1,720,958 research outputs found

    Bringing Holly from the Bongs

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    Christmas 1965: The children of Goostrey Primary School in Cheshire are preparing to perform a special nativity play in the stable of the Crown Inn. Holly from the Bongs has been written especially for them by the famous children’s writer Alan Garner (The Weirdstone of Brisingamen, The Moon of Gomrath, The Owl Service) who lives locally and worked with them to help create the play. Christmas 2015: The grown-ups who originally performed in the play return to the Crown Inn, 50 years on, to reflect on this unique theatrical experience with Alan Garner – who still regards Holly from the Bongs as his most technically perfect piece of writing. Leslie Pimlott who played the Doctor in the original production, recalls with other cast members the story of how this customised nativity play was created by Alan Garner. The author spent many afternoons walking the children round the village’s boundaries, fields and The Bongs, the wooded area behind the school to explore the history and living heritage of Goostrey. Leslie celebrates the excitement of taking part in the original production and its memorable first performance half a century ago. Part nativity play/part mummer’s play Holly from the Bongs is a customised piece of theatre written for the voices of the individual children of Goostrey School in 1965. A stylistic lesson in English writing from the middle ages to the 1960’s that has a very special place in the hearts of the original cast and the village of Goostrey. Producer: Andy Cartwright Made for BBC Radio 4 Extra by Soundscape Productions. First broadcast in December 2015

    The Shape of Things That Came

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    HG Wells' future history novel looks back from the year 2106. Halfway through the novel's time span, Sean Street explores what the author got almost right - or terribly wrong. In 1933, Wells published a novel which purported to be a history of the years 1929 to 2105, received from the future in dreams. He called his book The Shape of Things to Come, a phrase that has since become a part of the English language. Now, 84 years into the time scale of this prophetic book and with 88 more to go to complete the story - poet and professor of radio Sean Street goes back to the text and explores what Wells got right, what he got wrong - and what may be yet to come. From predicting another world war to a utopian world government, he navigates a journey through Wells' future past using audio archives and contemporary news bulletins, with expert help from Christopher Frayling, Andy Sawyer and Orson Wells. Reader: Jenny Lane Producer: Andy Cartwright A Soundscape production for BBC Radio 4

    A Symphony of Psalms

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    Cerys Matthews explores the enduring influence of the Psalms on musicians and composers across the centuries and across musical genres from plainsong to pop, from choral to country, from jazz to reggae. "Ever since singing Psalms in chapel as a small girl I've been intrigued by how they spoke directly and clearly to me. What still fascinates me is the longevity of these powerful poems - texts that have travelled the world and across cultures and are constantly being revisited and reworked and given new life. What is the power behind these poems and why do we still turn to them in times of trouble, love, sadness, conflict and joy?" These ancient texts have inspired composers like Schutz, Handel, Mendelssohn and Stravinsky as well as Duke Ellington, Sinead O'Connor and U2. Their themes of praise and thanksgiving as well as ideas of resistance, echo through African American, spirituals and form a fundamental part of worship in a range of religious events as well as repertoire in the concert hall. The many settings of Psalm 23 'The Lord is my Shepherd', Psalm 137 'By the Waters of Babylon' and Psalm 150's celebration of praise - speak of the universal influence of these words on our daily lives. What is it about the power of these poems that allows them to transcend continents, cultures and musical styles? Producers: Philip Titcombe and Andy Cartwright A Soundscape Production for BBC Radio 4

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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