1,723,017 research outputs found
[Telegrams to Jack Ruby from Ed Kane and Mrs. Harry C. Walsh, November 24, 1963 #1]
No full textIndividual telegrams by Ed Kane and Mrs. Harry C. Walsh to Jack Ruby, congratulating him and thanking him for assassinating Lee Harvey Oswald
[Telegrams to Jack Ruby from Ed Kane and Mrs. Harry C. Walsh, November 24, 1963 #2]
No full textIndividual telegrams by Ed Kane and Mrs. Harry C. Walsh to Jack Ruby, congratulating him and thanking him for assassinating Lee Harvey Oswald
Letter from Mrs. C. Walsh to Hagan
No full textHolograph letter from Mrs. C. Walsh, 9 Beaumont Road, Upper Drumcondra (Dublin), to Hagan, in thanks for his and the sisters' kindness during her visit to Rome, regretting she was too ill to attend the papal Mass. Some news from the Grennells; Hilda seems to be alright again
Letter from Edmond C. Walsh to Hagan
No full textHolograph letter from Edmond C. Walsh, Mount Melleray, Cappoquin, County Waterford, to Hagan, being very grateful for his help. Stating that he would gladly take an English or American mission; giving further expression to his wishes to leave his present situation; he expects some opposition from his superiors; asking to hand his petition in. He achieved his B.A. by working at night and is anxious to start this term
Letter from Edmond C. Walsh to Hagan
No full textHolograph letter from Edmund C. Walsh, Mount Melleray, Cappoquin, County Waterford, to (Hagan), asking for assistance in his case. Professed in the Presentation Order in Cork, and teaching at the college, he wishes to return to his original studies for the priesthood- this was thwarted even seven years ago by his superior general. Naming the abbot and whole community of Melleray as references; a very good friend of Hagan will also speak for him when he returns to Rome
Illuminating the End of Time: The Getty Apocalypse Manuscript
Full text linkBook Review of Illuminating the End of Time: The Getty Apocalypse Manuscript, by Nigel J. Morgan. ISBN 9781606060711. Reviewed by Suzanne C. Walsh
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Letter from Edmond C. Walsh to Hagan
No full textHolograph letter from Edmond C. Walsh, Mount Melleray, Cappoquin, County Waterford, to (Hagan), elaborating his case to ease his mind. He is waiting to be dispensed from his vows; the abbot of Melleray wrote a strong letter on his behalf to St. Kieran's where in the meantime he has taken up his duties again. Expressing his determination to become a priest and his certainty that the religious life is not for him; giving reasons why he was professed and how he has remained in the order
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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