1,721,009 research outputs found
Les poétiques réalistes de I'entre-deux-guerres
Dans différentes histoires littéraires françaises, l’entre-deux-guerres est décrit comme une période essentiellement marquée par les avant-gardes et par le modernisme. En réalité, presque à mi-chemin entre l’âge d’or du réalisme de la fin du XIXe siècle et le « nouveau réalisme » que représente le Nouveau Roman, les années 1920 et 1930 constituent un moment crucial dans l’histoire du réalisme. C’est, tout d’abord, l’époque où sont publiés des centaines de récits de guerre de la Première Guerre mondiale, et où Jean-Norton Cru théorise le genre du « témoignage » (Témoins, 1929). C’est aussi l’époque où émergent les mouvements populiste et prolétarien et où sont publiés, non sans lien avec ces deux derniers mouvements, de nombreux « récits de métier » (Pierre Hamp, Jean Pallu). C’est, pour finir, l’un des grands moments du régionalisme littéraire. Curieusement, il est très rare que ces différentes expériences littéraires soient définies réalistes : le mot « réalisme » n’est pas vraiment à la mode, les auteurs ne s’en réclament pas et les critiques, contemporains et successifs, y ont rarement recouru pour définir des poétiques qui représentent par contre, de mon point de vue, un nouveau chapitre, et particulièrement important, dans l’histoire de la macro-catégorie du réalisme. Un chapitre nouveau, où la fidélité à la réalité s’affirme suivant d’autres impératifs que celui de l’« illusion référentielle » en poursuivant des idéaux comme celui, déjà ancien, de la vérité, et ceux, très en vogue dans l’entre-deux-guerres, de l’authenticité et de la simplicité. Et un chapitre où s’affirment de nouvelles poétiques, légèrement différentes selon les auteurs et les mouvements, mais qui partagent un large nombre de traits, illustrés dans cette étude
Introduzione
Questo libro analizza le creazioni letterarie e fotografiche scaturite dal «cuore di tenebra» dell'Africa coloniale subsahariana. Da una parte un'Europa che ricerca la sua ultima avventura coloniale, dall'altra gli altri mondi che, come fantasia o conoscenza, si proiettano sullo spazio dei saperi della metropoli. Razionalizzare l'altrove africano sarà il compito dei vari esploratori e viaggiatori, poi dei funzionari coloniali, infine degli scrittori. Questa analisi mette in luce come l'uomo occidentale sia arrivato a interrogarsi sull'intrico della propria coscienza, della propria modernità, della propria civiltà. Per la prima volta il mondo occidentale è invaso da milioni di "specchi guardanti" che attraverso la fotografia vanno a popolare la vita quotidiana dei cittadini europei. Emerge così come la letteratura e la fotografia siano componenti fondanti la cultura imperiale e lo stesso impero.
(quarta di copertina
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Erratum: Update on psychological functioning in adults with congenital heart disease: A systematic review (Expert Review of Cardiovascular Therapy (2013) 11(6) (785–791) (10.1586/erc.13.9))
The correct author affiliations are given below: Edward Callus*1, Emilia Quadri1, Cristian Ricci2, Cristiana Passerini1, Anna Tovo1, Gabriele Pelissero3 and Massimo Chessa11IRCCS Policlinico San Donato, Pediatric and Adult Congenital Heart Centre, Italy 2Fondazione Don C. Gnocchi, Italy 3IRCCS Policlinico San Donato, Scientific Directorate, Italy *Author for correspondence: Tel.: +39 02 527 747 07 [email protected]. © 2013, Informa UK, Ltd. All rights reserved
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