1,721,139 research outputs found
Mapping duality as a means to allow finite beta(F) compensation in bipolar log filters
Log-domain filters are a promising design paradigm for analog signal processing. They achieve tunability and operation up to high frequencies, with voltage and power requirements typically better than those of conventional filtering architectures. Implementation can be based only on capacitors, current sources and an exponential, differential V/I converter referred to as the E-cell. Non-idealities in the E-cell, like the presence of non-negligible input currents due to finite βF, can reduce system performance. The aim of this paper is to investigate E-cell-based design strategies and to introduce a duality principle whose exploitation can allow finite βF compensation. As a validation, HSPICE simulation results are illustrated for a second-order bandpass filter
Strumenti finanziari partecipativi: un’ulteriore strada di finanziamento per tutte le p.m.i. s.r.l.?
La teoria della "psychomaintenance" e la scala "Panic-Fear". Adattamento italiano della scala MMPI P-F.
Optimal Coefficient Quantization in Optimal-NTF ΔΣ Modulators
Strategies for the adaptation of Delta Sigma modulators (Delta Sigma Ms) to the embedding environment with respect to the ability of the latter to remove quantization noise have recently been introduced. They rely on formal optimization techniques to deliver finely tuned values for the coefficients of the Delta Sigma M internal filters. However, in digital Delta Sigma Ms, coefficients will necessarily be quantized to short wordlengths, the shorter the better, cost-wise. Unfortunately, this can severely hinder optimality. In this brief, a strategy is proposed to re-use the very optimization framework to minimize the effects of coefficient quantization. The technique is discussed by a practical design example based on a Delta Sigma M for a wideband fractional-N phase locked loop (PLL)
Discrete Programming Entailing Circulant Quadratic Forms: Refinement of a Heuristic Approach Based on ΔΣ Modulation
A recent result on the potential of Delta !Sigma modulators ( Delta !Sigma Ms) as heuristic optimizers for circulant unconstrained discrete quadratic programming (C-UDQP) is revisited, bridging it with current developments on the design of Delta !Sigma Ms by semi-definite programming (SDP). This provides an efficient strategy by which one can design a Delta !Sigma ext{M} and its input signal from a C-UDQP specification so that the solution of the C-UDQP problem can be found in the Delta !Sigma ext{M} output, all with almost no manual intervention. The proposed concept is validated by simulation-based experiments on a benchmark case, comparing the new strategy to previous results and exact optimization techniques
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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