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    Influence of the superposition and flow rule assumptions on the bearing capacity of shallow strip footings

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    A rigorous solution aimed at accounting for the superposition and flow rule assumptions in the assessment of the bearing capacity of shallow strip footings under plane strain conditions has been developed using the method of characteristics and the finite element method. With reference to the Hill and Prandtl failure mechanisms, a bearing capacity factor N gamma q and a superposition corrective coefficient mu that allow to directly obtain the actual bearing capacity of shallow strip foundations have been proposed. The geometry of the plastic volume involved in the failure mechanism has been also investigated, highlighting the influence of the superposition and flow rule assumptions. Starting from the numerical results obtained using the method of characteristics, several empirical relationships have been proposed for an accurate estimate of N gamma q and mu as well as for the lateral extension and depth of the plastic volume. The accuracy of the numerical results has been checked through finite element analyses under the assumption of associated and non-associated flow rule showing that the proposed superposition corrective coefficient mu is not influenced by the flow rule assumption. Thus, a general bearing capacity equation for shallow strip footings has been provided which accounts for superposition approximation and non-associated flow rule

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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