1,721,005 research outputs found
L’enciclopedia ittiologica di Giulio Cesare Capaccio e i suoi rapporti con il collezionismo napoletano
No full textPer una Wunderkammer letteraria: Mergellina, la «fatica marittima» di Giulio Cesare Capaccio
No full textIl Sogno di un collezionista del Seicento napoletano: il metodo di Maurizio Di Gregorio tra “plagio” e “riscrittura”
No full text«Simboli predicabili»: l’Iconologia nella letteratura sacra del XVII secolo tra immagini simboliche e pratiche scrittorie
No full textThis paper will concentrate on early modern sermons, a genre of important impact on Italian culture not just in the period of the Reformation but throughout. In particular it examin the figurative and textual fortune of Cesare Ripa in the sacred literature in the Modern Age produced by bishops and teologists. What role did Ripa playes in sacred books and what did they set out to achieve? We study these and other related aspects by inspecting the phenomenon of figurative language inside litterature sacred
Aspetti teorici nello studio della storia dell'arte in Sicilia nell'Ottocento
No full textIl contributo rileva alcune tendenze teoriche della critica d'arte e dell'estetica in Sicilia nel XIX secol
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
recensione a Carlo Celano, Notizie del bello, dell’antico e del curioso della città di Napoli, edizione critica della ristampa del 1792 con le aggiunte del 1724 e del 1758-1759, a cura di Gianpasquale Greco, Napoli, Rogiosi Editore, 2018
No full textThe author presents the review of the recent critical edition conducted by Gianpasquale
Greco on the Notizie of Carlo Celano. They are considered the philological and
critical choices of Greco and reconstruction of the events of the descriptive odeporico
genre since the sixteenth century Neapolitan area
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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