1,721,031 research outputs found
Il Salmo 35 nell'esegesi origeniana
No full textPsalm 35 – from a formgeschichtlich point of view, a composite one – seems to have been almost neglected in early Christian literature before Origen; in fact, he is the first author who has given a deep and complete commentary of it, both in his undoubted works and in the discussed fragments of his commentary on the Psalter. Origen’s exegesis of this Psalm shows some of the main themes which are typical of the theological thought of the Alexandrian author. So, to «the clouds» (v. 6b) – as well as to «man and beast» (v. 7b) – is applied an allegorizing interpretation; in the latter case, the explanation reaches the field of anthropology. The «great deep» (v. 7a) offers the opportunity of a reflexion about divine justice (‘theodicy’), to be examined within the larger debate concerning free will and providence. The divine «wings» (v. 8b) are an occasion to discuss the many biblical ‘anthropomorphisms’ by means of a spiritual reading. And finally, the «light» (v. 10b) gives the chance to expose analytically two topics of the greatest importance both for Origen’s theology, and for its Fortleben in the following centuries: christology and soteriology
Nuova luce sull'officina origeniana. I LXX e gli 'altri'
No full textThe great importance of the newly discovered collection of Origenian Homilies on Psalms can be summarized as follows: 1) until the discovery of Cod. Gr. 314, we did not held any Origen’s homily (neither Homilies on Jeremiah, nor the homilies translated to Latin by Rufinus and Jerome) containing such an amount of scholiographic material, as results from the examples given in this paper; 2) the setting out of an exegesis ‘without aberrations’ confirms and extends what we know from other Origenian works containing the same topic (e.g. Prin IV 3,1ff., about the ‘obscurities’ of the Bible)
Sugli hapax legomena nelle Homiliae in Psalmos origeniane
No full textNelle Omelie sui Salmi recentemente scoperte è presente un certo numero di hapax legomena; nella maggioranza dei casi, la creazione di nuovi termini appare determinata dai varî àmbiti contestuali in cui questi si trovano inseriti. In alcuni casi, a provocare il fenomeno è il lemma biblico di volta in volta commentato; la coniazione di neologismi è dunque per lo più sostenuta da procedimenti analogici applicati a elementi presenti nel contesto, o, altre volte, dovuta a influssi, esterni al contesto, da parte di ‘lingue tecniche’; in altri casi, al riuso di materiali esaplari
Origenes, Die neuen Psalmenhomilien. Eine kritische Edition des Codex Monacensis Graecus 314. Herausgegeben von Lorenzo Perrone, in Zusammenarbeit mit Marina Molin Pradel, Emanuela Prinzivalli un Antonio Cacciari (Die griechischen christlichen Schriftsteller der ersten Jahrhunderte N.F. 19. [Origenes Werke XIII]), De Gruyter, Berlin 2015
No full textMit diesem Buch liegt erstmals eine kritische Edition des Codex Monacensis Graecus 314 vor, einer Sammlung von Homilien des Origenes, die 2012 in der Bayerischen Staatsbibliothek München entdeckt wurde. Dieser Handschriftenfund ist der wichtichste seit der Entdeckung der Tura Papyri im Jahr 1941. Die 29 Homilien werfen ein neues Licht auf die Persönlichkeit und Gedankenwelt des Origenes, wie auch auf die Situation der Kirche im 3. Jahrhundert
From Tura to Munich. Seventy Years of Origenian Discoveries, in: A.-Ch. Jacobsen (a cura di), Origeniana Undecima. Origen and Origenism in the History of Western Thought, Leuven, Peeters 2016
No full textWhat we can conclude on the basis of it is that the last decades have actually discovered and made known a lot of papyri, some of which recently unearthed (as is chiefly the case of Tura), some already held for a long time in many collections and funds. No case is given, as results, of any finding of a new codex, so that the discovery of Codex Monacensis Graecus 314 seems one of a kind for this period. The amount of exegetical stuff which the twenty-nine homilies – almost certainly a work of Origen – may offer to the scholars will be such as to throw light, I think, also on many controversial texts treated in this short review
Omelia XXVII: Ascesa e tappe
No full textL'Omelia XXVII, la più lunga fra quelle dedicate al libro dei Numeri, è con ogni probabilità non un testo pronunciato davanti a un'assemblea, ma la risultante di un assemblaggio di brani esegetici di diversa provenienza, come ricorda lo stesso Rufino nella sua traduzione latina, l'unica che ci tramandi queste omelie in forma integrale. Attraverso l'esame delle 42 tappe nel cammino di Israele nel deserto, Origene individua altrettanti stadi del cammino dell'anima verso la perfezione
Die neuen Psalmenhomilien. Eine kritische Edition des Codex Monacensis Graecus 314
No full textNell'ambito dell' edizione critica delle nuove omelie di Origene sui Salmi scoperte nel Cod. Mon. Gr. 314 le 4 omelie sul Sal 36 offrono, per la prima volta, un confronto con il metodo di traduzione di Rufino nel caso di un corpus omiletico. Si presenta l'edizione critica delle quattro omelie grechedi Origene e l'introduzione che dà conto della ratio interpretandi di Rufino
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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