1,365 research outputs found

    Testori. Scrittura e figura

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    The first meeting between La Rivista di Engramma and Giovanni Testori focuses on two typical themes for the journal: writing and figure. Testori. Scrittura e figura is Engramma's portrait dedicated to Testori 100 years after his birth and 30 years after his death. It takes as its reference Willy Varlin's portrait of Testori chosen as the issue's cover. The issue includes a first part centred on Testori's writing: Chiara Pianca in “Quasi fudesse ecce homo de paese” writes an in-depth and detailed essay on the complex drafting of Ambleto. Alongside this, Luca D'Onghia in his article Lettera luterana su Edipus gives a possible identification of the “scarrozzante” king of Thebes. The remainder of the issue is dedicated to art and the figure. Primarily Testori. Figure dell'informe, by Arturo Mazzarella, which links Testori's thought to 20th-century aesthetic philosophy and the notion of formlessness. This is followed by Apostasia della carne. Fatica e liberazione della materia in Giovanni Testori e Francis Bacon, by Filippo Perfetti: a contribution that reveals some traits of Testori's and Bacon's conception of painting, and how pictorial matter is linked to human life and biology. Davide Dall'Ombra, with Nell'anno del libro su Giovanni Testori e Roberto Longhi, talks about the Testori-Longhi relationship through their exchange of letters, an anticipation that introduces his forthcoming publication Con Roberto Longhi. Lettere e scritti. 1951-1990. The section is closed by the republication of a writing by Giovanni Testori (for which we thank the Associazione Giovanni Testori, and in particular Giuseppe Frangi): Grünewald, il trionfo e la bestemmia. In its concluding part, the issue focuses on the theatrical version of “In exitu”. Here we give for the first time an edition of the reduction used by Testori on his novel for the script. Accompanying the text and the reader is Piermario Vescovo, author of a brief Nota, which briefly attempts to indicate the relevance and further possibility of interrogation of the theatrical script. The conversation “In piena luce, in piena ombra” is a dialogue between Franco Branciaroli, the actor for whom the text of "In exitu" was cut, and Piermario Vescovo. Maestro no, incipit and title of the interview conducted by Antonio Ria with Testori, closes (provisionally) this issue through the voice of its protagonist

    Método Perfetti en el paciente pediátrico hospitalizado

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    The Perfetti method is known as a therapeutic tool, implemented in the rehabilitation processes of patients with neurological involvement, who faces a problem that can be solved only through the perception of the body, considering possible alterations in sensitivity, mobility and cognitive processes (perception, attention, memory), as mentioned by Breghi, I. (2012).  The purpose of this informative note is to publicize how the cognitive exercise from the perfetti method, allows intervention from Occupational Therapy with pediatric patients within a hospital environment, demonstrating the effectiveness of the activities that allow the development of skills, favoring interaction and adaptation with the environment during the hospital stay from the training practice.El método Perfetti es conocido como una herramienta terapéutica, implementada en los procesos de rehabilitación del paciente con afectación neurológica, quien enfrenta un problema que puede resolver únicamente mediante la percepción del cuerpo, considerando las posibles alteraciones en la sensibilidad, la movilidad y en los procesos cognitivos: percepción, atención, memoria, como menciona Breghi (2013). El propósito de esta nota divulgativa es dar a conocer cómo el ejercicio cognoscitivo desde el método Perfetti permite realizar intervención desde Terapia Ocupacional con pacientes pediátricos dentro de un ambiente hospitalario, demostrando la eficacia de las actividades que permiten el desarrollo de habilidades, favoreciendo la interacción y adaptación con el entorno durante la estancia hospitalaria desde la práctica formativa

    Aristotle's Zoology and its Renaissance Commentators (1521-1601)

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    Almost neglected in the Middle Ages, Aristotle's libri de animalibus received increasing attention in the Cinquecento, and were often commented on by several professional Aristotelians. Dr. Perfetti reconstructs this commentary tradition: a parabola that goes from Pomponazzi's lessons on the De partibus animalium (held in Bologna, 1521-23) up to the publication of Cristoforo Guarinoni's Commentaria in primum librum De historia animalium, Frankfurt 1601, and includes other bright lights of the Aristotelian scene, such as Niccolo Leonico Tomeo, Agostino Nifo, Julius Caesar Scaliger, Simone Porzio, Francesco Vimercato, Cesare Cremonini, and Theodore Gaza. The author pays special attention to the peculiar techniques of analysis employed by each commentator and to the balance between philology, erudition, and natural philosophy. This study also provides a reading key that explains the reasons for this renewed interest for philosophical zoology in the first half of the century and explains why commentators transformed their use of Aristotle's zoology throughout the second half of the century, to reach, eventually, the extinction of exegesis per modum commenti

    Introduction: Developmental dyslexia - A cross-linguistic perspective

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    Item does not contain fulltextReading involves decoding written language in order to understand it. In learning to read, children implicitly learn how their writing system encodes their spoken language and how they can decode printed words into spoken words to derive meaning (see Verhoeven & Perfetti, 2017). However, many children around the world encounter problems learning to read, fail to develop fluent decoding, and are thus diagnosed as dyslexic. A large body of research supports the conclusion that a phonological deficit underlies most developmental dyslexia. Much of the existing evidence, however, is based on studies of children learning to read in English. It is important to note that English has an opaque orthography that creates challenges beyond those facing children who read more transparent orthographies. In recent years, the research base for developmental dyslexia has broadened across languages, allowing the question of differences and similarities across languages and writing systems to receive attention

    Soluzione del problema n°2010-1/C

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    Si chiede di dare un controesempio di funzion

    Sacellum Beate Mariae Virginis Einsidlensis Divinit

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    Darstellung von zwei Mönchen und vier anbetenden Figuren auf der Treppe der alten 1798 zerstörten Gnadenkapelle in der Klosterkirche Einsiedeln[Petrus] Perfetti SculpTitel als Inschrift auf einer gezeichneten Steintafel im Bild vorne rechts radiert; unten auf der Steintafel unbekannte Initialen "C. B. F."Unten links in der Platte radiert "Petrus (Fehlstelle im Wort) Perfetti Sculp: Plac. 1760"Aus der Sammlung Leonhard Ziegler zum Egli (1782-1854); unter der Nummer "2477" in Zieglers "Catalogus Schweizerischer Prospecten und Landskarten", S.46 vermerkt Exemplar der Zentralbibliothek Zürich, Graphische Sammlung und Fotoarchi
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