1,729,444 research outputs found
Le Rime di Bernardo Cappello. Edizione critica
No full textPer la prima volta sono edite criticamente le Rime di Bernardo Cappello, ovvero il canzoniere pubblicato nel 1560 per i torchi dei fratelli Guerra.
L’autore, che si colloca tra gli esponenti più significativi del Petrarchismo cinquecentesco, attraverso singoli frammenti lirici, genera un organismo letterario che restituisce il proprio percorso esistenziale, nonché biografico.
Per quanto riguarda l’evoluzione dell’architettura della raccolta, ci sono pervenuti quattro testimoni, nei quali possiamo distinguere almeno tre differenti fasi di elaborazione; a questi si aggiunge una ricca tradizione miscellanea che, per un cospicuo numero di componimenti, tramanda plurime fasi di composizione.Bernardo Cappello (Venezia 1498 ca.-Roma 1560), member of one of the oldest patrician families of Venice, played an active role in the politics of the Venetian Republic, until his exile in 1540. After that, he became a collaborator and a protégé of cardinal Alessandro Farnese, who is one of the most significant figures of the century. Then he took refuge in Rome, where over the years he held varied appointments. Since his youth and in parallel with his political career, Cappello constantly devoted himself to humanistic studies and to rhymes production: pupil of Pietro Bembo, interlocutor of Giovanni Della Casa and close friend to Bernardo Tasso, the author is among the greatest exponents of the sixteenth-century Petrarchism. For the first time the critical edition of Rime by Bernardo Cappello is here given, namely the book of 353 compositions that the author elaborated on the pattern of Bembo’s directives, over a large period of time. In his book of poetry (canzoniere), through lyrical pieces, the author creates his own existential and biographical path. Regarding the evolution of the architecture of Cappello’s collection, four witnesses survived, in which we distinguish different phases: the first one is genetic and manuscript (Roma, Biblioteca Casanatense, 277), with addition of corrections that generally are close to the textual variants of the princeps; the second is the print of 1560 for the press of the Guerra brothers; finally, a further evolutionary stage is represented by two postillated prints. To these witnesses a rich miscellaneous tradition is added, which, for a large number of rhymes, restores the elaborative complexity through multiple genetic forms. Poems ousted from the ancient print, but part of the canzoniere in other phases of composition, are included in this critical edition
L'édition des romans médiévaux à Lyon dans la première moitié du XVIe siècle
No full textCappello Sergio. L’édition des romans médiévaux à Lyon dans la première moitié du XVIe siècle. In: Réforme, Humanisme, Renaissance, n°71, 2011. pp. 55-71
Linking wine lactic acid bacteria diversity with wine aroma and flavour
No full textAbstract not availableMaria Stella Cappello, Giacomo Zapparoli, Antonio Logrieco, Eveline J Bartowsk
Uso di personal computer nella gestione di un Servizio di Nutrizione Parenterale Totale
No full textABSTRACT
C. Gabbianelli, G. Cappello, M. De Pinto, P. Sinatti, M. Chiaretti, A. Arullani -The use of a personal
computer in the management of a TPN unit
The Authors, after explaining the different organization and management problems connected with
Total Parenteral Nutrion (TPN) treatment, involving different surgical and medical departments, stress
on the importance of the use of a personal computer, introduced by them two years ago in the TPN and
EN unit, of the IInd Surgical Clinic of University of Rome, as it makes procedures shorter, as well as mo-
re efficient and functional.
Chir. Gastroent., 23: 103, 198
Active Audiences
No full textThe concept of the active audience has been one of the most fruitful and provocative ones in the field of media literacy as it has brought media educators to seriously question the traditional ways of defining both their students’ involvement with the media and the effects they supposedly produce on them
Quel passo un po' dinoccolato. "La letteratura verso Hiroshima", mezzo secolo dopo
No full textIl saggio prende in esame la prima raccolta saggistica di Giovanni Giudici, ricostruendone la genesi, la struttura, i momenti salienti e i quindici anni che compendia
Cappello, Maria
No full textCentro Asturiano membership record of Maria Cappello; Socio Number: 1150.https://digitalcommons.usf.edu/asturiano_membership/1699/thumbnail.jp
Sotto il Cappello di Nino Rota
No full textIl saggio colloca l'opera di Nino Rota "Il cappello di paglia di Firenze" (1955) nell'estetica paradossale e sfuggente del compositore e nel punto di confluenza tra la tradizione della farsa musicale e quella del vaudeville. Ne analizza inoltre tre aspetti decisivi: il rapporto tra espressione e convenzioni musicali rispetto al ruolo della parodia stilistica, utilizzata sistematicamente da Rota, la raffigurazione delle classi sociali, e la messa in scena di situazioni relative alla vita di coppia, che fanno dell'opera un consapevole trattato della vita coniugale
Religion in the television-mediated sphere. Transformations and paradoxes,
No full textStefano Martelli wrote the paragraphs 1,2,3,4,8,9 and Gianna Cappello the paragraphs 5,6,7.
This study suggests to look at the audiences of religious television programmes as a possible common field of interest for both the sociology of religion and communication research. The current visibility of religion on Italian television, amplified by the Jubilee 2000 and confirmed by the repeated successes of fictions dedicated to religious characters, put unusual questions to sociological theory. We argue here that such visibility must be interpreted within the «process of de-secularization», i.e. one of the many processes which are currently de-constructing modernity and confusing the distinction between the public and the private sphere. The “mediated” religion is the result of the ambiguous rediscovery of religion in the post-modern society. From this point of view, the Jubilee 2000 appears as a media event typical of the global media society in that religion is spread throughout the world but within the limits of media (and especially television) formats
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