1,720,963 research outputs found
Ambient Occlusion:exhibition at Dorset Place Gallery, Brighton
No full textAmbient Occlusion presents new photographic and text work by Eloïse Calandre, exploring photography’s connection with materiality and time. As part of her ongoing research, Dorset Place Gallery is utilised as testing ground for new ways of working. This experimental work is made in response to its location, geographically anchored to the site. The layered imagery is selected from a collection of photographs taken by the artist over a period of time, across various locations traversed alone with her camera and often revisited
Dreamweavers
No full textDreamweavers is a touring show Curated by Simon Gregg at the Gippsland Regional Gallery, touring Nationally from 2011 until April 2013.The exhibition explores the contemporary preoccupation for the Fantastic through a range of national and international art practices, that are united by an enduring fascination with darkness and dark places. Dreamweavers is a multi-sensory experience that is more like entering another world than an art exhibition. It combines sculpture, digital media, photography and painting, in an intoxicating visual feast.Dreamweavers features the work of six artists. Aly Aitken, Eloise Calandre, James Gleeson, Adam Laerkesen, Sam Spencer, Joel Zik
On Happiness - Wellcome Collection exhibition:Joy Inside Our Tears
No full textThe dance floor promises a moment of euphoric release. throughout history people have danced to express religious devotion, or to subvert social expectations. Many communities use dance and movement as away to process difficult experiences and heal.Harold offeh has collaborated with the choreographer Vania Gala on a series of online workshops bringing together artists Veronica Codova de la Rosa, Samra Mayanja, Ebun A Sodipo and Offeh to explore the restorative qualities of dance. The installation is completed by a sound work by sound designer Xana, gallery design and photographs by the artist Eloise Calandre. Originally proposed before the pandemic, the Commission was reconfigured due to physical distancing guidelines. The dancers’ movements are produced in response to a series of instructional scores such as shaking passing out and dancing in slow motion. The work considers the complex relationship between so societal trauma and public manifestations of dance. these can be redemptive but can also hint of something darker. Full the Commission, Offeh researched the history of medieval dancing mania's. While the causes of the manias are unclear, these eruptions of spontaneous dancing in the street were viewed as either mass hysteria or as a form of spiritual possession
Real Time, Seventeen Gallery, London
No full textReal Time is a hybrid, multi-platform project reflecting on time and the present – a deep breath, a slowing down, a taking stock.Rejecting the anxiety-inducing FOMO of the current livestream drive, Real Time is a slowly unfolding project engaged with a mode of deceleration, instead of ramping up the feeling of ‘constant now’ we so desperately need to leave behind. Consisting of contributions from artists, designers, writers and musicians, this exhibition takes place across various spaces, from gallery website, to radio, social media, playlists, PDF publication and email. Taken as nodes in an organic, reactive network, the constituent parts will collide, overlap, bounce off of each other and the outside world to create refracting frictions and possibly, hopefully, portals for a slow, contemplative meditation.At its core, Real Time offers an optimistic, progressive vision of art and its reception. The project advocates a change of pace, reversing the trend of an increasingly accelerated response to the now, exploring alternative models of being and comprehension, through the elusiveness of the present
Interplace:Brighton Photo Fringe 2022
No full textA collaboration between artists Eloise Calandre and Lorna Allan as part of Real Utopias, the Brighton Photo fringe festival 2022. Interplace is an evolving photography installation situated at Colonnade House, Worthing and centered around the history and community of Worthing, West Sussex. Working with Worthing Museum archives and Worthing community to create an ongoing collection of photographs, taken across layers of time, past and present, to pose questions about changes and consistencies of a place. Photographs are interplaced and interwoven in sculptural form. Through the arrested moments of photography, Interplace plays with concepts of materiality and time and sits on the threshold between real and imaginary to create a collective story of place.The project engages Worthing’s community to participate in the growth and adaptation of the show throughout its duration People are invited to contribute images throughout the show in order to expand the network of images in the show and allow the installation to evolve. Young adults resident in Worthing are represented in a series of portraits. This is an experimental project exploring improvisation and live making in the gallery space, with an aim to create an inclusive and discursive community art practic
Follow me parallel to the shore
No full textScreening of mixed reality visuals with a spoken-word performanceThe script is developed from a larger body of writing and research. Developed within the themes of the festival, the performance incorporates ‘Storytelling as an agent for change’, with the aim create new propositions for ways of seeing and spaces to inhabit, embodied spaces that explore horror, fascination, desire through tangible processes. The project also incorporates ‘Material meaning making and mediating between and through creativity and ecology via artefacts’ and ‘Walking as Research’.The mixed reality visuals present development of new artworks, including 3D game environment, which converge photography with 3D virtual space (built using Unreal Engine 5).“Walking around familiar suburban environments, using photography to record my own movement through and experience of the space. A place of belonging in childhood, since disconnected and reimagined. I am a tourist recording my presence through photography. I am also an illusionist, using photography and light to reform these spaces. Recreating a navigatory space through virtual platforms, where the photographs exist as both record and proof, as well as in exchange for tangible space as building blocks of the environment.”Blending the visual and spoken work together, this presentation aims to create new propositions for ways of seeing and spaces to inhabit, embodied spaces that explore horror, fascination, desire through tangible processes. <br/
Keeping It Real: Harold Offeh & Eloise Calandre:(Uniqlo Late at Tate)
No full textTate Modern presents this interactive performance as part of Soul of a Nation at Uniqlo Tate Late. "Inspired by Black funk, soul and disco album sleeves, create your own album cover with artists Harold Offeh and Eloise Calandre, and watch your work projected live across the night.”Photography by Eloise Calandr
Eloise Calandre: Undertow:Below the Photic Zone
Full text linkEssay and artworksCatalogue for the exhibition "Eloise Calandre : undertow" held at the Gippsland Art Gallery from the 28 November 2015 - 14 February 201
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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