267 research outputs found
Gnoses generales iuris : opus, inter ea quae olim edita sunt, cum ad discendam, tum etiam ad exercendam Iurisprudentiam expeditissimum : accesserunt duo indices titolorum ...
No full textClaudio Prato Iurisc. author
Claudius Hollyband: The author behind the lexicographer
No full textDictionaries are reference works to be consulted. But they can also be assessed as texts and interpreted. For this approach, which is based on a close reading of the entire lexicographical work, the term ‘lexicature’ has been suggested. The chapter takes the French–English dictionary compiled by the French Bourbonnais Huguenot Claudius Hollyband as a striking example of this new type of study. A number of criteria are identified which reveal the persona of the author behind his work. It is shown how the persona influences the description of the lexicon: in the preferences for word selection, the personal expertise or bias in the description of the meanings of words, and in the choice of examples illustrating the use of words.</p
The « Salarium » of Claudius Gothicus (Claudius XIV, 2-15) viewed as a Historical Document
No full textThe so-called Salarium of Claudius (Claudius XIV, 2-15) consists of a genuine Roman salary warrant issued for a dux ducenarius between the years A. D. 296 and 312, in which the author or editor of the biography appears to have substituted a salutation and conclusion of his own for the originals. This document, while it does little to establish the daté or disclose the manner of composition of the Augustan History, nevertheless sheds a. welcome light upon the working of Diocletian's financial system and allied topicsE. Van Sickle C. E. The « Salarium » of Claudius Gothicus (Claudius XIV, 2-15) viewed as a Historical Document. In: L'antiquité classique, Tome 23, fasc. 1, 1954. pp. 47-62
Na+ absorption by Claudius’ cells is regulated by purinergic signaling in the cochlea
No full textConclusion: Claudius’ cells absorb Na+ through the amiloride-sensitive epithelial sodium channel (ENaC). Transepithelial ion transport through ENaC and possibly a Cl[superscript]- secretory pathway is regulated by P2Y purinergic signaling.
Objectives: The purpose of this study was to investigate the ion transport in the Claudius’ cells and its purinergic regulation.
Method: Young adult Sprague–Dawley rats and gerbils were studied. The Claudius’ cell layer on the basilar membrane was dissected from the basal turn of the cochlea. The voltage-sensitive vibrating probe was used to measure transepithelial short circuit current (I[subscript]sc). The baseline I[subscript]sc of Claudius’ cells was measured in the perilymph-like control solution and the change of Isc after
application of amiloride (10 μM) or uridine triphosphate (UTP, 100 μM).
Results: A negative baseline I[subscript]sc was observed in the control solution (-12.50 ± 3.95 μA/cm[superscript]2, n=8) and the addition of amiloride resulted in a decrease of I[subscript]sc by 75.8%. The application of UTP, an agonist for P2Y purinergic receptors, led to a partial inhibition of Isc (by 38.2 ± 3.2%, n=5), and subsequent addition of amiloride abolished the remaining I[subscript]sc
El emperador Claudius, autor de epigramas en un pasaje de Suetonio
No full textAccording to Suetonius (Cl. 2,2), in a "libellus" Claudius complained about his master who had been a "superiumentarius" (a commander of a mule train). This ironic hyperbole, which refers to the brutal use of whip, seems an allusion to the rough Horace's teacher ("plagosus Orbilius"), and so suggests the possibility that Claudius' words were part of an epigram, whose reconstruction the author of this article attempts to, starting from some recognizable jambic sequences
My, Claudius: A Case Against The King As Villain.
No full textThe role of Claudius in Shakespeare\u27s The Tragedy of Hamlet has traditionally been affixed with the label of villain, coupled with a presumption of malice. This prejudice has plagued the role, relegating it to shallow melodrama throughout the majority of the play\u27s 440 odd-year history. Although it has now become more commonplace to see him portrayed as a capable, intelligent, even initially likable king, this has only been the case for the past 50 years or so, and even so the label of villain and the assumption of malice persist and prevail even in contemporary practice. While the author is reluctant to insist on the benevolence of the King as imperative, they do contend that Claudius should not be portrayed as a villain. Doing so undermines the primary conflict - that of Hamlet vs. Claudius - cripples the possibilities for exploration of the King as a role, hinders the potential for Hamlet\u27s journey, and absolves the viewer of active engagement by playing directly into expectations. Within this thesis, consideration of historical analysis and editorial tradition are utilized in order to demonstrate a progressively encompassing disregard that has led to the role\u27s neglect. An account of the 2006 University of Central Florida Conservatory Theatre production is used to validate the necessity of avoiding a villainous portrayal of the King. A brief description of the author\u27s ideal Claudius explores the realm of possibility opened by such non-villainous portrayal, and potential for the role\u27s complexity is examined through a thorough voice/text analysis and brief discussion of Jaques Lecoq\u27s movement equilibrium theory via appendices
The teachings of Claudius Galen and Andreas Vesalius. comparative analysis
No full textThe article analyzes the teachings of Andreas Vesalius and Claudius Galen, their contribution to the development of medicine. The author shows not just a criticism of the teachings of Galen by Vesalius, but the progress that medicine has achieved over the centuries separating the two scientists.В статье дается анализ учений Андреаса Везалия и Клавдия Галена, их вклада в развитие медицины. Автор показывает не просто критику учений Галена Везалием, а тот прогресс, которого достигла медицина за столетия, разделяющие двух ученых
Les formations hospitalières à Gray (Hte-Saône) du Moyen âge à nos jours
No full textDas Krankenhauswesen in Gray (Haute-Saône) vom Mittelalter bis Heute. Der Autor erzählt die Geschichte der Spitaleinrichtungen in dieser Stadt von den Anfängen bis zur Mitte unseres Jahrhunderts : Sondersiechenhaus (1345), Hospiz des Heiligen Geistes (1238), Spital der Charité, Bürgerspital (1716), Armensuppe (1778). Er erklärt die Verwaltung und die Lebensweise im Hôtel-Dieu und beschreibt die Kapelle und die Mobiliargegenstände.The hospital establishments in Gray (Haute-Saône) from the Middle Ages to the present time. The author retraces the history of hospital establishments in this city from its origins until the mid-20th century : leprosarium (1345), Hospice of the Holy Spirit (1238), Charity Hospital, Hôtel-Dieu (1716), « Soup -Kitchen for the Poor » (1778). He explains the system of administration and the life of the Hôtel-Dieu, as well as describing its chapel and its personal contents.Brocard Claudius. Les formations hospitalières à Gray (Hte-Saône) du Moyen âge à nos jours. In: Revue d'histoire de la pharmacie, 66ᵉ année, n°236, 1978. pp. 25-40
"His Wife, No Wife": Οι Γυναίκες των Ιουλιοκλαυδίων στα Έργα του R. Graves "I, Claudius" & "Claudius the God" (1934)
No full textΘέμα της παρούσας μελέτης είναι η πρόσληψη της ρωμαϊκής ιστοριογραφίας και βιογραφίας της αυτοκρατορικής περιόδου στο έργο του Βρετανού συγγραφέα, Robert Graves. Η εργασία εστιάζει στην απεικόνιση των γυναικείων μελών της Ιουλιοκλαυδιανής δυναστείας, συγκεκριμένα, στη σύζυγο του Οκταβιανού Αυγούστου, Λιβία Δρουσίλλα, καθώς και στις συζύγους του Τιβερίου Κλαυδίου, Βαλερία Μεσσαλίνα και Ιουλία Αγριππίνα, εντός των μυθιστορημάτων του Graves, "I, Claudius" και "Claudius the God" (1934). Συγκρίνοντας τα πορτραίτα των αυτοκρατειρών στα εν λόγω πεζογραφικά έργα με τη λογοτεχνική κατασκευή τους από τις αρχαίες πηγές, καταδεικνύω πως ο Graves επηρεάστηκε καταλυτικά από τους "Annales" του Κορνηλίου Τακίτου, τη "Ῥωμαϊκὴ Ἱστορία" του Δίωνα Κασσίου και τις "Vitae Caesarum" του Γαΐου Σουητωνίου. Ο διάλογος του Graves με την αυτοκρατορική γραμματεία προσφέρει πλούσιο αφηγηματικό υλικό για τη σύνθεση της "κλαυδιανής διλογίας" του, ενώ, ταυτόχρονα, τού επιτρέπει να την εμπλουτίσει με τη σκέψη των υπό εξέταση αρχαίων συγγραφέων. Ακόμη, παραλλάσσοντας βασικά στοιχεία των πηγών και παραλείποντας ή τονίζοντας καίρια σημεία τους, ο μυθιστοριογράφος συνδέει τα έργα του με τα πολιτικοκοινωνικά γεγονότα των δεκαετιών 1920-1930.The subject of the present study is the reception of Roman historiography and biography of the imperial period in the work of the author, Robert Graves. The paper focuses on the portrayal of the female members of the Julio-Claudian dynasty, specifically, Octavian Augustus' wife, Livia Drusilla, and Tiberius Claudius' wives, Valeria Messalina and Julia Agrippina, within Graves' novels, "I, Claudius" and "Claudius the God" (1934). By comparing the portraits of the empresses in the aforementioned novels with their literary construction from ancient sources, I demonstrate how Graves was fundamentaly influenced by Cornelius Tacitus' "Annales", Dion Cassius' "Roman History", and Gaius Suetonius' "Vitae Caesarum". Graves' dialogue with imperial literature provides him with rich narrative material for the composition of his "Claydian duology", while at the same time allowing him to enrich it with the thought of the ancient authors under consideration. Furthermore, by paraphrasing key elements of the sources and omitting or emphasizing key points, the novelist links his works to the political and social events of the 1920's and 1930's
Graves’ Sejanus. Il prefetto del pretorio di Tiberio nel romanzo I, Claudius
No full textThe figure of Lucius Aelius Seianus, the praefect of the praetorium of Tiberius, is of remarkable importance in
Robert Graves' novel I, Claudius. From the Autobiography of Tiberius Claudius, published in1934. The approach
between the historical and the fictional by Graves, a great-grandson of Leopold von Ranke, is particularly interesting
for a controversial character such as the 'evil' praefect described in the sources. If in some cases the author
merely dramatizes the account of ancient historiography, which the novelist knows very well; elsewhere he amplifies
the role of Tiberius' right-hand man. Even more interesting are the episodes that, although without documentary
basis, are nonetheless entirely plausible. Graves views the knight Sejanus as a parvenu and in a decidedly
snobbish manner, perhaps influenced by his knowledge of Oxonian circles. In Claudius' awareness – Lucius Aelius
had been no worse a villain than others and darker times with a Caligula 'educated' by Tiberius were approaching
– we might perhaps glimpse the awareness of equally dark times that Graves, from his Majorcan retreat, saw
looming for Europe in the early 1930s.La figura di Lucio Elio Seiano, il prefetto del pretorio di Tiberio, ha un’importanza notevole nel romanzo di Robert
Graves I, Claudius. From the Autobiography of Tiberius Claudius del 1934. L’approccio tra lo storico e il romanzato
di Graves, pro-nipote di Leopold von Ranke, è di particolare interesse per un personaggio così controverso
come il prefetto ‘cattivo’ descritto nelle fonti. Se in alcuni casi l’autore si limita a drammatizzare il racconto della
storiografia antica, che il romanziere mostra di conoscere assai bene, altrove amplifica il ruolo del braccio destro
di Tiberio. Ancora più interessanti sono poi gli episodi che, pur senza avere alcuna base documentaria, sono però
del tutto verosimili. Graves guarda il cavaliere Seiano come un parvenu e in un modo decisamente snob, forse influenzato
dalla sua conoscenza degli ambienti oxoniensi. E nella consapevolezza di Claudio, che riteneva che alla
fine Lucio Elio non fosse stato un villain peggiore di altri e che i tempi più bui di un Caligola ‘educato’ da Tiberio
si andavano avvicinando, potremmo forse intravedere la consapevolezza di tempi altrettanto bui che Graves, dal
suo ritiro maiorchino, vedeva profilarsi per l’Europa all’inizio degli anni ’30
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