7,820 research outputs found
Genevieve Carter interview, 1987 Feb. 24
No full textCarter, Genevieve by John Milner - Audio Oral History Interview - CSWA ❧ Interview by John Milner on February 24, 1987. An interview with Dr. Genevieve Carter as she recounts her experiences with the Manzanar program. ❧ CONTENTS: (0:47) Introduction by John Milner. CONTENTS: (1:23) Carter explaining what the Manzanar program was. (5:01) Finishing Doctorate's degree at Berkeley and working at the Institute of Child's Welfare. (9:12) Integration of psychiatry and social and the progression of social work. (18:02) Social organization of the Japanese. (22:48) Reports of rioting at the Manzanar camp and its results. (31:12) Medical programs within the camps. (37:50) Selecting a director of social within the camp. (44:53) Personal relationships that existed between Caucasian staff members and Japanese interns. (51:10) Carter's work with the children's program. (57:23) Rational of brining children that were only a quarter Japanese. (58:34) Starting a library in the camp. (1:06:32) The emotions and feelings of both staff and interments. (1:10:45) The war effort recruitment and political and economic forces influencing the removal of the Japanese ❧ Genevieve Carter (1907-1998). Social worker, researcher. Genevieve Carter Interview. Interviewed by John Milner. Date of interview: 2-24-87. 1 cassette tape. Length of interview: 1 hour and 30 minutes. Transcript of interview: 28 pp. CD containing interview and transcript. INTERVIEW TOPICS: Detention of Japanese; other taped interviews re Manzanar; reasons for involvement with Manzanar; other persons' involvement; maintenance of Japanese family unity; educational background; Manzanar camp philosophy; physical plant; food; camp social organization; riot; resolution of problems; medical and dental services; staff composition; general camp meetings; visit of "Happy" Chandler; relationship between Caucasian staff and the Japanese; outside community relations; children's programs; camp library; adult education, religion; recreation; emotions and feelings of staff and the Japanese; concluding remarks. ❧ ADDITIONAL MATERIALS: 1. California Social Work Hall of Distinction Biography ( http://socialworkhallofdistinction.usc.edu/honorees/ ). 2. Personal biographical newsletter (2 copies). 3. Announcements of memorial tribute to celebrate life of Genevieve Carter. 4. Brief biographical outline. 5. 2 photographs of Genevieve Carter: 1 6 x 4 in. of G. Carter with Monika White and Frances Lomas Feldman (4-8-94). 6. Photocopies of Japanese-American relocation announcements and of maps of internment camps. 7. "Ansel Adams' Manzanar," Los Angeles Times (7 August 1999), Part VI: 1, 8. 8. Genevieve Carter, "The Service Side of the FAP Bill: What Does our Research Tell Us?." Paper presented at the Conference on Issues in Social Welfare Policy Curriculum, Center for Continuing Education, Chicago, Illinois, 29-30 November 1970. 9. Interview with Genevieve Carter re Helen Dean monograph. 9-24/25-94. 10. Rough draft of Helen Dean monograph. 11. 1 cassette tape from "Sound Portraits": Memories of Manzanar: Dr. Genevieve W. Carter's Own Words. 12. 1 diskette of transcript of Hamovitch interview. 13. 1 diskette of transcript of Feldman/White/Carter interview. 14. 1 diskette of transcript of Milner interview. 15. Los Angeles Times editorial (7-10-98): "Keeping Manzanar's Message.
Poor Lazarus, sung by James Carter
No full textIn 1959 and 1960, Alan Lomax revisited the American South to record the still-living stream of traditional music in newly developed stereo sound. The collection features some of the region\u27s most representative musicians and styles: Delta blues guitarists, fife-and-drum ensembles, Sacred Harp singers, Ozark and Appalachian ballad singers, and prison work gangs. Performers include Sidney Carter, Vera Ward Hall, Sid and Rose Hemphill, Bessie Jones and the Georgia Sea Island Singers, Wade Ward, Willie Jones, Mississippi Fred McDowell, J.E. Mainer, Neil Morris, E.C. Ball, Almeda Riddle, Hobart Smith, and Ed Young. English folksinger Shirley Collins assisted Alan Lomax on the 1959 trip, and his daughter, Anna Lomax Wood, helped him on the 1960 trip. The endeavor resulted in a seven-album series issued on Altantic Records in 1960, reissued on CD as Sounds of the South, and in a twelve-volume series on Prestige International, reissued in 1997 on Rounder Records as the Southern Journey series of the Alan Lomax Collection (Rounder 1701-1713)
The tomb-stone, and A rare sight [electronic resource]
No full textAdded t.p. on prelim. p. [3]: The tomb-stone, or, A broken and imperfect monument of that worthy man (who was just and perfect in his generations), Mr. John Carter, Pastor first of Bramford, and last of Belsted in Suffolk ... / by his unworthy son John Carter ... London : s.n., 1653.Item at reel 2442:3a identified as Wing C656AB.Reproductions of original in Bodleian Library.Wing (CD-ROM, 1996)Wing (CD-ROM, 1996)Electronic reproduction
Author Co-Citation Analysis (ACA): a powerful tool for representing implicit knowledge of scholar knowledge workers
No full textIn the last decade, knowledge has emerged as one of the most important and valuable organizational assets. Gradually this importance caused to emergence of new discipline entitled ―knowledge management‖. However one of the major challenges of knowledge management is conversion implicit or tacit knowledge to explicit knowledge. Thus Making knowledge visible so that it can be better accessed, discussed, valued or generally managed is a long-standing objective in knowledge management. Accordingly in this paper author co- citation analysis (ACA) will be proposed as an efficient technique of knowledge visualization in academia (Scholar knowledge workers)
Interview with Sidney Hemphill Carter about her father\u27s singing
No full textIn 1959 and 1960, Alan Lomax revisited the American South to record the still-living stream of traditional music in newly developed stereo sound. The collection features some of the region\u27s most representative musicians and styles: Delta blues guitarists, fife-and-drum ensembles, Sacred Harp singers, Ozark and Appalachian ballad singers, and prison work gangs. Performers include Sidney Carter, Vera Ward Hall, Sid and Rose Hemphill, Bessie Jones and the Georgia Sea Island Singers, Wade Ward, Willie Jones, Mississippi Fred McDowell, J.E. Mainer, Neil Morris, E.C. Ball, Almeda Riddle, Hobart Smith, and Ed Young. English folksinger Shirley Collins assisted Alan Lomax on the 1959 trip, and his daughter, Anna Lomax Wood, helped him on the 1960 trip. The endeavor resulted in a seven-album series issued on Altantic Records in 1960, reissued on CD as Sounds of the South, and in a twelve-volume series on Prestige International, reissued in 1997 on Rounder Records as the Southern Journey series of the Alan Lomax Collection (Rounder 1701-1713)
Portfolio of recorded performances and exegesis: Messiaen’s musical language for the jazz pianist - an exploration through performance.
No full textMoving beyond Gunther Schuller’s Third Stream amalgamation of classical and jazz, this study explores whether the musical language of Olivier Messiaen can make a valid contribution to jazz piano performance. Initially, my project sought to answer such questions as: What elements of the musical language of Messiaen already exist in the jazz vocabulary? Am I able to extend this further? What are the timbral structures and pianistic effects within Messiaen’s musical language? What will be the most effective application of Messiaen’s musical language to jazz piano performance? Endeavouring to answer the final question led me to consider such aspects as whether the project should be limited to quoting Messiaen motifs, arranging Messiaen melodies, replacing jazz harmonic structures on standards with examples from Messiaen’s musical language or whether it would be better to approach the research conceptually. The work of Hubert Nuss provided encouraging reassurance that this was not an impossible task. In order to articulate this conception, the initial challenge was to decide how the classical and jazz worlds might meet in a ‘Messiaen’ technique. The approach adopted was similar to that used for undergraduate jazz study, namely, immersion in the piano scores and recordings of Messiaen’s music as well as by live performances. This was followed by the development and assessment of a contrived approach when specific techniques, such as tonal colourings or harmonic structures, were developed through prepared exercises and consciously included in my performance. It was then compared with an intuitive approach when no such precise parameters were established. This submission consists of CD recordings of two public recitals and an exegesis. It documents the development of this Messiaen technique and discusses its application in my performances. It also demonstrates the ways that Messiaen’s musical language can be used within jazz piano performance to provide a colour that distinguishes jazz piano performance in a competitive field.Thesis (M.Mus.) -- University of Adelaide, Elder Conservatorium of Music, 201
Spinal anaesthesia for brachytherapy for carcinoma of the cervix a comparison of two dose regimes of hypebaric bupivacaine
No full textIncludes abstract.Includes bibliographical references.The main purpose of the study was to help establish the best dose regimen of hyperbaric bupivacaine, when combined with intrathecal fentanyl, for spinal anaesthesia for brachytherapy for carcinoma of the cervix. This procedure is performed as a day case at Groote Schuur Hospital
Interview with Sidney Hemphill Carter about the song \u27Everybody ought to treat a stranger right\u27
No full textIn 1959 and 1960, Alan Lomax revisited the American South to record the still-living stream of traditional music in newly developed stereo sound. The collection features some of the region\u27s most representative musicians and styles: Delta blues guitarists, fife-and-drum ensembles, Sacred Harp singers, Ozark and Appalachian ballad singers, and prison work gangs. Performers include Sidney Carter, Vera Ward Hall, Sid and Rose Hemphill, Bessie Jones and the Georgia Sea Island Singers, Wade Ward, Willie Jones, Mississippi Fred McDowell, J.E. Mainer, Neil Morris, E.C. Ball, Almeda Riddle, Hobart Smith, and Ed Young. English folksinger Shirley Collins assisted Alan Lomax on the 1959 trip, and his daughter, Anna Lomax Wood, helped him on the 1960 trip. The endeavor resulted in a seven-album series issued on Altantic Records in 1960, reissued on CD as Sounds of the South, and in a twelve-volume series on Prestige International, reissued in 1997 on Rounder Records as the Southern Journey series of the Alan Lomax Collection (Rounder 1701-1713)
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