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Procopio Cesariense de gli edifici di Giustiniano imperatore, di greco in volgare tradotte per Benedetto Egio da Spoleti
No full textScheda di catalogo BiblioUniTS
Procopio Cesariense de gli edifici di Giustiniano imperatore, di greco in volgare tradotte per Benedetto Egio da Spoleti
Autore: Procopio di Cesarea
Traduttore: Benedetto Egio
Editore: Michele Tramezzino
[8], 59, [1] carte; rilegato in ottavo, anno di edizione 1547
Il “De Aedificiis”, opera scritta intorno al 560, è una descrizione delle numerose opere pubbliche (quali chiese, fortificazioni, acquedotti e cisterne) fatte realizzare dall’imperatore Giustiniano. I sei libri che compongono l’opera coprono i territori dell’impero a partire dalla capitale Costantinopoli muovendosi poi in Siria e Mesopotamia, Armenia, penisola balcanica e Grecia, Asia Minore e Palestina e infine Africa. Oggetto di discussione tra gli studiosi sono stati l’assenza, nella trattazione, dell’Italia, da alcuni indicata come un indizio che l’opera rimase incompleta, e il grado di affidabilità del testo come fonte storica: l’attendibilità dipende almeno in parte, verosimilmente, dalle diverse fonti utilizzate a sua volta dallo scrittore e dall’esperienza diretta che egli ebbe di alcune zone ma non di altre.
L’autore, Procopio, originario di Cesarea Marittima in Palestina, fu storiografo alla corte bizantina dell’imperatore Giustiniano nei decenni centrali del VI secolo. Oltre al “De Aedificiis” egli scrisse gli otto libri “De Bellis”, sulle campagne militari bizantine, delle quali ebbe esperienza di prima mano in quanto consigliere del generale Belisario, e il libello “Historia Arcana” che prende di mira la famiglia imperiale.
La traduzione del “De Aedificiis” dal greco alla lingua volgare fu opera di Benedetto Egio, umanista originario di Spoleto, vissuto nel XVI secolo, studente di Giovan Battista Pio, attivo a Roma e legato alla famiglia Farnese. Egli tradusse anche la “Biblioteca” di Apollodoro e, per gli stessi tipi del “De Aedificiis”, una parte del “De Bellis” di Procopio (“De la longa et aspra guerra de' Goti” e “De la guerra di Giustiniano imperatore contra i Persiani”), nonché la “Historia Romana” di Paolo Diacono: le traduzioni di Procopio e di Paolo Diacono furono infatti tutte stampate a Venezia da Michele Tramezzino e condividono lo stesso formato e simile impianto di richiami a margine e tavole alfabetiche.
Sul frontespizio e alla fine del libro è presente la marca tipografica della Sibilla, che distingue l’officina di Michele Tramezzino. Nello specifico di tratta della Marca V490 - Z1078 (Sibilla seduta di profilo tiene con la mano sinistra un libro aperto. In alto la scritta Sybilla. In cornice figurata). La marca sul frontespizio è circondata del motto “Qual più fermo è il mio foglio è il mio presagio”, mentre questo dettaglio è assente in fondo al libro. Il volume si compone di 68 carte, delle quali il primo fascicolo di otto carte non è numerato, così come l’ultima carta, mentre il corpo centrale del libro è costituito dalle carte numerate da 1 a 59 (la segnatura è a⁸ A-G⁸ H⁴). I caratteri sono in corsivo romano. Gli incipit dei libri hanno uno spazio predisposto per iniziali miniate, dotato di lettera guida centrale; le miniature tuttavia non sono state realizzate. Con le altre edizioni di Benedetto Egio presso Michele Tramezzino menzionate sopra questo esemplare condivide la presenza di tavole alfabetiche, qui collocate subito dopo la dedica a Giovanni Soranzo, e il richiamo dei notabilia a margine del testo, ma differisce per il formato, in ottavo invece che in quarto.
Sitografia utilizzata:
https://www.treccani.it/enciclopedia/procopio-di-cesarea/?search=Proc%C3%B2pio%20di%20Cesarea%2F
https://www.treccani.it/enciclopedia/benedetto-egio_(Dizionario-Biografico)/
https://www.treccani.it/enciclopedia/michele-tramezzino/
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Going Beyond Counting First Authors in Author Co-citation Analysis
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counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
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koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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