4,451 research outputs found

    Anne Carter and Input-Output: Technology, Trade, and Pollution

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    We pay tribute to Anne Carter’s contributions to economic analysis. Mainstream economic models, including input-output studies, consider technology as given and do not question the co-existence of different national economic techniques. Carter, however, addresses this key question. Her book, Structural Change in the American Economy (1970), was well ahead of its time. The techniques Carter compared were differentiated by time, but the comparative analysis is equally applicable to a comparison of techniques that are differentiated by location, such as those of the EU-15 member states. We apply Carter’s method for the determination of the optimal choice of technique to the problem of allocating production among different countries, so as to make use of their comparative advantages in producing commodities and in meeting environmental constraints. We also draw attention to Carter’s recent work on ever deeper questions regarding variations in technology.Nous rendons hommage aux contributions d’Anne P. Carter à l’analyse économique. Les modèles économiques standard, y compris les modèles input-output, considèrent la technologie comme donnée et ne s’interrogent pas sur la coexistence de différentes structures technologiques nationales à un moment donné. Toutefois, Carter a abordé cette question clé. Son ouvrage, Structural Change in the American Economy (1970), était largement en avance sur son temps. Les techniques que Carter compare y sont différenciées par leurs coordonnées temporelles, mais une telle analyse comparative des techniques peut s’appliquer aussi bien pour des coordonnées spatiales, comme celles des États de l’U.E.-15 par exemple. Nous appliquons la méthodologie de Carter de détermination du choix optimal des techniques au problème de l’allocation de la production entre plusieurs pays de manière à exploiter leurs avantages comparatifs et à satisfaire à certaines contraintes environnementales. Nous examinons également les travaux récents de Carter sur des questions encore plus fondamentales portant sur les changements de techniques

    Supplemental Material, Readmission_CTDAPatientQuestionnaire - Social Factors and Patient Perceptions Associated With Preventable Hospital Readmissions

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    Supplemental Material, Readmission_CTDAPatientQuestionnaire for Social Factors and Patient Perceptions Associated With Preventable Hospital Readmissions by Jocelyn Carter, Charlotte Ward, Anne Thorndike, Karen Donelan, and Deborah J. Wexler in Journal of Patient Experience</p

    Food and eating in fiction since 1950 with particular reference to the writing of Angela Carter, Doris Lessing, Michele Roberts and Alice Thomas Ellis.

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    PhDEating is a fundamental activity. What people eat, how and with whom, what they feel about food, what they do or do not want to eat and why - even who they eat - are of crucial significance in any reading of human behaviour. In this thesis, I consider the diverse and complex uses of food and eating in fiction since 1950, especially that written by women. I argue both that food and eating carry much of the meaning of a novel or story and that the acts of cooking, feeding and eating depicted are inseparable from issues of power and control: individually, interpersonally, culturally, politically. My discussion centres on the writing of Angela Carter, Doris Lessing, Michele Roberts and Alice Thomas Ellis. Drawing on psychoanalytic theory, sociology, anthropology, Foucault, Bakhtin and others, the thesis aims to construct an interdisciplinary perspective which both resists reductive interpretations and emphasises the centrality, complexity and diversity of food and eating in literature in our culture. I begin with an examination of the ambiguities of maternal feeding and nurturing, moving on to explore the links between appetite, eating and sexuality. I explore cannibalism and vampirism as manifestations of oppression, but also as indicating insatiable emptiness and transgressive appetite. The body itself is crucial, and my argument considers the paradox of not eating as control/enslavement, also tracing self-starvation as a positive route towards wholeness and connection. The last part of my argument focuses on social eating, examining conventions, rituals and food itself in connection with power relations, and finally considers how we might truly speak of food and eating in the context of society as a whole

    Parliaments and Facts: Deepening Deliberation

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    Gabrielle Appleby and Anne Carte

    Anne Carter and input-output: Technology, trade and pollution

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    We pay tribute to Anne Carter’s contributions to economic analysis. Mainstream economic models, including input-output studies, consider technology as given and do not question the co-existence of different national economic techniques. Carter, however, addresses this key question. Her book, Structural Change in the American Economy (1970), was well ahead of its time. The techniques Carter compared were differentiated by time, but the comparative analysis is equally applicable to a comparison of techniques that are differentiated by location, such as those of the EU-15 member states. We apply Carter’s method for the determination of the optimal choice of technique to the problem of allocating production among different countries, so as to make use of their comparative advantages in producing commodities and in meeting environmental constraints. We also draw attention to Carter’s recent work on ever deeper questions regarding variations in technology

    Facts in Public Law Adjudication /

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    This book explores critical issues about how courts engage with questions of fact in public law adjudication. Although the topic of judicial review - the mechanism through which individuals can challenge governmental action - continues to generate sustained interest amongst constitutional and administrative lawyers, there has been little attention given to questions of fact. This is so despite such determinations of fact often being hugely important to the outcomes and impacts of public law adjudication. The book brings together scholars from across the common law world to identify and explore contested issues, common challenges, and gaps in understanding. The various chapters consider where facts arise in constitutional and administrative law proceedings, the role of the courts, and the types of evidence that might assist courts in determining legal issues that are underpinned by complex and contested social or policy questions. The book also considers whether the existing laws and practices surrounding evidence are sufficient, and how other disciplines might assist the courts. The book reconnects the key practical issues surrounding evidence and facts with the lively academic debate on judicial review in the common law world; it therefore contributes to an emerging area of scholarly debate and also has practical implications for the conduct of litigation and government policy-making

    A narrative of Augusta Baker's early life and her work as a children's librarian within the New York Public Library system

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    "Augusta Braxston Baker (1911-1998) was a Black American librarian whose tenure within the New York Public Library (NYPL) system lasted for more than thirty years. This study seeks to shed light upon Baker’s educational trajectory, her career as a children’s librarian at NYPL's 135th Street Branch, her work with Black children’s literature, and her enduring legacy. Baker's narrative is constructed through the use of primary source materials, secondary source materials, and oral history interviews. The research questions which guide this study include: 1) How did Baker use what Yosso described as ""community cultural wealth"" throughout her educational trajectory and time within the NYPL system? 2) Why was Baker’s bibliography on Black children’s books significant? and 3) What is her lasting legacy? This study uses historical research to elucidate how Baker successfully navigated within the predominantly White world of librarianship and established criteria for identifying non-stereotypical children’s literature about Blacks and Black experiences."Submission published under a 24 month embargo labeled 'U of I Access', the embargo will last until 2018-05-01The student, Regina Carter, accepted the attached license on 2016-04-15 at 10:05.The student, Regina Carter, submitted this Dissertation for approval on 2016-04-15 at 10:28.This Dissertation was approved for publication on 2016-04-18 at 14:17.DSpace SAF Submission Ingestion Package generated from Vireo submission #9236 on 2016-07-07 at 13:49:21Made available in DSpace on 2016-07-07T20:27:24Z (GMT). No. of bitstreams: 3 CARTER-DISSERTATION-2016.pdf: 1183282 bytes, checksum: 179e56547a1589c4b124c1afdea2a8e3 (MD5) LICENSE.txt: 4210 bytes, checksum: 1ec645295f8877619c9850dc4ba3eb79 (MD5) PROQUEST_LICENSE.txt: 4556 bytes, checksum: d5b8aba74e42f7d4c6781f823e4f444f (MD5) Previous issue date: 2016-04-18Embargo set by: Seth Robbins for item 93112 Lift date: 2018-07-07T20:28:14Z Reason: Author requested U of Illinois access only (OA after 2yrs) in Vireo ETD systemEmbargo set by: Seth Robbins for item 93112 Lift date: 2018-07-07T20:35:34Z Reason: Author requested U of Illinois access only (OA after 2yrs) in Vireo ETD systemU of I Only Restriction Lifted for Item 93112 on 2018-07-08T09:15:33Z

    'The cracked mirror': Anne Sexton's poetics of self-representation

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    This thesis re-evaluates the work of the poet Anne Sexton (1928-1974), concentrating, in particular, on the indeterminacies, contradictions and aporia which it finds to be characteristic of her ostensibly frank and self-revelatory writing. The study is based on a close textual analysis of Sexton's writing, is informed by oststructuralist theories, and is sustained by an examination and discussion of archive collections of her previously unpublished papers. In seeking an understanding of Sexton's poetics, the thesis identifies and interrogates the strategies of denial and obfuscation apparent in her own explication of her work - principally, by scrutiny of the unpublished, and previously unresearched, drafts of a series of lectures which she delivered in 1972. Chapters One and Two consider the origins of `confessional' or - Sexton's preferred term - 'personal' poetry and reassess her place within contemporary poetry. They suggest that Sexton's writing is engaged in a process of negotiation and contestation, both with the boundaries and expectations of confessionalism, and with the strictures of T. S. Eliot's theory of `impersonality'. In support of these arguments, Chapter Two offer a reading of Sexton's little-known poem, `Hurry Up Please It's Time', alongside its intertext, Eliot's The Waste Land. Chapter Three reassesses received views of the supposedly beneficial interrelationship between confessional speaker and reader. It examines Sexton's appropriation of dramatic masks and personae and her use of metaphors of striptease and prostitution, and suggests that these are employed simultaneously to appease and to repel an intrusive audience. Similarly, Chapters Four and Five trace Sexton's problematisation of two previously-accepted tenets of confessional poetry: its status as autobiography and its truthfulness, drawing attention to the techniques employed in order to give the impression of both. Chapter Six considers Sexton's problematic engagement with a language which is not malleable, transparent, and referential but, rather, is experienced as uncooperative and occlusive. Finally, the thesis recuperates Sexton from the common charge of narcissism, arguing that it is the writing, rather than the poet, which is self-reflexive and self-conscious. In this respect, it concludes that her work - perhaps unexpectedly - anticipates many of the tendencies of postmodernist writing

    Casa Manana Showgirls arrive: Denise Collette, Marilyn Hanold, Gloria Kristy, Susan Turner, and Anne Drake are greeted by M. D. Burnett, J. G. Sharp, Jr., J. E. Messersmith, Edward Haynes, and J. E. McAdams

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    When Casa Manana\u27s five New York showgirls arrived at Carter Field to begin rehearsals for Gentlemen Prefer Blondes , they were met by five Fort Worth bachelors. Standing at the top is Denise Collette. Next are Marilyn Hanold, left, and Gloria Kristy. Accepting roses are Susan Turner, left, and Anne Drake. The men, left to right, are M. D. Burnett, J. G. Sharp Jr. (partially hidden), J. E. Messersmith, Edward Haynes, and J. E. McAdams. Fort Worth Star-Telegram Morning edition May 26, 1960.https://mavmatrix.uta.edu/specialcollections_startelegram1960s/1118/thumbnail.jp
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