2,111 research outputs found
L'area del monastero dei santi Cosma e Damiano alla Giudecca
genesi dell'area urbana su cui si innestò il monastero dei Santi Cosma e Damiano della Giudecca a Venezi
Postal de Claudio Vivas a Maruja Vieira, junio 23 de 1955
Postal de Claudio Vivas a Maruja Vieira, felicitándola por el reconocimiento que le fue otorgado a la autora de poemasPostcard from Claudio Vivas to Maruja Vieira, congratulating her for the recognition given to the author of poems.Publicación, fondo Maruja Vieira, carpeta 1, folio
“Dialogue between Translators and Authors. The Example of Claudio Magris”
The paper focuses on the forms of cooperation between authors and their translator(s) in all cases in which the two operate simultaneously. This issue is explored on the example of the Trieste-born author Claudio Magris, who cultivates a very close relationship with most of his translators.
Writing and translation have been coexisting in this author throughout his career and have resulted in the heightened sensitivity of Magris the author with regards to translation, as the first part of the analysis shows. The second part describes the dialogue between Magris and the translators of his works, and ends with the more general question of the significance and role of such a form of exchange
Consideraciones sobre la poética de Claudio Rodríguez
The purpose of this paper is to study the poetics of Claudio Rodríguez, delimiting its components and trying to clarify them and to present them as a whole. The author left some pages written on his conception of poetry that encourage reflection and, in some cases, interpretation. So with his conception of poetry as a gift and inebriation, as an alliance and condemnation or celebration (giving title to his collections of poems), or with notions such as «participation», «living contemplation», «living expression » or «personal rhythm» that make up his way of understanding the poetic process.El propósito de este artículo es estudiar la poética de Claudio Rodríguez, deslindando sus componentes y tratando de clarificarlos y presentarlos en su conjunto. El autor dejó escritas algunas páginas sobre su concepción de la poesía que animan a la reflexión y, en algunos casos, a la interpretación. Así sucede con su concepción de la poesía como un don y una ebriedad, como alianza y condena o como celebración (que dan título a sus poemarios), o con nociones como las de «participación», «contemplación viva», «expresión viva» o «ritmo personal», que configuran su forma de entender el proceso poético
I fiori di Innsbruck: Lorenzo Lippi e Pietro Andrea Mattioli
Grazie al riconoscimento di un’edizione del celebre erbario di Pietro Andrea Mattioli (I Discorsi..., Venezia, 1573), che Lorenzo Lippi (1606-1664) ha puntualmente riprodotto alle spalle del San Cosma conservato al Museum of Art di New Orleans, è stato possibile formulare alcune ipotesi sul significato e sulla destinazione del dipinto. In particolare, analizzando i valori simbolici delle tre piante raffigurate (elicriso, stecade citrina, amaranto), come sono stati codificati da Pierio Valeriano prima, da Cesare Ripa e Giovanni Zaratino Castellini poi, si può ragionevolmente supporre che il quadro sia stato eseguito durante il soggiorno del pittore a Innsbruck (1643-1644), e che fosse destinato a celebrare la figura e l’opera dell’Arciduchessa Claudia de’ Medici, allora regnante sul Tirolo
ELEMENTOS ESTRUTURAIS NA SINFONIA Nº 10 – AMAZONAS, DE CLAUDIO SANTORO
Este artigo apresenta uma análise da Sinfonia no 10 – Amazonas, de Claudio Santoro, composta em 1982, apontando seus elementos estruturais, tendo como base a Versão para dois pianos e barítono da referida sinfonia, elaborada por esta autora.
Abstract
This article shows an analysis of the Claudio Santoro’s Symphony no 10, composed in 1982, appointing the structures elements as based on Version for two pianos and baritone by the author
El Tlacuache Núm. 683 (2015). 683 Año 13 (2015) julio. El Tlacuache
Pueblos Indígenas y Minas de Hielo en la Nueva España por Ricardo Claudio Pacheco Bribiesca
Advanced Glycation End Products are Increased in the Skin and Blood of Patients with Severe Psoriasis
Psoriasis is frequently associated with metabolic comorbidities. Advanced glycation end products (AGEs) are highly oxidant, biologically active compounds that accumulate in tissues in association with hyperglycaemia, hyperlipidaemia and oxidative stress. This is a cross-sectional case-control study involving 80 patients with mild/severe psoriasis and 80 controls matched for age, sex and body mass index (40 with severe eczema, 40 healthy individuals). Patients and healthy individuals with a smoking habit, diabetes, dyslipidaemia, hypercholesterolaemia, hypertension or who were under systemic treatment were excluded from the study. Skin AGEs were measured in normal-appearing skin by a standard fluorescence technique, and blood AGEs (total AGEs, pentosidine and AGEs receptor) by enzyme-linked immunosorbent assay. Levels of cutaneous AGEs (p < 0.04), serum AGEs (p < 0.03) and pentosidine (p < 0.05) were higher in patients with severe psoriasis. Cutaneous AGEs correlated well with serum AGEs (r = 0.93, p < 0.0001) and with Psoriasis Area and Severity Index score (r = 0.91, p < 0.0001). Receptor levels were lower (p < 0.001) in severe psoriasis, and inversely correlated with disease severity (r = –0.71, p < 0.0002). Patients with severe psoriasis have accumulation of skin and serum AGEs, independent of associated metabolic disorders
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