1,306 research outputs found
Women of Goethe\u27s Time: A Correspondence: Caroline von Humboldt and Friederike Brun (English Translation)
No full textThis work is a complete English translation of the correspondence between Friederike Brun and Caroline von Humboldt
Caroline Brun L'irrationnel dans l'entreprise
No full textVettraino-Soulard Marie-Claude. Caroline Brun L'irrationnel dans l'entreprise . In: Communication et langages, n°84, 2ème trimestre 1990. p. 124
Caroline Brun L'irrationnel dans l'entreprise
No full textVettraino-Soulard Marie-Claude. Caroline Brun L'irrationnel dans l'entreprise . In: Communication et langages, n°84, 2ème trimestre 1990. p. 124
Un nouveau business : la presse gratuite
No full textLa presse gratuite est devenue en 30 ans en France un secteur important de l'édition. Il englobe des publications très diverses. Source de profit considérable, il tend à s'internationaliser. Eurostaf vient de publier une étude de 100 pages sur « la presse gratuite française dans la perspective européenne ». Elle a été réalisée par Caroline Brun et Joël Morio, avec la collaboration de Jean Gall. Nous en publions la partie introductive, claire et alléchante, en renvoyant le lecteur au document complet : Eurostaf, 60/62, rue d'Haute- ville, 7501 0 Paris - tél. : 49 24 90 50.Brun Caroline, Morio Joël. Un nouveau business : la presse gratuite. In: Communication et langages, n°93, 3ème trimestre 1992. pp. 6-17
Le Recueil de Fontaines et de Frises maritimes gravé par Louis de Châtillon d’après Le Brun
No full textAbout the Recueil de Fontaines et de Frises maritimes engraved by Louis de Châtillon after Le Brun.
Numerous books of etchings devoted to fountains appear since the beginning of the 17th century. The first ones, mostly Roman, represent gardens, or urban views. In France, they tend to become books of standard models. Around 1680, Charles Le Brun suggests the engraving of some of his works to Louis de Châtillon. One of these is a Livre de Fontaines et de Frises maritimes (Book of Fountains and maritime Friezes) in which a group of seven prints stand out in the series. It concerns fountains where sculpture plays a major part. The themes derive from mythological cycles. One can link these etchings with some drawings ascribed to Le Brun, kept in the Louvre. Their conception is close to Bernini’s baroque vision. Even though no source evidences it, it is, in all likelihood an informal commission given to Le Brun for the ornamentation of new watering places in Paris around 1665. But the plan was not carried out. There remains a very beautiful book of prints demonstrating — far from the topographical and typological collections — how Le Brun was concerned with the preservation of the compositions he had created.Janand Marie-Caroline. Le Recueil de Fontaines et de Frises maritimes gravé par Louis de Châtillon d’après Le Brun. In: Histoire de l'art, N°45, 1999. L’estampe et le livre illustré. pp. 45-56
Author Correction: Local Josephson vortex generation and manipulation with a Magnetic Force Microscope (Nature Communications, (2019), 10, 1, (4009), 10.1038/s41467-019-11924-0)
No full text© 2019, The Author(s). The original version of this Article contained an error in the spelling of the author Christophe Brun, which was incorrectly given as Chritophe Brun. Additionally this Article omitted from the author list the seventh author Nickolay Lebedev, who is from the ‘Moscow Institute of Physics and Technology, 141700 Dolgoprudny, Russia’. These errors have now been corrected in both the PDF and HTML versions of the Article
Maternal–Child Co-occupation Within a Domestic Violence Shelter
No full textAbstract
Date Presented 3/31/2017
Using a phenomenological qualitative design, maternal–child co-occupational experiences within a domestic violence shelter were explored. Three themes emerged: (1) a difficult step, (2) I think they will be fine, and (3) maternal–child co-occupation.
Primary Author and Speaker: Jessica De Brun</jats:p
Hochwasser in Luzern 16. Juni 1910
No full textDruckjahr dem Titel entnommenRückseitig Nummer: "109a"Rückseitiger Druck: "Chemiserie, Lingeries und Rideaux Caroline Brun St. Annahof Luzern
The fixed-income market in Uruguay
No full textWorking paper version of article published as: de Brun Mascheroni, Julio Ernesto and Gandelman, Nestor and Kamil, Herman and Porzecanski, Arturo C., The Fixed-Income Market in Uruguay (August 2006). Available at SSRN: https://ssrn.com/abstract=929166 or http://dx.doi.org/10.2139/ssrn.929166Uruguay's capital markets remain undeveloped despite the country's financial liberalization dating back to the 1970s, which was reinforced by passage of several additional laws in 1990s whose aim was to promote the local financial markets. The government is able to raise funds domestically in what is a liquid bond market, but private firms continue to fund themselves mostly out of retained earnings or else via bank loans and suppliers' credit. Moreover, when compared to others in Latin America, Uruguayan firms feature the highest ratios of liability dollarization, and corporate debt structures with the shortest maturities - currency and maturity mismatches that render them (and by extension, their creditors) extremely fragile. A deepening of the domestic capital market would probably alleviate this vulnerability of the Uruguayan economy. The financial fragility of Uruguayan firms amplified by corporate governance issues are the main impediments for the development of the capital markets. Given the current firm practices and the absence of sizeable institutional investors besides the Pension funds, the fixed income market will most likely remain a source of funding for very few firms
Élisabeth Vigée Le Brun, um paralelo histórico-artístico de gênero: A construção do cenário artístico feminino na França do século XVIII, com o viés contemporâneo de sua exposição no MET
No full textÉlisabeth Vigée Le Brun (1756-1842) stars in this emblematic article in which I seek to establish a comprehensive historiographical parallel in a comparative way. Whitney Chadwick, Griselda Pollock, in addition to Koselleck, are fundamental to cast meaning in the artistic plots present in Memoirs of Madame Vigée Lebrun. As a result, I seek to express the current feminine artistic parallel of the French revolutionary period, indicted in her exhibition at the MET in 2016, in order to establish her artistic parametersÉlisabeth Vigée Le Brun (1756-1842), protagoniza este emblemático artigo em que busco de forma comparativa estabelecer um paralelo historiográfico abrangente. Whitney Chadwick, Griselda Pollock além de Koselleck, são fundamentais para elencar significado nas tramas artísticas presentes em Memoirs of Madame Vigée Lebrun. Como resultado busco exprimir o paralelo artístico feminino vigente do período revolucionário francês, indiciadas em sua exposição no MET em 2016, de modo a estabelecer seus parâmetros artísticos
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