1,725,290 research outputs found
Leven C. Allen, 16th, U.S. Infantry 1879-1880
No full textTintype photograph of Lieutenant Leven C. Allen sitting in front of his tent during the Ute campaign in 1879
Lieut. Leven C. Allen, Ute Campaign in Colorado
No full textTintype photograph of Lieut. Leven C. Allen sitting outside his tent during the Ute Campaign in Colorado, probably in 1879
[Major A. C. Allen, Confederate States Army]
No full textPortrait of Major A. C. Allen, 19th Texas Infantry, Confederate States Army, taken while prisoner of war in New Orleans, Louisiana.Recto: [handwritten] Major A. C. Allen, Texas. Verso: [handwritten] Major A. C. Allen, 19th Texas Infantry Taken while a prisoner of war - at N.O. La
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Stapleton, A C (Allen Charles), NX45356
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/418889Surname: STAPLETON. Given Name(s) or Initials: A C (ALLEN CHARLES). Military Service Number or Last Known Location: NX45356. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 13864.243113
Item: [2016.0049.51150] "Stapleton, A C (Allen Charles), NX45356
Our quarters at Fort Douglas, Utah
No full textBlack and white photograph of one of the officer residences at Fort Douglas, where the family of Albert C. Allen lived in the late 1870s and early 1880s. On verso, the people on porch are identified (left to right): Leven C. Allen, [unidentified but probably older son Gilbert M. Allen], Mrs. L. Allen, Albert C. Allen, Lt. Gregg, Capt. Morriso
[Portrait of E. C. Allen] [picture].
No full textTitle devised by cataloguer from compactus card.; Condition good.; Inscriptions: "E. C. Allen" --signed lower right corner
[Major A. C. Allen, Confederate States Army]
No full textPortrait of Major A. C. Allen, 19th Texas Infantry, Confederate States Army, taken while prisoner of war in New Orleans, Louisiana
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
- …
