1,720,973 research outputs found
Progetto di un edificio per il cinema a Pero-Milanoconcorso nazionale per idee «Quale sala per il cinema?». Pubblicato in:A. Franchini a cura di, "Nuova architettura italiana", Ala, Berlino, 1996.Esposto in:"Nuova architettura italiana", Heimatmuseum Charlottenburg, Berlino, 15 IX-31 X 1996e "Quale sala per il cinema?", sede dell'ANEC a Roma, 13-14 X 1992
No full textMilano: case alte, medie, basse per un quartiere economicoconcorso "Europan 4". in: a cura dello I.A.C.P. di Milano, Europan 4. Iniziativa - Milano/Borgo Assiano, Milano 1996Esposto in:"Europan 4. Iniziativa - Milano/Borgo Assiano", Milano 14-21 X 1996
No full textProgetto di due edifici a Madrid - Vallecas Norte, Spagnaconcorso europeo "Europan 3". Pubblicato in:A. Franchini a cura di, "Nuova architettura italiana", Ala, Berlino, 1996e in: A. Cosenza a cura di, "Premio Luigi Cosenza 1996", Clean, Napoli, 1996 ISBN: 88-86701-16-0Esposto in:"Nuova architettura italiana", Heimatmuseum Charlottenburg, Berlino, 15 IX-31 X 1996
No full textProgetto di recupero e riqualificazione dell’area lido a Cannero Riviera (VB)concorso internazionale per idee. Esposto in:“Mostra dei progetti del concorso”, Cannero Riviera 22 III-6 IV 1997
No full textTo reorient is easier than to orient: an on-line algorithm for reorientation of graphs
Full text linkWe define an on-line (incremental) algorithm that, given a (possibly
infinite) pseudo-transitive oriented graph, produces a transitive
reorientation. This implies that a theorem of Ghouila-Houri is provable in
RCA_0 and hence is computably true.Comment: Only minor (non mathematical) changes introduced. To appear in
Computabilit
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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