1,721,195 research outputs found
A black-Box adversarial attack for poisoning clustering
No full textClustering algorithms play a fundamental role as tools in decision-making and sensible automation processes. Due to the widespread use of these applications, a robustness analysis of this family of algorithms against adversarial noise has become imperative. To the best of our knowledge, however, only a few works have currently addressed this problem. In an attempt to fill this gap, in this work, we propose a black-box adversarial attack for crafting adversarial samples to test the robustness of clustering algorithms. We formulate the problem as a constrained minimization program, general in its structure and customizable by the attacker according to her capability constraints. We do not assume any information about the internal structure of the victim clustering algorithm, and we allow the attacker to query it as a service only. In the absence of any derivative information, we perform the optimization with a custom approach inspired by the Abstract Genetic Algorithm (AGA). In the experimental part, we demonstrate the sensibility of different single and ensemble clustering algorithms against our crafted adversarial samples on different scenarios. Furthermore, we perform a comparison of our algorithm with a state-of-the-art approach showing that we are able to reach or even outperform its performance. Finally, to highlight the general nature of the generated noise, we show that our attacks are transferable even against supervised algorithms such as SVMs, random forests and neural networks
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Color doppler us of intrahepatic vascular system
No full textAim of this article is an up-dating of the state of the art of color Doppler US in the assessment of intrahepatic vascularization. Recent reports are reviewed, based on already acquired certainties to better the knowledge of the physiology and pathophysiology of hepatic circulation to investigate new clinical applications of color Doppler US
Determinazione quantitativa del flusso nella porta nei soggetti con epatopatia cronica attiva: confronto tra angiografia con risonanza magnetica con bolo di protoni marcati ed eco-color-Doppler
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Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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