66 research outputs found

    Portrait of David Rowbotham, 1958 [picture] /

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    Condition: good, framed.; Inscriptions: "The Studio, 225 Brunswick Rd, Valley, Bris. David Rowbotham, author poet & journalist" -- verso; Signed "Sibley '58" -- lower c.; Title from accession record.; File no 204/13/64

    Sir William Collins and Xavier Herbert

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    Sir William Collins, publisher and Xavier Herbert, author. Hand written comment about the photograph by Xavier Herbert on verso. [Gift of David Rowbotham

    The socio-cultural milieux of the left in post-war Britain

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    This thesis examines the relationship between activist subjectivities and the shaping of Britain’s late sixties extra-parliamentary left cultures. Based on the oral narratives of ninety men and women, it traces the activist trajectory from child to adulthood to understand the social, psychological, and cultural processes informing the political and personal transformation of young adults within the new left cultures that emerged in the wake of Britain’s anti-war movement, the Vietnam Solidarity Campaign (VSC). To this end the study charts the development of the political and cultural shifts on the left over the decade from the early 1960s to the early 1970s. It shows how throughout this period dialogue between inner and outer activist life occurred against a background of ongoing realignment on the left from a fluid, eclectic cultural network around the VSC to a demarcated post- VSC left after 1969, that saw increasing divergence between a non-aligned libertarian New Left on the one hand and a Trotskyist far left milieu on the other. The study seeks to claim a valid space for Britain’s left activist landscape within the political, social and cultural framework of ‘1968’ and British post-war historiography. Privileging individual and collective subjectivities, the thesis examines ways of belonging inside Trotskyist and non-aligned left milieux by situating the respondents, their radical histories and activist cultures within the changing post-war fabric. It shows that investigating individual and collective memories provides deeper understanding of the ‘cognitive maps’ that young men and women created, as they attempted to situate themselves as radical, global beings as well as local, gendered social citizens. As micro-studies the individual stories reveal how the experience of social, emotional and political maturation from child to adult intersected with a specific social and political moment – the formation of a new and distinctive left culture that came to full fruition only in the aftermath of 1968 with the arrival of Women’s Liberation and the new personal politics. Exploring the social and psychological impact of post-war childhood and youth, the study engages with the political and emotional impact of Women’s Liberation on the men and women within the cultural context of the different left milieux. Overall, the thesis questions how, from the mid-1960s to the early 1970s, the variant cultures of the milieux penetrated public and private spaces, and shaped early life experiences of work, political activity, family, and political and personal relations in order to understand how activism shaped social patterns and psychic being

    Caro Dr. Marx Carta de uma feminista socialista

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    A autora dessa carta imaginária, Annette Devereux, é uma personagem fictícia, bem como seu marido, Victor, tipógrafo Cartista, e M. e Mme.Ducrocq. Todos os outros personagens mencionados, no entanto, são figuras históricas e a informação sobre eles é apresentada, na ordem em que aparecem, no final da carta. O argumento e as demandas feitas, os eventos políticos descritos, as revistas e a Falange Fourierista em Wisconsin são todas baseadas na realidade histórica.Abstract The author of this imaginary letter, Annette Devereux, is a fictional character, along with her husband, Victor, the Chartist typographer and M. e Mme. Ducrocq. However, all the others characters mentioned are historical figures and infomation about them is provided in the order in which they appear at the end of the letter. The arguments and demands presented, the political events described, the journals and the Fourierist Phalanx at Wisconsin are all based on historical reality.Key-words: Feminism, Socialism, Communist Manifest, Phalan

    Challenging Male Hegemony: A Case History of Women's Experiences in British and US Higher Education, 1970-2002

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    This thesis is located within the discipline of history, and centres around the experiences of women in US and British universities. Higher education in both the US and the UK, as throughout the world, has historically been male-led and male-controlled. This male hegemony of higher education continues to the present, as evidenced by the low percentage of women in the upper echelons of academia (for example, professors). Women in the US and the UK have been challenging this male hegemony since their admittance to higher education institutions in the nineteenth century. They faced fierce opposition in their efforts to open higher education to women. This opposition was later echoed in the resistance to twentieth-century feminists' efforts to found women's studies programmes. The male hegemony of higher education is evident in the case histories of the experiences of women at Appalachian State University (ASU) and the University of Gloucestershire (UG) in the latter part of the twentieth century. ASU and UG, although located in different countries, have similarities which make a comparison interesting. The male hegemony of the institutions, and women's challenges to it, is especially illustrated when analysing three areas: residence hall life (living), staff issues (working), and the women's studies programmes (teaching and learning). Women students at both institutions experienced, and successfully challenged, strict residence rules through the 1960s. National influences, such as the change in the age of majority, and pressure from the students themselves brought a loosening of these rules in the 1970s and 1980s. The conservative nature of the institutions also influenced the experience of women academic staff. Institutional management was not proactive regarding women's issues, and there is strong evidence of a `glass ceiling' at both institutions. The male hegemony of the institutions was also illustrated in the struggle to found and maintain women's studies programmes

    Coast of Soap Ships

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    The principal aim of Coast of Soap Ships was to examine issues of representation and self-representation of working-class communities and identities. The research examined how members of working-class communities would represent themselves if given the opportunity. It also explored what skills and infrastructures were needed in order to allow for this process. The film was made in response to an episode of Secret Millionaire (Channel 4), but actually engaged more widely with the current representation of working classes in Britain (Rowbotham, Beynon 2001, Tyler 2008). The episode of Secret Millionaire, however, was set in the community of Barrow-in-Furness which represented the community in a particular way without allowing self-representation. Considering the media context – Jenkins (2008) for example argues that we now live in an era of participation culture – this exclusion was notable. Heney drew on research of participation culture (see also Johnson 2007, Ross 2010) as well as research into vulnerable audiences, and in particular children (Buckingham 1993, 2000; Gauntlett 2005), to construct a project that would provide training to a teenage community group which would then make a film with the support of a small production team. Heney (with co-director Hunter) decided that in order to allow for well-crafted self-representation, the community should use a more established form of media, namely still photography. At the same time, using still photography would also create a sense of disruption and draw the audience’s attention to the constructed-ness of the image, thus drawing attention to the dichotomy of real versus imagined or apparent. The film challenged the current representations of working-class communities as illiterate, unemployed, drug-dependent and chaotic in relation to family relationships, and instead presented them as intelligent, articulate and able. The film was shown at Keswick Film Festival where it won first prize. It was also put up on the Channel 4 website, where Paula Carter, Channel 4’s viewers editor, commented: ‘Complaints don’t come more eloquent than this.

    Fornaldarsögur, Prosimetrum, and History-Writing in Medieval Iceland

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    In recent scholarship, the Icelandic fornaldarsögur – legendary, “mythic-heroic” sagas – have typically been regarded as a locus for literary fiction in medieval Iceland, owing in part to their genetic and generic relation to romance literature. This thesis aims to redirect the debate and argues for the historiographical function of these sagas. Following a discursive introductory chapter, each of the three main chapters analyses the various narrative and rhetorical strategies of individual fornaldarsögur in comparison with contemporaneous historiography, with particular emphasis of their prosimetrical form. In Chapter 2 I analyse how the comic and folktale elements of Gautreks saga serve to historicise its moral exempla, and, drawing on the theoretical frameworks of Mikhail Bakhtin, argue that the saga’s representation of geography and space serves to compartmentalise its fictionality in discrete “chronotopes.” I also demonstrate how the quotation of poetry in Gautreks saga, modelled on the konungasögur (‘kings’ sagas’), serves to authenticate the prose narrative. In Chapter 3 I analyse how the author of Vǫlsunga saga drew on genealogical and biographical models of historiography to expand the Poetic Edda’s account of the early Vǫlsung dynasty and Sigurðr Fáfnisbani’s early life. Numerous verses in Vǫlsunga saga are quoted to corroborate the prose, but, I argue, they appeal to the anonymity and continuity of the oral eddic tradition for their authority, in contrast to the skaldic tradition of the konungasögur. In Chapter 4 I analyse how many of the verse quotations of Ragnars saga loðbrókar authenticate the prose narrative, despite their presentation as direct speech. I go on to analyse the significance of the Ragnarr legend in skaldic poetics of the twelfth and thirteenth centuries – in particular, the remembrance of Ragnarr as a poet himself – and argue that this lent weight to the verse quotations in the saga as direct testimonials. I conclude by analysing the geography and spatial representation, genealogical structures, and the prosimetrum of other fornaldarsögur, demonstrating that studying these texts in relation to medieval historiographical discourse furthers our understanding of the both the genre and thirteenth-century Icelandic literary culture more widely

    Effect of Build Parameters on Processing Efficiency and Material Performance in Fused Deposition Modelling

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    AbstractAdvances in additive manufacturing have resulted in significant growth of such materials, including the medical sector. It is particularly applicable to manufacture of prosthetics and implants, where design freedoms and complex geometries afforded by additive manufacturing are especially suited to such products. With this growth it is timely to consider approaches to optimization for both efficiency and performance. In this work a design of experiments approach was used to quantify the effects of build parameters on performance and efficiency outputs. This approach could prove invaluable to designers for both cost and performance optimization, applicable to both prototype and part production

    Nurse-Performed Endoscopy: Implications for the Nursing Profession in Australia

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    © 2017, © The Author(s) 2017. Increasing demands for health care globally often lead to discussions about expanding the involvement of nurses in a range of nontraditional roles. Several countries have introduced nurse endoscopists as a means of easing the burden of demand for a range of endoscopic procedures. A shortage of medical staff in Australia combined with increasing demand for endoscopy led to the implementation of nurse endoscopists as a pilot program in the state of Queensland, where a nurse practitioner model was implemented, and Victoria, where an advanced practice model was used. This article will discuss the implementation of and responses from the nursing, medical, and policy community to nurse-performed endoscopy in this country. Regarding health policy, access to cancer screening may be improved by providing nurses with advanced training to safely perform endoscopy procedures. Moreover, issues of nurse credentialing and payment need to be considered appropriate to each country’s health system model
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