2,695 research outputs found
nota a M.T. Capozza, ‘Sacerdotium’ nelle Novelle di Giustiniano. ‘Consonantia’ (συμφωνία) e ‘amplificatio’ della ‘Res Publica’
No full textLa sinfonia è una forma musicale dalla complessa architettura formale, identificata da una metodica di costruzione che corre lungo le direttrici dello schema-sonata, attraverso la tripartizione esposizione-svolgimento-ripresa che va innervata dalla profondità del pensiero che la vivifica. Il termine stesso, sinfonia, e non solo etimologicamente, esprime l’idea della sonorità, della concordanza, della composizione, dell’accordo. Anche il volume di Maria Teresa Capozza tratta di una sinfonia del tutto particolare, inerente il diritto novellare giustinianeo, ancorandosi a uno schema tripartito, attraversato da esposizione, svolgimento e ripresa
Discorso pedagogico e prospettiva sistemico-relazionale
No full textStarting with a few thoughts about the current pedagogical debate expressed within the work, the contribution of Luigi Pati, highlights the importance of relational systems perspective in the pedagogical discourse. The author proposes an analysis and historical evolution of the General Theory of Systems (TGS), illustrating the importance of the same in the action and in the educational relationship between educator and student
Sobre Luigi Ferrajoli y el constitucionalismo
No full textIn this paper, the author poses several general questions on Luigi Ferrajoli’s paper. Firstly, he writes on Ferrajoli’s construction of a theory that comprehensively infers, still always in a deductive way, the scope of a complex set of primitive terms and definitions. Secondly, the author questions his way to understand and particularly to reconstruct the so-called «constitutional paradigm». Thirdly, the author writes about Ferrajoli’s approach to the concepts of «validity» and «enforcement» of rules. Fourthly, he discusses Ferrajoli’s definition of garantist constitutionalism, particularly his conception of this sort of constitutionalism as an improvement or complement to legal positivism -inasmuch as constitutionalism respects both the being of the Law and its normative or ideal (must be) dimension. Finally, he revises the objections that Ferrajoli addressed to constitutionalism (the thesis of the separation between Law and morality, the distinction between principles and rules and the criticism of the weighting) introducing new arguments.El autor plantea una serie de objeciones al texto de Luigi Ferrajoli. En primer lugar, se refiere a la construcción por parte de Ferrajoli de una teoría que infiere de un modo exhaustivo, pero siempre deductivamente, el alcance de un complejo conjunto de términos primitivos y definiciones. En segundo lugar, el autor duda sobre la forma de ver y, sobre todo, de reconstruir el llamado «paradigma constitucional». En tercer lugar, el autor objeta el tratamiento que Ferrajoli hace de los conceptos de «validez» y «vigor» de las normas. En cuarto lugar, hace referencia a la definición que Ferrajoli realiza del constitucionalismo garantista, en concreto a la consideración de éste como mejora o complemento del positivismo jurídico que se logra gracias a que el constitucionalismo observa no sólo el «ser» sino el «deber ser» del Derecho. Finalmente, repasa las críticas que Ferrajoli realiza al constitucionalismo (la tesis de la separación entre Derecho y moral, la distinción entre principios y reglas y la crítica a la ponderación), expresando sus diferencias
La Rete termopluviometrica salentina e jonica: Cosimo De Giorgi e Luigi Ferrajolo. Storia di un'eredità scientifica
No full textEnIn 1891 Cosimo De Giorgi establishes a meteoric station in Taranto entrusted to the thirteen-year-old Luigi Ferrajolo (which over time becomes a meteorological and geophysical Observatory). Ferrajolo contributes to the growth of Salento thermopluviometric network with new meteoric stations, especially in Taranto. After De Giorgi's death in 1922, Ferrajolo receives this scientific legacy and establishes the Ionian Network, in agreement with the Central Meteorological Office of Rome. With the establishment of the new Ionian Province (1923), some stations belonging to Salento meteoric network therefore pass under the care and direction of the Taranto Observatory. Ferrajolo collects for several years the observations of some thermopluviometric stations in Taranto, trying to continue the work of the lamented De Giorgi.ItNel 1891 Cosimo De Giorgi istituisce a Taranto una stazione meteorica affidata al tredicenne Luigi Ferrajolo (che nel tempo diventa Osservatorio meteorologico e geofisico). Ferrajolo contribuisce a far crescere la rete termopluviometrica salentina con nuove stazioni meteoriche, soprattutto nel tarantino. Dopo la morte di De Giorgi nel 1922, Ferrajolo riceve questa eredità scientifica e istituisce la Rete Jonica, in accordo con l'Ufficio Centrale di Meteorologia di Roma. Con la costituzione della nuova Provincia Jonica (1923), alcune stazioni facenti parte della Rete meteorica salentina passano quindi sotto la cura e la direzione dell'Osservatorio di Taranto. Ferrajolo raccoglie per diversi anni le osservazioni di alcune stazioni termopluviometriche nel territorio tarantino, cercando di continuare l'opera del compianto De Giorgi
Six Characters in Search of an Author (Text)
No full textSix Characters in Search of an Author (Sei personaggi in cerca d’autore) is an Italian three-act play written by Luigi Pirandello in 1921, considered as one of the earliest examples of absurdist theatre. It’s a play within a play that deals with perceptions of reality and illusion, and plays with the ideas of identity and relative truths
Luigi Pirandello: In Search of an Author
No full textIn 1925 Luigi Pirandello brought his troupe to England as part of a worldwide tour. This classic program re-creates one day in London as "The Einstein of the Theater" watches his plays and, away from the footlights, confronts the paradoxical nature of his life. Portions of Six Characters in Search of an Author; Henry IV; Right You Are, If You Think You Are; and The Rules of the Game are meticulously staged, using actors' accounts, period descriptions, and Pirandello's own comments. Plus, biographical notes written by Pirandello himself provide a new angle on the inner torment that animates his work, while playwright Julian Mitchell and novelist Leonardo Sciascia critically analyze the action as it unfolds. (60 minutes, color
Organizing Chamber Music as Culture
No full textIn this paper Luigi Maria Sicca suggests on the one hand that organization theory offers an interpretation of the reality of arts producing organizations and on the other that the empirical analysis of these realities can supply new input for organization theory. As a practical example of artistic production the Author refers to an international chamber music festival. Close inspection of chamber music will reveal characteristics that apply to any type of organization. Sicca begins by looking at the nature of arts management and the arts manager. L.M.Sicca goes on to analyse the characteristics of the production process in the performing arts, which can be seen as communication taking place on three levels: between audience and performers (concept of “prosumer”); within the performing group (“listening ability”); between the author of the written text and the performer/interpreter (“concept of value”). Luigi Maria Sicca finishes by showing how in a symbolic-cultural framework the features identified in the paper can feed back into organization studies
L'educazione per la conquista dell'identità personale
No full textThe essay argues the need to pay attention to the educational growth and welfare of the individual personality that has relations in a certain context. The author reflects on the strategies through which the environment can facilitate or not the process of individual humanization
Six Characters In Search Of An Author
No full textProgram from the Little Theatre of Dallas' 1932 production of 'Six Characters In Search Of An Author,' written by Luigi Pirandello and directed by Charles Meredith. Setting arrangement by Alexandre Hogue. Cover art by Leon Dacus. Exhibitions by Olin Herman Travis and Kathryne Hail Travis
Paradoxes of Happiness in Economics
No full textSince the Industrial Revolution of the eighteenth century, the Western economies have experienced unprecedented and persistent growth of national income. But empirical surveys that have been carried out consistently reveal that people have not become happier at the same rate. The connections between national income and happiness have become weaker and weaker over time. The author suggests that the Classical approach to economics can offer a wider theoretical framework for the investigation of many topics concerning human behavior and thus also of happiness
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