1,721,200 research outputs found

    recensione a Nathan Badoud, Le Temps de Rhodes: une chronologie des inscriptions de la cité fondée sur l'études des ses institutions. Vestigia, Band 63, München: Verlag C. H. Beck, 2015

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    revisione critica di un importante volume che rappresenta una delle maggiori novità sia per gli studi storici del primo Ellenismo, sia per la ricostruzione dei sistemi cronologici e dei criteri che ne erano alla base nella civiltà greca. La mia personale valutazione delle novità e della fondatezza dei risultati raggiunti si è basata soprattutto sull'esperienza e la conoscenza della documentazione epigrafica di Rodi e sui precedenti lavori di ricostruzione cronologica basata sui calendari lunari

    18-19. Papiri greci a Bologna: i due frammenti dell’Archiginnasio

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    edizione di due papiri di epoca romana, mai precedentemente pubblicati, conservati nella Biblioteca dell'Archiginnasio di Bologna

    Queens' wealth

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    Queens’ role in the Ptolemaic monarchy has been recently explored and the direct influence that many queens had in the political life both in the third and second centuries has been stressed as well. But even the more determined and authoritative queen needed to be supported by people that not only believed in the strength of the sovereign, but had, or hoped to have, some advantages. To be relevant in politcal life has always been expensive, so an historian has to wonder first how some queens could afford their political influence and second, if some peculiar economic features, that are documented in papyri (like the barges or the land of the Queen), expecially from the II B.C. , can be connected to this evolution in the hellenistic kingship in Egypt and what was the possible juridical status of this patrimony

    Pankrates, head of the syntax's of the katoikic cavalrymen

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    Nel corpus degli archivi papiracei del Fayum, quello convenzionalmente attribuito a Pankrates è articolato in nuclei diversi. La voce è dedicata a quello della collezione francese di Lille

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Simblos. Scritti di Storia Antica

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    La rivista raccoglie contributi di gruppi di ricerca nazionali e internazionali coordinati all'interno del Dipartimento di Storia Antica dell'Università di Bologna e contributi di studiosi in attività presso Atenei ad esso legati da convenzioni a da programmi di collaborazione scientifica. Il comitato scientifico è costituito da A: K. Bowman, J.M: Carrié, J.K: Davies, W: Eck, J.L. Ferrary, H: Heinen, G: Schepen

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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