1,721,360 research outputs found
Introduzione [a: De-Pavimentiamoci: prove di riconciliazione tra costruito e naturalità, a cura di Cardaci, Alessio; Garda, Emanuele, Roma, Aracne, 2023]
No full textIl volume è frutto dell’esperienza maturata nell’ambito di ricerche interdisciplinari - sui temi della conoscenza, dell’analisi e del progetto, dell’analisi del costruito - in contesti a forte impermeabilizzazione e compromissione dei suoli. Esso affronta il tema della de-impermeabilizzazione dell’ambiente urbano con un approccio tecnico-scientifico orientato ad evidenziare, sia i principali benefici offerti da questo tipo di azione, sia le eventuali difficoltà presenti nei quadri insediativi, normativi e “culturali” esistenti. Dopo una lunga stagione di impermeabilizzazione dei suoli, le città sono oggi chiamate ad assumere nuovi concetti e approcci per affrontare le sfide indotte dai cambiamenti climatici e dalla crisi ambientale. La de-impermeabilizzazione rappresenta un concreto strumento per consentire alla città di rigenerarsi dal punto di vista ecologico e di adeguarsi ‘in modo sostenibile’ alle nuove esigenze dell’uomo contemporaneo. I vari saggi vogliono sottolineare i molti benefici ecologi, termici, idraulici e di conservazione e salvaguardia del tessuto urbano, rispetto alla correlazione tra il “progetto della sottrazione” e la costruzione di una nuova naturalità
I Musei del Futuro: il legame tra l’uomo e la macchina nell’immersività coinvolgente dei digital tools AR e VR
No full textMuseums have become more popular than they were in the past. In the last decades, the exponential growth in the number of visitors has been accompanied by an equally vast and extraordinary use of models and means made available by technical-scientific evolution. The museum has today the task of teaching about heritage today is a challenging one with a great deal of responsibility. Raising awareness and training new generations in the knowledge, protection, and transmission of cultural heritage, promoting their active role as individuals and members of communities, is currently considered an increasingly strategic element in the processes of identity construction, citizenship education, inclusion, promotion of intercultural dialogue and, therefore, a sure driving force of economic growth, rigorously civically sustainable. European policies on cultural heritage aim to promote the recognition of places of culture as hubs of territorial development, inclusion, and well-being. The use of digital technologies was greatly accelerated to create new models of expression, conservation, and diffusion of heritage, also to support the redefinition of the services offered by muse-ums. The use of increasingly effective and engaging educational paths is made possible using digital representation, both immersive (VR) and environmental (AR). Online devices and new on-site tools now enrich the planning of training initiatives aimed at involving an everincreasing number of users, making cultural heritage more accessible and defining new meeting places and responses to diversified needs. This attention shown by museum institutions towards digital can, in part, be traced back to the need to adopt usercentered strategies, exploiting the potential of new technological tools to better conform to the needs of a new public. The contemporary museum must therefore be attentive to all the moments in which it enters into relationships with its guests and to every activity that can contribute to their satisfaction and the raising of their understanding. Virtual models, even more so if they are enjoyed through immersive reality experiences (AR and VR), therefore take on a fundamental importance. Immersive reality does not simply provide visitors with a platform in which to consult the contents of the heritage but creates a virtual dimension that stimulates interactivity and enriches perception. Visitors can manipulate the learning environment to gain a deeper understanding through a digitally lived experience that feels like it belongs to the real world. If with 3D modeling it is possible to reproduce and make visible what no longer exists or is hidden from view, integration with AR/VR systems allows you to understand and explore them by moving autonomously within them; a digital journey capable of promoting learning – even in an unusual and fun way – and highlighting the value of the work. Online devices and new on-site tools now enrich the planning of training initiatives aimed at involving an ever-increasing number of users, making cultural heritage more accessible and defining new meeting places and responses to diversified needs
La Pala del Moretto della chiesa di Sant’Andrea a Bergamo: riflessioni sulla trasposizione di una composizione pittorica in uno spazio fisico
No full textThe document is an experience of the transformation of a painting into a physical model. A sculpture inspired by painting can enable those with a visual disability to see art through imagination and tactile perception. The benefit of the beauty of a pictorial representation is denied to the partially sighted and the blind. The widespread use of prototyping in the field of cultural heritage enables people affected by visual impairment to understand a work of art. The touch perceives the world of forms by smelling the figures and objects of the representation. The new physical ‘painting’ is a new artwork different from the original and, therefore, a complement that increases its sense and artistic value. The Madonna in trono col Bambino tra i santi Eusebia, Andrea, Domno e Domneone is a work of Alessandro Bonvicino called Moretto. It is preserved in the first right altar of the church of Sant’ Andrea Apostolo in Bergamo. Famous art historians studied the Pala. Its importance lies in the creative, almost mannerist, spatial construction. The painter makes the protagonists of the painting, the creation of a dynamic place in constant evolution. He conceives the scene according to the action of people, so it is the space that suits the intentions and poses of the actors. The painting was recently restored; it is a representation of the well-known iconographic theme of the Sacred Conversation. The painting is built on a rigorous central perspective, with the main point positioned at the centre of the representation. The decoration of the floor allows to reconstruct the geometry of the scene and to trace the depth of the base. The Virgin and the Child are drawn outside the scale (larger than normal) and elevated above the other characters. The physical translation focused on communicating the role of the characters in order to recognise their relationship. Understanding the interactions was very important for narrating. The process of painting transformation required a subjective interpretation, as well as the stylization of shapes. The model was not a true reconstruction of the reality of perspective but a ‘thick’ representation of painting. A reconstruction adapted to the interpretive skills of the visually impaired and blind who revealed the illusion of depth with the crushing of the forms on a paint of limited thickness. The high-relief technique represented the most appropriate choice for transmitting Moretto’s art and telling his idea of space
Le nuove frontiere del rilievo 3D: la rivoluzione silente dell’Intelligenza Artificiale
No full textArtificial Intelligence (AI) is an interdisciplinary field rooted in both humanistic and technical-scientific traditions, spanning philosophy, psychology, mathematics, computer science, and engineering. From early reflections on reasoning and the mechanical devices of Schickard, Pascal, and Leibniz, to Babbage’s programmable machine and Turing’s theories, AI has evolved into a discipline formally defined at the Dartmouth Conference in 1956. Today, it permeates daily life while remaining dynamic and partly unexplored. In the Science of Drawing and 3D Surveying, AI is transforming workflows by integrating machine learning and deep learning into digital photogrammetry and laser scanning. These algorithms enhance image quality, automate feature recognition, accelerate reconstruction, and support scan-to-BIM processes. Although data acquisition still requires human expertise, UAV-based automation, neural radiance fields, and advanced point cloud analysis reveal a silent but profound shift. AI thus improves precision, speed, and functionality, anticipating future scenarios of autonomous documentation and conservation of built heritage
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