680 research outputs found
Lettera di Alessandra
No full textUn ritratto critico dell'opera di Alessandra Carnaroli, autrice fra le più apprezzate delle ultime generazioni della poesia di ricerca. La sezione a lei dedicata, nel numero della rivista, contiene inoltre saggi di Cecilia Bello Minciacchi, Andrea Cortellessa, e Ivan Schiavone; e vari inediti dell'autrice. Il saggio è pubblicato con lo pseudonimo di Tommaso Ottonieri.A critical portrait of the work of Alessandra Carnaroli, author of the most appreciated in the latest generations of italian research poetry. Published under the pseudonym Tommaso Ottonieri
Editorial: Dysmetabolism, obesity, and inflammation: Three prominent actors in the drama of major neuropsychiatric disorders
No full text
Conformations and Dynamics of Polypeptide Chains Revealed By Tryptophan-Cysteine Contact Formation Kinetics
No full textUna facezia di Poggio nell'«Epirota» di Tommaso de Mezzo
No full textPrinted in 1483, Tommaso de Mezzo’s «Epirota» belongs to the second time of the
latin humanistic comedy of the Quattrocento, characterized by a strictly imitation of
Plaute (and also of Terence), more strong than in the texts of the first half of the century.
The first section of this paper presents Tommaso de Mezzo’s life and works, and plot,
types and subjects of «Epirota». The second part of the article offers the analysis of some
scenes of the comedy, in which the author clearly employs one of Bracciolini’s «Facetiae»
Nel giro del sangue, su Tommaso Ottonieri
No full textIl saggio analizza l'opera di Tommaso Ottonieri "Le strade che portano al Fùcino" mettendone in evidenza l'infrazione dei generi letterari, l'originalità dei nuclei poetici e di quelli narrativi, oltre alla stratificazione plurilinguistica che è cifra stilistica e allegorica dell'opera. Il saggio, inoltre, individua i rapporti di quest'opera di Ottonieri con le immagini visive e con la cultura musicale coeva e rintraccia anche rapporti intertestuali con precedenti opere poetiche, narrative e saggistiche dell'autore.The essay analyzes the work of Tommaso Ottonieri "Le strade che portano al Fùcino" highlighting the infringement of literary genres, the originality of poetic and narrative nuclei, in addition to the plurilingual stratification which is the stylistic and allegorical cipher of the Opera. Furthermore, the essay identifies the relationships of this work by Ottonieri with visual images and contemporary musical culture and also traces intertextual relationships with previous poetic works, narratives and essays by the author
Impact of alternative bedding materials on broilers' growth performances and efficiency in convetional and organic production system
No full textL’olio in un aneddoto dalle biografie di Cesare (Plut. Caes. 17, 9–10 e Suet. Iul. 53)
No full textThe paper discusses a debated anecdote on Julius Caesar that Plutarch and Suetonius probably derived from the writer and politician Gaius Oppius. By examining some hitherto neglected Latin agronomic and gastronomic sources, the author provides some examples of olea condita used for culinary purposes and reassesses the interpretation of the anecdote
[Assessment and significance of alterations in renal function in acute on chronic cardiac failure]. FT Valutazione e significato delle alterazioni della funzione renale nell'insufficienza cardiaca in fase di scompenso acuto.
No full textAPROXIMACIÓN AL ESTUDIO DE LA LENGUA POÉTICA DE TOMMASO STIGLIANI
No full textEn este estudio hemos querido trazar un primer acercamiento al estudio de la lengua poética del autor italiano Tommaso Stigliani y lo hemos hecho analizando su mayor obra, Il Mondo Nuovo (1628), poema épico sobre el descubrimiento de América. Hemos analizado los principales fenómenos de la ortografía, la fonética, la morfología, la sintaxis y el léxico que aparecen en el texto, teniendo en cuenta la norma lingüística del siglo XVII y las opiniones y teorías de los principales lingüistas de la época. Con este estudio, por tanto, ofrecemos un acercamiento a la concepción de lengua poética que Tommaso Stigliani, a través de su poema y de sus escritos teóricos, puso de manifiesto a lo largo de su carrera literaria.
Abstract
In this study, we have attempted to make inroads into the study of the poetic language of the Italian author, Tommaso Stigliani, analysing his principal work, Il Mondo Nuovo (1628), an epic poem on the discovery of America. We have examined the main phenomena of orthography, phonetics, morphology, syntax and lexicon that appear in the text, taking into account the linguistic norms of the 17th century, as well as the opinions and theories of the major linguistic experts of that period. Our study, therefore, gives an insight into Tommaso Stigliani’s conception of poetic language, which, through his poem and his theoretical writings, he maintained for the duration of his literary career
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