1,720,959 research outputs found
Raport privind cercetările arheologice de la Răcătău, jud. Bacău / Recherches archéologiques dans la cité gèto-dace de Răcătău, dép. de Bacău
Căpitanu Viorel. Raport privind cercetările arheologice de la Răcătău, jud. Bacău / Recherches archéologiques dans la cité gèto-dace de Răcătău, dép. de Bacău. In: Materiale şi cercetări arheologice, N°16 1986. A XVI-A sesiune anuală de rapoarte, Vaslui 1982. pp. 109-120
Dava geto-dacică de la Răcătău, jud. Bacău / La „dava” géto-dace de Răcătău dép. de Bacău
Căpitanu Viorel. Dava geto-dacică de la Răcătău, jud. Bacău / La „dava” géto-dace de Răcătău dép. de Bacău. In: Materiale şi cercetări arheologice, N°17 1992. A XVII-A sesiune anuală de rapoarte, Ploiești 1983 (Partea I) pp. 121-139
Raport privind săpăturile arheologice da la Răcătau (județul Bacău)
Căpitanu Viorel. Raport privind săpăturile arheologice da la Răcătau (județul Bacău). In: Materiale şi cercetări arheologice, N°13 1979. A XIII - A sesiune anuală de rapoarte. pp. 139-141
Cercetări arheologice în aşezarea geto dacă de la Răcătău (jud. Bacău) / Recherches archéologiques dans l’établissement géto-dace de Răcătău, dép. Bacău
Căpitanu Viorel. Cercetări arheologice în aşezarea geto dacă de la Răcătău (jud. Bacău) / Recherches archéologiques dans l’établissement géto-dace de Răcătău, dép. Bacău. In: Materiale şi cercetări arheologice, N°15 1983. A XV-A sesiune anuală de rapoarte, Muzeul jedeţean Braşov – 1981. pp. 201-210
Săpăturile de la Buda (r. Buhuşi, reg. Bacău) / Les fouilles de Buda
Căpitanu Viorel, Buzdugan C., Ursache Vasile. Săpăturile de la Buda (r. Buhuşi, reg. Bacău) / Les fouilles de Buda. In: Materiale şi cercetări arheologice, N°8 1962. pp. 141-144
Cercetările şi săpăturile arheologice de la Buda / Les recherches et les fouilles archéologiques de Buda
Nicolăescu-Plopşor Constantin S., Buzdugan C., Căpitanu Viorel, Ursache Vasile, Paul-Bolomey Alexandra. Cercetările şi săpăturile arheologice de la Buda / Les recherches et les fouilles archéologiques de Buda. In: Materiale şi cercetări arheologice, N°7 1961. pp. 21-28
Expoziţia civilizaţia daco-geţilor în perioada clasică : Bucureşti, Bacău, Cluj-Napoca : catalog /
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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