1,720,976 research outputs found
Bindo Guascappa copista per la Corona siculo-aragonese: l'apporto pisano al mito di Federico III
Quadro storico-culturale inerente l'attività del copista pisano Bindo Guascappa, così come testimoniata dal codice lulliano segnato Monaco, Bayerische Staatsbibliothek Hisp. 52 (596)
Sul più antico volgarizzamento dei Gradi di s. Girolamo (ms. Pisa, Biblioteca Cateriniana, n. 43)
Studio del più antico volgarizzamento dei Gradi di s. Girolamo e del codice che lo tramanda (ms. Pisa, Biblioteca Cateriniana, n.43
Frammenti dell'Histoire d'Outremer dall'Archivio Capitolare di Pistoia
Studio ed edizione di alcuni frammenti dell'Histoire d'Outremer rinvenuti presso l'Archivio Capitolare di Pistoi
Dante, i Malaspina e la diocesi lunense: presenze lucchesi alla pace di Sarzana e Castelnuovo Magra (6 ottobre 1306)
Il saggio indaga i personaggi di origine lucchese presenti alla stipula della Pace del 6 ottobre 1306 di Sarzana e Castelnuovo Magra tra i Malaspina e il vescovo-conte di Luni nella quale Dante Alighieri ebbe il ruolo di procuratore dei marchesi Malaspina
Dante e Tolomeo da Lucca: tangenze biografiche e spigolature d’archivio
Il saggio indaga le possibile tangenze biografiche tra Dante e Bartolomeo Fiadoni (Tolomeo da Lucca) prima e dopo l'esilio dell'Alighieri
«Riens ne fait li preudhome se li cuers non». Sul dialogo tra Lancelot e la Dame du Lac (Micha, VII, 1-9)
Analisi di un passo delle Enfances Lancelo
The content of selected minerals and vitamin C for potatoes (Solanum tuberosum L.) from the high Tiber Valley area, southeast Tuscany
Potatoes (Solanum tuberosum L.) from the high Tiber valley area (TVA; Tuscany, Italy), have been sampled and analyzed for selected mineral content (Na, Mg, K, Ca, and Mn, Fe, Cu and Zn) and vitamin C, the year 2012; some samples from 2011 and 2013 crops were also collected and analyzed. The varieties were Daytona (DAY), Kennebec (MEN), Sifra (SIF) and Volare (VOL). Control samples consisted of mixed commercial varieties from the local market, namely C1, C2 and C3. The low content of sodium, especially for KEN (46 +/- 3 mg/kg FD (freeze dry), year 2012) and SIF (47 +/- 3) (VOL (55 +/- 3) and DAY (61 +/- 3) have a little higher values) is worth of note and in agreement with the scarce concentration of Na in the soil (291 +/- 12 mg/kg DM). Magnesium was abundant in KEN (1434 +/- 75 mg/kg FD, year 2012) and VOL (1334 +/- 70). The content of K for DAY and KEN (13,147 +/- 900 and 13,185 +/- 900 mg/kg FD) was higher than for VOL and SIF; whereas Ca was in the range 340 +/- 16-490 +/- 28 mg/kg FD. The contents of Cu and Zn were higher in KEN (8.1 +/- 0.3 and 25 +/- 1 mg/kg FD) when compared to the other varieties and controls. The content of vitamin C is high for KEN and SIF and decreased significantly upon cooking (50% for KEN)
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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