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    Characterisation and wear properties of industrially produced nanoscaled CrN/NbN multilayer coating

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    Present work deals with morphological, microstructural, compositional and tribological characterisation of nanoscaledmultilayerCrN/NbNcoatingproduced by an industrial process presently in development phase. This coating has been applied on steel ring components used in textile plants subjected to contact erosion wear, at high frequency and low load, between the external surface of a ring and a bar where friction coefficient and corrosion resistance are critical. Nanoscaledmultilayer structures usually show both high hardness and better wear resistance, correlated with grain refinement, coherency strain hardening, inhibition of dislocation motion, together with an excellent corrosion resistance due to the interruption of coating columnar pinholes and to the combined metal element effect. In order to obtain multilayer structure a non-conventional technique has been set up, consisting of triggering alternatively on Cr or Nb cathodes with appropriate time constant so as to obtain couple of layers of about 5 nm each. In order to satisfy industrial requirements, the process was optimised using a commercially available Cathodic Arc PVD equipment, routinely used to produce conventional CrNcoatings. Microstructural and compositional properties were investigated and reported hereby. Low angle X-ray diffraction, Optical and Atomic Force Microscopy, Electron Probe Microscopy (SEM, TEM, SAD, EDS) and Focussed Ion Beam techniques has been used. Defects were also investigated, particularly microdroplets (shape, dimension, density, clustering and other process-sensitive features). Mechanical and tribological properties were characterized by micro and nano hardness measurements, scratch test, ball on ring, ball-cratering and residual stresses evaluation with X-ray diffraction (XRD) sin2ψ method. Multilayercoating shows higher H/E ratio, a clear tendency to delaminate during fracture and a different size distribution of microdroplets. As a consequence, CrN/NbNcoating results in a lower wear rate with respect to the CrNcoating (up to 30%) but only if a normal force dominated stress is applied. Finally, performances results (e.g. wear rate and degradation behaviour) obtained by operating in line two different sets of components (respectively CrN and CrN/NbN coated) are presented; lifetime of industriallyproducedmultilayer coated components has been elongated from 9 to 11 months

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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