1,721,139 research outputs found

    Introduction

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    Oltre

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    La collana, finanziata nell'ambito del programma Culture dell'UE, presenta letteratura centroeuropea contemporanea in traduzione italiana. Nel 2010 sono usciti i seguenti volumi: Václav Havel, Uscire di scena, ISBN 978-88-8420-622-0; Ryszard Krynicki, Il punto magnetico, ISBN 978-88-8420-675-6; Elfriede Jelinek, Jackie, ISBN 978-88-8420-623-7; Helen Epstein, Figli dell'Olocausto, ISBN 978-88-8420-588-9; Pavel Vilikovský, Il cavallo per le scale, ISBN 978-88-8420-615-2; nel 2009 sono usciti i seguenti volumi: Joanna Olczak-Ronikier, Nel giardino della memoria, ISBN 978-88-8420-565-0; Kevin Vennemann, Vicino a Jedenew, ISBN 978-88-8420-564-3; Wojciech Kuczok, Melma. Antibiografia, ISBN 978-88-8420-563-6; Jana Černá, Lettera a Milena, ISBN 978-88-8420-562-9; nel 2008 sono usciti i seguenti volumi: Irmgard Keun, La ragazza di seta artificiale, ISBN 978-88-8420-491-2; Christine Lavant, Appunti da un manicomio, ISBN 978-88-8420-492-9; Helen Epstein, Di madre in figlia, ISBN 978-88-8420-490-5; Nenad Veličković, Il padre di mia figlia, ISBN 978-88-8420-468-4; Jarosław Mikołajewski, Uccisioni per amore, ISBN 978-88-8420-417-2; nel 2007 sono usciti i seguenti volumi: Friederike Mayröcker, Gli addii, ISBN 978-88-8420-384-7; Josef Winkler, Natura morta, ISBN 978-88-8420-383-0; Marie Jirásková, Una scelta tradita, ISBN 978-88-8420-416-5; Václav Havel, L'udienza, ISBN 978-88-8420-425-7; Drago Jančar, Il ronzio, ISBN 978-88-8420-395-3; nel 2006 sono usciti i seguenti volumi: Péter Esterházy, Una donna, ISBN 978-88-8420-340-3; Olga Tokarczuk, Che Guevara e altri racconti, ISBN 978-88-8420-338-0; Josef Jedlička, Nel mezzo del cammin di nostra vita, ISBN 978-88-8420-339-7; Zuzana Brabcová, L'anno delle perle, ISBN 978-88-8420-325-0; Albert Drach, Il verbale, ISBN 978-88-8420-292-5; nel 2005 sono usciti i seguenti volumi: Jarosław Mikołajewski, Tè per un cammello, ISBN 978-88-8420-259-8; Daniela Hodrová, Sotto le due specie, ISBN 978-88-8420-261-1; Ivan Wernisch, Corre voce ovvero La morte ci attendeva altrove, ISBN 978-88-8420-267-3; Daniela Hodrová, Visioni di Praga, ISBN 978-88-8420-244-4; nel 2004 è stata inaugurata con il seguente volume: Ryszard Kapuściński, Taccuino d'appunti, ISBN 978-88-8420-235-2

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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