10 research outputs found

    Partidos sin fronteras : análisis de la difusión de propuestas políticas entre partidos políticos : los casos de Perú y Ecuador.

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    La presente tesis amplía el ámbito de los estudios actuales sobre la comunicación internacional de los partidos políticos a través de un análisis preliminar de la difusión de propuestas políticas que se lleva a cabo entre diez partidos de Ecuador y Perú y distintos actores internacionales. Específicamente, el estudio analiza la incidencia de la difusión de propuestas políticas en la coherencia y consistencia programática de los partidos ecuatorianos y peruanos. Sobre la base de los estudios sobre movimientos sociales, se desarrolla dos caminos principales de difusión: directo por relaciones interpersonales (con personajes políticos del extranjero u organizaciones internacionales) y mediado por un tercer actor (organizaciones inter-partidarias, fundaciones partidarias). También se analiza los cuerpos partidarios que impulsan la difusión, distinguiendo así a actores formales (las instituciones partidarias oficiales) de aquellos informales (los dirigentes partidarios)

    Partidos sin fronteras : análisis de la difusión de propuestas políticas entre partidos políticos : los casos de Perú y Ecuador.

    No full text
    La presente tesis amplía el ámbito de los estudios actuales sobre la comunicación internacional de los partidos políticos a través de un análisis preliminar de la difusión de propuestas políticas que se lleva a cabo entre diez partidos de Ecuador y Perú y distintos actores internacionales. Específicamente, el estudio analiza la incidencia de la difusión de propuestas políticas en la coherencia y consistencia programática de los partidos ecuatorianos y peruanos. Sobre la base de los estudios sobre movimientos sociales, se desarrolla dos caminos principales de difusión: directo por relaciones interpersonales (con personajes políticos del extranjero u organizaciones internacionales) y mediado por un tercer actor (organizaciones inter-partidarias, fundaciones partidarias). También se analiza los cuerpos partidarios que impulsan la difusión, distinguiendo así a actores formales (las instituciones partidarias oficiales) de aquellos informales (los dirigentes partidarios)

    Partidos sin fronteras : análisis de la difusión de propuestas políticas entre partidos políticos : los casos de Perú y Ecuador.

    No full text
    La presente tesis amplía el ámbito de los estudios actuales sobre la comunicación internacional de los partidos políticos a través de un análisis preliminar de la difusión de propuestas políticas que se lleva a cabo entre diez partidos de Ecuador y Perú y distintos actores internacionales. Específicamente, el estudio analiza la incidencia de la difusión de propuestas políticas en la coherencia y consistencia programática de los partidos ecuatorianos y peruanos. Sobre la base de los estudios sobre movimientos sociales, se desarrolla dos caminos principales de difusión: directo por relaciones interpersonales (con personajes políticos del extranjero u organizaciones internacionales) y mediado por un tercer actor (organizaciones inter-partidarias, fundaciones partidarias). También se analiza los cuerpos partidarios que impulsan la difusión, distinguiendo así a actores formales (las instituciones partidarias oficiales) de aquellos informales (los dirigentes partidarios)

    When perception bypasses truth: attention, bias, and the structure of social stereotypes

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    Is perception accurate? How wide spread is inaccuracy in perception and under what conditions do our perceptual capacities undermine our ability to accurately perceive? This dissertation examines two examples of perceptual inaccuracy: attention altering perceptual phenomenology (making attended to stimuli appear bigger, brighter, and higher in spatial frequency) and social stereotypes impairing low-level perceptual judgments. There is a prevailing assumption in philosophy and cognitive science that perception is--and functions to be--truth oriented. However, I herein argue that our perceptual faculties often fail to deliver truth. Moreover, understanding how our cognitive architecture gives rise to systematic perceptual inaccuracy can provide us with insight into just how much our experience of the world is shaped by our social categories and computational limitations. In chapters 1 and 2, I consider the way social stereotypes shape perceptual judgments. We know social stereotypes influence many of our judgments. Women, for example, are deemed less likely to succeed than men in especially intellectually demanding tasks (Bian et al. 2018). This suggests that higher-order judgments about qualities like 'brilliance' or 'genius' can be shaped by our gender stereotypes. But might stereotypes be so cognitively entrenched that they could affect more basic perceptual judgments as well? For example, would harboring the stereotype 'doctors are men' make it more difficult to visually process a female doctor? These chapters empirically and philosophically consider this question and its larger social ramifications. I argue that my empirical work with Jorge Morales and Chaz Firestone suggests that stereotyping has a considerably wider scope of causal influence than has been appreciated in the philosophical and psychological literature, which can shed light of larger patterns of discrimination. In chapter 3, I take on another, more basic, facet of perceptual inaccuracy--the phenomenological effects of voluntary and involuntary attention. I argue that much of the empirical evidence supports the interpretation that attention inaccurately distorts many aspects of our perceptual experience. On the face of it, these findings appear to be difficult to reconcile with the view that perception functions to furnish us with accurate representations of the world. However, rather than claim that our perceptual systems are constantly in the process of malfunctioning, I argue that perception instead functions to guide action and that this can satisfactorily explain many examples of perceptual inaccuracy.Ph.D.Includes bibliographical reference

    Configurations of mothering in post-war British women's playwriting

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    While examining a selection of plays centred on the phenomenon of mothering, my thesis also investigates the interaction between theatre and feminism in post-war Britain, aiming to highlight mutual correspondences between women's theatre making and feminist agendas. I focus mainly on the period of second-wave feminism, but I also discuss the decade preceding the appearance of the Women's Liberation Movement, as well as its aftermath up to the mid-nineties. Scrutinising proto-feminist, feminist and post-feminist stances, I argue that several fifties women dramatists anticipated key concerns of the late sixties and seventies; and equally, that many playwrights active after the heyday of second-wave feminism revisited the climate of the seventies in an attempt to evaluate the transformations that have since occurred in women's lives. In this manner, I not only contextualise some of the major achievements and shortcomings of successive feminist interventions, but also elaborate on key changes that have taken place in the negotiation of dramatic form and content. Rather than privileging one dominant theoretical position and adopting its perspective for the purposes of my analysis, I connect the work of playwrights informed by different artistic positions and political convictions, in order to pinpoint the principle of co-existence and multiplicity. This aesthetic and ideological diversity in women's writing for the stage, characteristic of the past five decades, has been confirmed not only by the primary and secondary sources that I drew upon but also by the playwrights themselves, whom I interviewed. For most present-day female dramatists, as this thesis argues, contemporary British women's theatre is a space of experimentation and of confluence - in which the broad range of individual voices can situate themselves next to one another, without the urge to replicate an ultimate direction imposed by hegemonic political constraints or artistic platforms

    Images of Self: A Study of Feminine and Feminist Subjectivity in the Poetry of Sylvia Plath, Anne Sexton, Margaret Atwood and Adrienne Rich, 1950-1980

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    PhDThe thesis explores the poetry (and some prose) of Plath, Sexton, Atwood and Rich in terms of the changing constructions of self-image predicated upon the female role between approx. 1950-1980.1 am particularly concerned with the question of how the discourses of femininity and feminism contribute to the scope of the images of the self which are presented. The period was chosen because it involved significant upheaval and change in terms of women's role and gender identity. The four poets' work spans this period of change and appears to some extent generally characteristic of its social, political and cultural contexts in America, Britain and Canada. (Other poets' work, for example Rukeyser, Lorde, Levertov, is included too. ) The poets were not chosen to illustrate a pre-feminist vs. feminist opposition since a major concern is to explore what I see to be the symbiotic relation between femininity and feminism (as also between orthodoxy and heresy). However the thesis is organised chronologically because periodisation is important for a consideration of the poetry's social setting. In wanting to connect the poetry with cultural and political circumstances as much as possible I have taken Edward Said's assertion of a text's position of 'being in the world', its potential as a cultural product to help reshape reality, and its value as a 'powerful weapon of both materialism and consciousness'. This is the starting point for the study which is circular and cumulative in shape, fundamentally thematic, though each chapter is a chronological exploration of the work of one specific poet, beginning with Plath and completing with Rich. A conclusion attempts to pull the strands of each together and consider the implications raised. The thesis has four general concerns which run through its particular focus on each poet. The first involves the relations between cultural practice and ideology; the second involves the ideology of gender (through exploration of femininity and feminism); the third involves authorial ideology (through the construction of self-image in relation to femininity and feminism) while the fourth involves these concerns in terms of the overall arena of women's struggle for meaning and selfdetermination in cultural practice. More specific elements of the study include collating and comparing self-images and attempting to make connections or chart changes where images such as witch, queen, handmaid, shamaness, goddess, earth mother, whore, madwoman, etc., re-occur. Usage of myth (particularly Persephone). the Gothic, 'and articulation of lesbian desire are also explored. The emergence of a female 'hero' self-image, in opposition to 'victim', seems to be a corollary of the impact , of feminism in Rich's poetry particularly, but this tendency can be traced back through Plath. I explore the celebration of nature and the power of essentialism in the construction of heroic female images, particularly in the figure of the mother flowing with milk at the centre of 'ecriture feminine'. The concluding chapter suggests that femininity did not constitute such a repressive constraint on self-image and writing practice for women as perhaps might be supposed; and that feminism, while opening up many empowering changes for women, has raised further disturbing and unresolved questions about identity, and even helped, in some of its aspects, to create a new 'orthodoxy' in which various aspects of experience cannot easily be articulated. My example is Rich's later work where it seems to admit itself limited by its own initially liberating strategies and looks further on towards new 'heresies.
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