1,721,036 research outputs found
Integralismo e politiche di accoglienza : percorsi etnografici tra le (de)politicizzazioni delle migrazioni = Integralism and reception policies : Ethnographic paths among the (de)politicisations of migration
Full text linkThe consensus gained by far-right parties and movements seems to have a privileged relationship with the migration issue, thus the need to question the relationship between these two phenomena. The objective of this article is to stimulate a reflection that crosses the relationship between integralist neo-nationalist movements and reception
policies. To do this we will look at reception not from within but from outside, and at the same time at political integralism not as an “extreme” or marginal movement, but as a more pervasive cultural process that is structured in and between the folds at the centre of our own society
Tra ricerca e mercato: le società spin off
No full textIl libro si occupa del fenomeno delle società a partecipazione pubblica, visto attraverso l'analisi della pluralità di tipi societari e di regimi regolativi
Le società a partecipazione pubblica nel governo del territorio
No full textutilizzo dello strumento societario in materia di governo del territori
Lo studio delle società a partecipazione pubblica: la pluralità dei tipi e le regole di diritto privato. Una premessa metodologica e sostanziale.
No full textIl contributo si propone di precisare in quali termini sia oggi possibile condurre uno studio delle società con partecipazione pubblica, richiamandone la molteplicità dei tipi da un lato e la difficoltà di ricostruire il relativo regime giuridico a cavallo tra diritto pubblico e diritto privato
Le società degli enti territoriali alla luce dell'art.13 del D.L. 223/2006
No full textIl saggio analizza i limiti operativi imposti dall'art. 13 del c.d. Decreto Bersani alle società pubbliche degli enti territoriali che abbiano ad oggetto la produzione di beni e servizi strumentali all'attività delle amministrazioni che le hanno costituite o che vi partecipano, mettendo in luce il significativo cambio di direzione da parte del legislatore nel disegno delle relazioni tra gli enti pubblici e le loro società
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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