1,720,954 research outputs found
Perejivanie : um encontro de Vigotski e Stanislavski no limiar entre Psicologia e Arte
Full text linkDissertação (mestrado)—Universidade de Brasília, Instituto de Psicologia, Programa de Pós-Graduação em Processos de Desenvolvimento Humano e Saúde, 2017.Além de compartilharem da mesma origem cultural e terem se nutrido do materialismo histórico-dialético, Vigostski e Stanislavski abordaram o tema da experiência humana, na vida e na arte. O termo perejivanie (переживание) foi amplamente abordado nas obras dos dois autores: por Stanislavski, para designar a experiência do ator na construção da personagem; por Vigotski, em seus estudos sobre o desenvolvimento humano, e para compreender a formação da personalidade como drama. Partimos de uma questão norteadora para a composição deste trabalho: quais são as relações entre a perejivanie e os processos criadores na arte e na vida? Este trabalho promove uma análise conceitual e um diálogo entre as obras de Vigotski e Stanislavski explorando a perejivanie e os processos criadores na arte e na vida, a partir de uma interlocução entre a psicologia e a arte. Os objetivos específicos foram: 1) analisar o conceito de perejivanie articulado aos processos criadores na arte: construção da personagem em Stanislavski e formação do ator em Vigotski; e 2) problematizar as relações entre perejivanie e processos criadores na formação dramática da pessoa na obra de Vigotski em diálogo com o desenvolvimento da pessoa (ator) em Stanislavski: a ética e a estética. Acessamos, também, as obras dos autores em outros idiomas, como o espanhol e o inglês, a fim de lidar com questões de tradução e compreender seus escritos de forma mais próxima ao original em russo. Assim como os atores no palco, nós estamos sempre atuando. A cada cena que se estrutura em nossa vida, somos compelidos a encarnar os papéis que nos constituem, vivendo as contradições inerentes à experiência humana. Encarnamos esses papéis para a plateia das nossas relações, enquanto vivemos o conflito entre o interno e o externo, que sempre nos gera a dúvida: ser ou não ser? Nesta perspectiva, podemos dizer que o teatro é o microcosmo da vida, onde as relações são tensionadas ao máximo e permitem analisar a intrincada trama das determinações humanas, transformadas em verdade poética. O presente trabalho constatou a necessidade de um olhar sobre a perejivanie na arte em uma perspectiva dialética com os estudos psicológicos sobre a perejivanie na vida, entendendo as relações entre a psicologia e a arte a partir do prisma da complementariedade, e não como campos de estudo separados. Tendo em vista que os estudos sobre o desenvolvimento dos sentidos do termo perejivanie são ainda recentes, particularmente quanto a sua compreensão no limiar entre arte e psicologia, esta dissertação vislumbra horizontes a respeito do tema, abrindo possibilidades para estudos futuros mais aprofundados.In addition to sharing the same cultural origin and nourishing themselves with historical-dialectical materialism, Vigostski and Stanislavski addressed the theme of human experience in life and art. The term perejivanie (переживание) was widely discussed in the works of both authors: Stanislavski used it to designate the actor’s experience in character construction, and Vygotsky used it in his studies on human development, to understand personality development as drama. With that in mind, the following question guided this work: how does perejivanie relate to the creative processes in art and in life? This dissertation promotes conceptual analysis and a dialogue between the works of Vygotsky and Stanislavski, exploring the problem of perejivanie and the creative processes in art and life, based on an interlocution between Psychology and Art. Its specific objectives are: 1) to analyze the concept of perejivanie articulated to the creative processes in Art: the construction of character in Stanislavski and actor training in Vygotsky; 2) to approach the relations between perejivanie and creative processes in the dramatic development of the individual in the work of Vygotsky in dialogue with actor training in Stanislavski: ethics and aesthetics. We also analyzed texts in other languages, such as Spanish and English, in order to deal with translation issues and understand the authors’ writings more closely to the original in Russian. Just like actors on stage, we are always acting. In each scene that is structured in our lives, we are compelled to incarnate the roles that constitute ourselves, living the inherent contradictions to human experience. We embody these roles for the audience of our relations, while we live the conflict between the internal and the external, which always generates the doubt: to be or not to be? In this perspective, we can say that theater is a microcosm of life, where relations are tensioned to the maximum, which allows us to analyze the intricate web of human determinations, transformed into poetic truth. This study identifies the need for a look at the perejivanie in art from a dialectical perspective with the psychological studies on the perejivanie in life, understanding the complementary relations between Psychology and Art. Since studies on the meanings of the term perejivanie are still recent, particularly in relation to understanding it in the threshold between Art and Psychology, this study broadens horizons for the subject, leaving room for further studies.Instituto de Psicologia (IP)Departamento de Psicologia Escolar e do Desenvolvimento (IP PED)Programa de Pós-Graduação em Processos de Desenvolvimento Humano e Saúd
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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