1,175 research outputs found
Dataset supporting the University of Southampton Doctoral thesis "Self-states, attachment and dissociation: relationships and measurement".
No full textDataset supporting the University of Southampton Doctoral thesis "Self-states, attachment and dissociation: relationships and measurement" by Clarissa Lord.
This data includes an excel file of collected data created by the author as part of their research. </span
Richardson, Barbauld, and the construction of an early modern fan club
No full textMPhilMuch has been written about the life and long works of the eighteenth century epistolary novelist, Samuel Richardson, but the prospect of his position as the first celebrity novelist – responsible for courting his own fame as well as initiating his own fan club – has largely been ignored. The body of manuscripts housed at the National Art Library in the Victoria and Albert Museum in London provides the modern scholar with evidence of the skeletal beginnings of an early fan club. This thesis aims to show how these manuscripts were turned into a saleable commodity by the publisher and entrepreneur Richard Phillips, while under the guiding hand of another, slightly later, literary celebrity, Anna Laetitia Barbauld. In order to restore Richardson’s reputation amongst a new nineteenth century audience, Barbauld was required to construct her own idea of him as an eighteenth century celebrity author, and in doing so the insecurities of a self-professed, apparently diffident man, are revealed. Barbauld’s capacious, but heavily edited selection of letters is analyzed in this thesis, providing ample evidence that Richardson’s correspondents were more than just eager letter writers. By using Barbauld’s biography of Richardson this thesis aims to show how she manipulates the genre of life writing in her construction of him.
This thesis offers an alternative reading of how the Richardson manuscripts are viewed, redefining them as not simply a collection of letters, but as a collective entity, deliberately selected and archived as evidence of an early modern fan club, and its celebrity managing director
The History Behind "Surviving Sarasota"
No full textAuthor Clarissa Thomasson discusses the history of Sarasota County, which she based her fiction novel "Surviving Sarasota" on
Clarissa against the critics: Text, author, and interpretive communities
No full textClarissa was very popular when it was published in 1747-48 but has been neglected until recently. Stanley Fish\u27s theory of interpretive communities, which attempts to account for the disciplined disagreement among readers\u27 values and expectations over time, place, and social groups, provides insight into the dynamics of the audience\u27s changing attitude toward the novel over the years. Popular, at first, for its sentiment and didacticism, Clarissa was neglected from the late-eighteenth century until the mid-twentieth century because these qualities were then associated with emotionalism and hypocrisy. The novel has had a rebirth of popularity among contemporary academics who use its complex and detailed descriptions of relationships and mental consciousness as examples for their literary and cultural studies
A Fine Toothed Comb
No full textThe publication includes: essays by Lubaina Himid, Lauren Elkin, author of Art Monsters: Unruly Bodies in Feminist Art, Flaneuse: Women Walk the City in Paris, New York, Tokyo, Venice and London, and Clarissa Corfe.
Edited by Beth Hughes. Designed by Pony Ltd, London.
A Fine Toothed Comb was an exhibition curated by Turner Prize-winning artist Lubaina Himid. Bringing together new commissions by Himid as well as artists Magda Stawarska, Rebecca Chesney and Tracy Hill, the exhibition focussed on unearthing hidden layers within the city of Manchester.
Through four unique installations spanning painting on found objects, multi-screen moving image, site-specific drawing and sound compositions, the artists’ work uncovered invisible geological, historical, environmental and political layers of the city. From hidden waterways and disappearing wildlife, to lost music and communities hidden in plain sight, A Fine Toothed Comb invited us to look closer at what surrounds us. This is the first time all four artists’ work was presented together, following many years of discussion and collaboration.
The publication includes: essays by Lubaina Himid, Lauren Elkin, author of Art Monsters: Unruly Bodies in Feminist Art, Flaneuse: Women Walk the City in Paris, New York, Tokyo, Venice and London, and Clarissa Corfe
Intervención para el cuidado de la espalda en niños y adolescentes brasileños / Clarissa Cardoso Ribeiro ; directoras, Antonia Gómez Conesa, María Dolores Hidalgo Montesinos
No full textTexto en español, resumen en español, portugués e inglés.Tesis-Universidad de Murcia.Consulte la tesis en: BCA. GENERAL. ARCHIVO UNIVERSITARIO. T.M. 3911
Documentação audiovisual e acesso: análise do acervo Fundação Fernando Henrique Cardoso
No full textEste trabalho visa compreender de que modo é realizado o tratamento arquivístico dos
documentos de arquivo do gênero audiovisual em uma instituição de custódia. Para tanto,
optou-se pelo estudo da experiência empreendida pela Fundação Fernando Henrique
Cardoso, instituição privada especializada na guarda, tratamento e disseminação de arquivos
pessoais, para conhecer os instrumentos de pesquisa no acervo digital e a disponibilização
dessa documentação audiovisual. Faz parte dessa pesquisa também delimitar as
características do documento de arquivo e de documento audiovisual e suas especificidades.
A pesquisa apresenta a prática de consulta no acervo digital de documentos audiovisuais da
Fundação Fernando Henrique Cardoso. Dentre os resultados alcançados, pode-se constatar
que a Fundação FHC desempenha um papel fundamental no acesso e no tratamento
arquivístico ao seu acervo audiovisual, no âmbito digital.This work aims to understand how archival treatment of audiovisual archival documents is
carried out in a custody institution. To this end, we chose to study the experience undertaken
by the Fernando Henrique Cardoso Foundation, a private institution specialized in the
custody, treatment and dissemination of personal files, to know the research instruments in the
digital collection and the availability of this audiovisual documentation. Part of this research
is also to delimit the characteristics of the archive document and audiovisual document and its
specificities. The research presents the practice of consultation in the digital collection of
audiovisual documents of the Fernando Henrique Cardoso Foundation. Among the results
achieved, it can be seen that the FHC Foundation plays a fundamental role in accessing and
archival treatment of its audiovisual collection, in the digital environment
The Power...to Alter and Amend : Textual Production and Editorial Actions in Samuel Richardson\u27s Clarissa .
No full textThis dissertation is a study of texts, focusing on how texts are constructed (through both words as well as physical attributes) and how they are edited after their initial composition. The scope of this dissertation is limited to Samuel Richardson (1689-1761) and his rare 1750 third edition of Clarissa and to the characters in Clarissa and their familiar letters. I argue that the altering of a text is a negotiation of power between the editor and the author, and that editors advance their personal agendas by undermining the intentions of the author. In Chapter 1, I explain the relevancy of textual studies to literary criticism. In Chapter 2, I examine how Richardson, master printer as well as author, constructs Clarissa as a material text, meaning that he builds plot, characterization, and his didactic message through the text\u27s linguistic as well as physical features. In Chapter 3, I address the familiar letters constructed by characters within Clarissa. Although the material details of these fictional letters--including handwriting and seals--cannot be seen by readers of the novel, they can still be conceptualized in the mind and interpreted for their visual meaning. In Chapter 4, as a transition to the editing of texts, I summarize the eighteenth- and twentieth-century editorial theories most relevant to Clarissa. In Chapter 5, I evaluate Richardson\u27s role as editor of Clarissa, focusing on the textual apparatus he constructs around his novel. Richardson exploits the editorial role in a manner not seen in other eighteenth-century novels, using the apparatus to control readers\u27 interpretations. In Chapter 6, I discuss the characters in Clarissa as editors, showing how they frequently alter and even forge/rewrite letters after their initial composition. These editorial actions, which I refer to as fictional editing, expand the narrative beyond the initial act of writing and complicate the issues of characterization, gender, and subjectivity inherent in the familiar letter. In Chapter 7, I conclude by suggesting additional concerns for textual/literary critics, including the implications of lost physical details in electronic texts
Documentos tridimensionais em arquivos pessoais: análise da experiência na Casa de Oswaldo Cruz, Museu de Astronomia e Ciência Afins e a Fundação Fernando Henrique Cardoso
No full textO seguinte trabalho tem como objeto de estudo a documentação tridimensional dentro
de arquivos pessoais. O trabalho consiste em uma revisão bibliográfica além de uma
análise de três instituições, sendo estas a: Casa de Oswaldo Cruz, Museu de Astronomia
e Ciências Afins e a Fundação Fernando Henrique Cardoso. A parte bibliográfica foi
realizada visando compreender como os objetos são vistos dentro da Arquivologia. A
parte de análise objetiva a compreensão de como esta documentação tridimensional é
tratada e compreendida dentro dos acervos selecionadosThe following work is aimed at studying the three-dimensional documentation within
personal archives. The work consists of a bibliographical review besides an analysis of
these three institutions: Casa de Oswaldo Cruz, Museu de Astronomia e Ciências Afins,
and Fundação Fernando Henrique Cardoso. The bibliographical part was carried out
aiming to understand how the objects are seen within the Archiving. The analysis part
aims to understand how this three-dimensional documentation is treated and understood
within the selected collection
Poetics and economy of communication in Samuel Richardson's Clarissa
No full textLe problème de la communication, et pas seulement du danger des liaisons, est au cœur du roman épistolaire de manière générale et de Clarissa de Samuel Richardson en particulier. Sans cesse menacée d'interruption, la communication représentée dans la diégèse du deuxième roman de Richardson influe également sur le sens et relève à ce titre de ce que Janet Altman a appelé l'épistolarité. Cette étude se concentre sur le code de la communication représentée dans l'œuvre et saisit la lettre dans l’économie de l’information toute particulière dont elle participe, à la croisée d'une communication interne entre ses personnages et des exigences d'une communication externe qui voit le matériau épistolaire affluer vers le Lecteur. Elle s'efforce de souligner à quel point le scénario romanesque est informé par la nature des communications au travers desquelles il s’exprime ainsi qu'à travers les communications auxquelles il donne lieu (Clarissa étant l'objet d'âpres négociations entre son auteur et ses lecteurs), tout comme il informe à son tour la nature de ces communications. L'examen de la communication dans et autour du roman de Richardson met en évidence l'existence d'une poétique qui est aussi une économie. L'histoire de Clarissa n'est pas tant l'histoire de ses lettres que celle de ses communications.The problem of communication, and not only that of the danger of the liaisons, is at the heart of the epistolary novel in general and of Samuel Richardson's Clarissa in particular. Constantly threatened with interruption, the communication represented in the diegesis of Richardson's second novel also informs meaning and thus belongs to what Janet Altman called epistolarity. This study concentrates on the code of communication represented in the work and endeavors to grasp the letter in its particular economy of communication, at the crossroads of internal communication between its characters and the demands of an external communication that requires that the epistolary material be oriented towards the reader. This study strives to underline to what extent the novelistic scenario is informed by the nature of the communications through which it expresses itself as well as by the communications it produces among its readers in the shape of letters to the author. The examination of communication in and around Richardson's novel bears witness to the existence of a poetics that is also an economy. The history of Clarissa is not so much that of its letters as that of its communications
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