1,721,000 research outputs found
Atom Town
a polemical visual summary of current and forthcoming researches in nuclear archive and sit
Nuclear Culture Source Book (new photographic work pages 048, 067, 94)
The Nuclear Culture Source Book is a resource and introduction to nuclear culture, one of the most urgent themes within contemporary art and society, charting the ways in which art and philosophy contribute to a cultural understanding of the nuclear. The book brings together contemporary art and ideas investigating the nuclear Anthropocene, nuclear sites and materiality, along with important questions of radiological inheritance, nuclear modernity and the philosophical concept of radiation as a hyperobject. This book was published to co-incide with the exhibition Perpetual Uncertainty at Bildmuseet, Umeå, Sweden, October 2016
The Nuclear Culture Source Book
The Nuclear Culture Source Book is a resource and introduction to nuclear culture, one of the most urgent themes within contemporary art and society, charting the ways in which art and philosophy contribute to a cultural understanding of the nuclear. The book brings together contemporary art and ideas investigating the nuclear Anthropocene, nuclear sites and materiality, along with important questions of radiological inheritance, nuclear modernity and the philosophical concept of radiation as a hyperobject.
Contributing writers: Peter C van Wyck; Gabrielle Hecht; Timothy Morton; Jahnavi Phalkey; Noi Sawaragi; Eiko Honda; Susan Schuppli; Victor Gama; Di McDonald and Nicola Triscott.
Contributing artists: James Acord; Shuji Akagi; Lise Autogena and Joshua Portway; Erich Berger; Chim↑Pom; Thomson & Craighead; Nick Crowe and Ian Rawlinson; Gair Dunlop; emptyset; Merilyn Fairskye; Nina Fischer and Maroan el Sani; Victor Gama; Joy Garnett; Giuliano Garonzi; Grand Guignol Mirai; Dave Griffiths; Annie Grove-White; Helen Grove-White; Isao Hashimoto; Hilda Hellström; Cornelia Hesse-Honegger; Hollington and Kyprianou; Martin Howse; Pierre Huyghe; Ai Ikeda; Robert Jacobs and Mick Broderick; Miyamoto Katsuhiro; Yoi Kawakubo; Bridget Kennedy; Yves Klein; Erika Kobayashi; Karen Kramer; Sandra Lahire; Jessica Lloyd-Jones; Veronika Lukasova; David Mabb; Cécile Massart; Eva and Franco Mattes; William Morris; Yoshinori Niwa; Takashi Noguchi; Chris Oakley; Uriel Orlow; Trevor Paglen; Yelena Popova; Monica Ross; Susan Schuppli; Taryn Simon; smudge studio; Isabella Streffen; Shimpei Takeda; Nobuaki Takekawa; Kota Takeuchi; Mika Taanila and Jussi Eerola; Robin Tarbet; Suzanne Treister; Alana Tyson; Mark Aerial Waller; Andy Weir; Jane and Louise Wilson; Louise K Wilson; and Ken + Julia Yonetani
The Atomic Gift
The article concerns histories of particle accelerators as a part of the history of the nuclear age, and its implications towards understanding the politics of knowledge production
Midwatch
Interview with veterans of the first British nuclear weapons tests 'Grapple' and 'Mosaic' in the 1950s in the context of a publication on contemporary art practices investigating the nuclear anthropocene, nuclear sites and materiality
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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