These show does not get to perform because it was prohibited by the censor´s office and, then, the political police expeled Salvat from the country. In this essay we briefly present what happened during the Salvat´s stay and analize the censorship´s marks on Castelao e a sua época’s dramatic text.Castelao e a sua época fue el segundo espectáculo que el director catalán Ricard Salvat preparó con el CITAC durante la temporada de teatro universitario 68/69, que coincide con la “Crise Académica de 69”. Este espectáculo no se llega a realizar, pues la censura lo prohíbe y, posteriormente, la policía política expulsa al director del país. En este artículo intentaremos presentar brevemente lo sucedido para después analizar las marcas que la censura dejó en el texto dramático del espectáculo
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Castelao e a sua época na Coimbra de 1969
No full textDissertação de mest., Comunicação, Cultura e Artes (Teatro e Intervenção Social e Cultural), Faculdade de Ciências Humanas e Sociais, Univ. do Algarve, 2011Este projecto de investigação apresenta um estudo sobre o trabalho teatral que o
encenador Ricard Salvat realizou durante seis meses (de Novembro de 1968 até Abril de
1969) na direcção artística do Círculo de Iniciação Teatral da Academia de Coimbra. Como
resultado do trabalho exercido pelo encenador nascem dois espectáculos: o primeiro baseado
no dramaturgo Bertold Brecht e o segundo na vida do autor e político galego Castelao. Esta
investigação pretende incidir especialmente no segundo espectáculo, de título Castelao e a
sua época.
Esse espectáculo, uma espécie de diálogo entre culturas peninsulares, não chega a ver a luz, já
que no dia da estreia no teatro Avenida, durante o XI Ciclo de Teatro, organizado pelo próprio
grupo, a polícia do regime prende Ricard Salvat e coloca-o na fronteira com Espanha,
impedindo a apresentação da peça. É desta forma que termina, em Coimbra, o trabalho de um
encenador considerado, à época, uma importante figura do teatro europeu.
Partindo de documentação da época, de entrevistas com os participantes e da recuperação do
texto do espectáculo, a investigação que iniciamos procura uma descrição completa da génese
e desenvolvimento do trabalho de Ricard Salvat em Coimbra, especialmente do projecto sobre
Castelao. Analisaremos o trabalho dos diferentes criadores artísticos que participaram no
espectáculo, assim como o processo de censura do mesmo, o tratamento dado pela imprensa
ao acontecido e as posteriores consequências do cancelamento no contexto de uma das
principais contestações sociais que o Estado Novo sofreu.
Cientes da importância histórica da Crise Académica de 1969, um dos objectivos principais é
o de apresentar uma narrativa o mais próxima possível do acontecido naqueles movimentados
meses. Outra das finalidades deste trabalho é a apresentação de uma primeira análise do que
teria sido o espectáculo nas suas vertentes textual, plástica e musical
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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