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    Photograph - Butterley, Nigel

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    This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/289181Butterley, Nigel305882 Item: [2003.0003.06242] "Photograph - Butterley, Nigel

    Photograph - Butterley, Nigel

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    This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/289236Butterley, Nigel305937 Item: [2003.0003.06297] "Photograph - Butterley, Nigel

    Butterley, Nigel

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    Beni Avshalom (World premiere)

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    Megan Cronin, soprano; Belinda Montgomery, soprano; John Pitman, tenor; Joseph Toltz, tenor; Linda Kent, organ; Sydney Chamber Choir / Roland Peelman, conductor.ABC Classic FM recordingABC Classic FMOff-air broadcast recording. Copied under Part VA of the Copyright Ac

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Verathmende, Schillernde, Blitzende ...

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    Music Workshop, Sydney Conservatorium of MusicABC recordingABC Classic FMOff-air broadcast recording. Copied under Part VA of the Copyright Ac

    The True Samaritan

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    The Song Company; Roland Peelman, conductor Recorded in the Verbrugghen Hall, Sydney Conservatorium of Music, March, 2005ABC Classic FMOff-air broadcast recording. Copied under Part VA of the Copyright Ac

    Paradise unseen

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    The Song CompanyABC Classic FMOff-air broadcast recording. Copied under Part VA of the Copyright Ac

    Music as a Meeting Ground for the Other Arts and the Religious Quest

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    Nigel Butterley gave an illustrated presentation on this subject as a keynote lecture. In an effort to capture something of the spontaneity and significance of that event, Michael Griffith interviewed Butterley on this and related topics. Here is an edited transcript of part of that interview
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