1,721,652 research outputs found
Byron R. White
No full textWith appreciation to Roger Jacobs for his fine services.
Byron R. White, Associate Justicehttps://scholarship.law.nd.edu/jacobs_sup_court/1003/thumbnail.jp
Byron, R J, NX52404
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/375323Surname: BYRON
Given Name(s) or Initials: R J
Military Service Number or Last Known Location: NX52404
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 41678188024
Item: [2016.0049.07631] "Byron, R J, NX52404
Byron R. Gayman
No full textThe Oklahoma A&M College World War I Veterans collection captures the memories and experiences of the men and women of Oklahoma Agricultural and Mechanical College who served in World War I. In 1919, a project headed by Maude Cass, the editor of the 1919 Redskin; Professor Maroney of the Department of History; Margaret Walters, Librarian; and J.W. Cantwell, the College President, was undertaken to survey these veterans. The surveys were returned along with photographs, letters, and newspaper clippings documenting these veterans’ experiences during World War I
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Business Archives Project
Full text linkInterview with Byron R. Abernethy, a labor arbitrator in Lubbock, Texas. The interview discusses his political activities; and the circumstances surrounding the termination of his employment at Texas Tech University. The interview also includes Byron R. Abernethy's resume
Batey Lecture Series Poster for the Byron R. McCane Lecture
No full textThis image was received from the Communications Office in 2014. Uploaded by Hayley Rosenfield.This is a poster for Byron R. McCane's lecture "Jesus and Herod in the Roman Empire". This lecture was part of the Batey Lecture Series and took place at 7 pm on February 3, 2011 in the McCallum Ballroom of the Bryan Campus Life Center
Johnson (Byron R.) Doyle (Dennis M.) Barnes (Michael H.) Are There Two Catholicisms?
No full textJohnson (Byron R.) Doyle (Dennis M.) Barnes (Michael H.) Are There Two Catholicisms?. In: Archives de sciences sociales des religions, n°68/2, 1989. p. 185
Johnson (Byron R.) Doyle (Dennis M.) Barnes (Michael H.) Are There Two Catholicisms?
No full textJohnson (Byron R.) Doyle (Dennis M.) Barnes (Michael H.) Are There Two Catholicisms?. In: Archives de sciences sociales des religions, n°68/2, 1989. p. 185
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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