1,732,088 research outputs found

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    Can I Touch It

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    The British Museum. Teacher leads group of young children round African sculpture exhibits. His rather boring presentation is interrupted by a statue coming to life and pointing to the "do not touch" sign. Female and male models on the catwalk; audience. VO "Fashion. Art. Politics. There’s more to our roots than we may realise." Photograph of Madame C J Walker, America’s first black millionairess, who, in 1905, invented products to help hair-straightening; photographs of hairdressing salon. Man suffering while processing his hair; VO explains that black people were encouraged to look more like whites. Photographs of the Empire Windrush and black immigrants. Commentary says they influenced British fashion and many black hair businesses grew up in major cities. Couple visiting cinema showing I Passed for White (1960). Couple reading newspaper with headline reporting riots at 1976 Notting Hill Carnival; they and their friends all have afro hairstyles. Couple leaving cinema in 1993 are handed anti-racist leaflet. Photographs of ninth century bronze "head of Queen Mother of Benin" and hairstyles from different African cultures; man carving. Young men with decorative patterns clipped into their hair. Bronzes. Ivory carving of head with hairstyle depicting Portuguese traders. Images from classical Egypt showing ceremonial beards and elaborate wigs, etc. Little girl having her hair combed. VO says that many myths relating to hair care – such as cutting it at birth and death – see hair as linking material and spirit worlds. Mother burns girl’s shed hair in candle. Children in one Yoruba village who are born with lots of hair are considered symbols of prosperity; representation of story of Samson who regained his wisdom, strength and faith when his hair grew back, a belief reflected in Rastafarianism attitudes to hair. People (including Tanya Read) with locks. VO explains the term "dread", and says that such hairstyles upset "the conformist establishment". Dancers silhouetted in front of animated painted background. Commentary talks about "funky dread" as epitomising the hybrid culture of the 1980s. Barber cutting elaborate patterns into man’s hair. VO says such hair styles reflect the mixing of reggae, hip hop, jazz and funk, and marking a "crossover between black American and black British cultures". DJ and people in club; two men discuss a young woman who rejects their advances and talks to her girlfriends about hair. DJ introduces Taiwo Ogunnaike who performs a poem about hair under the credits. Actor in costume says "To weave – or not to weave. That is the question.

    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    How can I cure my indigestion?

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    Mode of access: Internet
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