1,721,093 research outputs found

    Fashioning female authorship in the early nineteenth century: a study of the Epistolary Friendship and Tractarian Fiction of two women from the Hampshire Gentry, 1827-1842

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    To date no major research has been undertaken on the correspondence of Anne Sturges Bourne and Marianne Dyson (1822-1871) located in the Hampshire Record Office. This valuable collection of letters not only offers a wealth of information about the letter-writing practices of women from the landed gentry, it also provides the opportunity to examine the letter as a cultural and historical artefact. By using Marilyn Friedman’s theories on women’s friendships and relational autonomy, this thesis has been able to combine the methodology required for studying letters as a genre with the concept of the letter as a purveyor of social and cultural experiences. This has resulted in an interdisciplinary study which has analysed the important role that letter writing played in the development of Anne and Marianne’s friendship, while, at the same time, demonstrating their intellectual engagement with the prevalent literary, religious, and philosophical discourses of the day.As a process which encouraged reflection, letter writing enabled these two women to develop a gendered subjectivity and to achieve degrees of personal autonomy in a social context. I argue that the supportive nature of their epistolary friendship empowered them to embrace life as single women and to pursue their shared ideals for the future, which, for them, meant a life spent in service to the Church and educating the poor. It also provided them with a route into authorship through their collaborative literary endeavours in support of the Anglo-Catholic doctrine of the Oxford Movement, or Tractarianism as it was later called.In the 1850s and 60s Anne and Marianne used the collaborative model of authorship they had developed for writing and publishing their own juvenile tales to support the novel writing of the major Victorian novelist, Charlotte Mary Yonge. While Yonge’s habit of discussing her novels with friends and family is known from Christabel Coleridge’s biography (1903), the empirical evidence found in the Sturges Bourne/Dyson correspondence provides a more nuanced account of the way in which literary collaboration could function. It also corroborates recent scholarly claims that female collaborative authorship was more commonplace in the nineteenth century than has hitherto been recognised. More significantly, the stories written by Anne, and Marianne in particular, were recognised in contemporary Tractarian circles as important contributions to the establishment of Anglo-Catholic doctrine for future generations. This marks Anne Sturges Bourne and Marianne Dyson out as part of a forgotten generation of women writers who paved the way, not only for Yonge, but for other known women writers of Tractarian fiction in the second half of the nineteenth century, such as Elizabeth Missing Sewell and Felicia Skene

    Using Competition to Sustain Motivation – TOPS Evolves

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    Supporting and sustaining the motivation of our most able and experienced first year undergraduates in introductory programming modules is as important as providing a supportive environment for novices who face a greater and more difficult challenge of mastering their first programming language. Designing and integrating additional challenges into the curriculum can be time consuming and onerous for the individual academic tasked with instructing an introductory programming module. This poster reports on the progress of the HEA-ICS funded TOPS initiative which promotes academic collaboration to stage an inter-university competition for first year programming students. Although the organisational and logistical are complex, students have found the activity rewarding both during the competition, and through subsequent reflection

    Taxing our Best Students

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    A significant challenge that faces any teacher of introductory programming is the diversity of the class. At one extreme there will be students who have never programmed before, while at the other there will be students who have many years experience of programming. Handling this diversity is difficult. The temptation for the instructor is often to focus on the novice group and to assume that the others will get by with minimal supervision. This is understandable, but it can be risky. There is a very real risk that the neglected group of experienced programmers become bored and disengage from the course. At the worst, they can lose motivation and fail or drop out altogether. This paper describes and presents the outcomes of a project aimed at challenging the more experienced programmers in four introductory programming classes at four different UK institutions. The project took the form of a competition in which students were asked to devise and solve a series of programming challenges

    The TOPS Project - Teaching our over performing students

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    It would be unlikely for any first year programming class to be solely composed of novices. We all have students with a range of abilities, and this generates challenges as to the best way in which to manage and teach the class. The students at the top need to be enthused whilst we provide extra help to the students at the bottom, and try not to demotivate the ones in the middle. This paper reports the outcome of a project aimed at enthusing the better programmers within the first year of a Computing degree programme. The activity and judging process have been designed to retain student motivation and to value the integration of professional and technical skills. Students and academics have evaluated the process. Student achievements have been enhanced and the approach is seen as a useful addition to existing teaching methods

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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