1,720,998 research outputs found
Carlo Conti-Rosgini, Storia d'Etiopia
No full textCumont F. Carlo Conti-Rosgini, Storia d'Etiopia. In: Revue belge de philologie et d'histoire, tome 8, fasc. 3, 1929. pp. 906-907
Carlo Conti-Rosgini, Storia d'Etiopia
No full textCumont F. Carlo Conti-Rosgini, Storia d'Etiopia. In: Revue belge de philologie et d'histoire, tome 8, fasc. 3, 1929. pp. 906-907
Tra scienza e amministrazione: Carlo Conti Rossini durante e dopo la dominazione coloniale
No full textCarlo Conti Rossini’s work is still now considered an essential lens to approach the Horn of Africa, especially the region of today Eritrea. In fact, the contribution of knowledge given by the above-mentioned scholar, who also was the founder of the Rassegna di Studi Etiopici, is immeasurable and covers different scientific fields, from ethnography to philology and history. Despite the international reputation of Conti Rossini and the acknowledged esteem for his scientific heritage, a critical elaboration of his scholarship has been until now only touched upon. The present article aims at addressing this gap and putting the author of Principi di diritto consuetudinario dell’Eritrea in a new light; it does it by retracing on the one hand his life spent between science and administration and by highlighting on the other hand the consequences of his work still in postcolonial age. The article wishes to be a incitement to a postcolonial intellectual biography of Carlo Conti Rossini
Carlo Conti Rossini — Storia d'Etiopia. Parte prima : Dalle Origine.all'avvento della dinastia Salomonide (Africa Italiana, III).
No full textCumont Franz. Carlo Conti Rossini — Storia d'Etiopia. Parte prima : Dalle Origine.all'avvento della dinastia Salomonide (Africa Italiana, III).. In: Syria. Tome 10 fascicule 1, 1929. pp. 71-72
Carlo Conti, Corpus delle incisioni dl Monte Βego I (Zona I)
No full textOsterrieth-Van Berg Martine. Carlo Conti, Corpus delle incisioni dl Monte Βego I (Zona I). In: L'antiquité classique, Tome 47, fasc. 1, 1978. pp. 372-373
Éloge funèbre de M. Carlo Conti Rossini, correspondant étranger de l'Académie
No full textSamaran Charles. Éloge funèbre de M. Carlo Conti Rossini, correspondant étranger de l'Académie. In: Comptes rendus des séances de l'Académie des Inscriptions et Belles-Lettres, 94ᵉ année, N. 3, 1950. pp. 260-261
Éloge funèbre de M. Carlo Conti Rossini, correspondant étranger de l'Académie
No full textSamaran Charles. Éloge funèbre de M. Carlo Conti Rossini, correspondant étranger de l'Académie. In: Comptes rendus des séances de l'Académie des Inscriptions et Belles-Lettres, 94ᵉ année, N. 3, 1950. pp. 260-261
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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