1,721,127 research outputs found
Alien Registration- Butler, Sarah (Houlton, Aroostook County)
Full text linkhttps://digitalmaine.com/alien_docs/36118/thumbnail.jp
Alien Registration- Butler, Sarah J. (Brewer, Penobscot County)
No full texthttps://digitalmaine.com/alien_docs/11372/thumbnail.jp
Alien Registration- Butler, Sarah J. (Brewer, Penobscot County)
Full text linkhttps://digitalmaine.com/alien_docs/11372/thumbnail.jp
Figure 1 in Temporal changes in burrow structure of the thalassinidean ghost shrimps Trypaea australiensis and Biffarius arenosus
No full textFigure 1. Map of Western Port, Victoria, showing its relative position in south-eastern Australia and the study site, Warneet.Published as part of Butler, Sarah N. & Bird, Fiona L., 2008, Temporal changes in burrow structure of the thalassinidean ghost shrimps Trypaea australiensis and Biffarius arenosus, pp. 2041-2062 in Journal of Natural History 42 (31-32) on page 2043, DOI: 10.1080/00222930802254656, http://zenodo.org/record/521974
Figure 4 in Temporal changes in burrow structure of the thalassinidean ghost shrimps Trypaea australiensis and Biffarius arenosus
No full textFigure 4. Dendrogram showing how casts of Biffarius arenosus burrows cluster together based on overall morphological similarities (W denotes casts made in winter, P are casts made in spring, S are casts made in summer and A are casts made in autumn). The horizontal dashed line shows 80% similarity with two main groups of casts, each containing representatives of each season.Published as part of Butler, Sarah N. & Bird, Fiona L., 2008, Temporal changes in burrow structure of the thalassinidean ghost shrimps Trypaea australiensis and Biffarius arenosus, pp. 2041-2062 in Journal of Natural History 42 (31-32) on page 2048, DOI: 10.1080/00222930802254656, http://zenodo.org/record/521974
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Latino Financial Literacy Program Newsletter, 2016, Vol 10, Issue 2
No full textThis archival publication may not reflect current scientific knowledge or recommendations. Current information available from the University of Minnesota Extension: https://www.extension.umn.edu.Burk, Gabriela; Putz, Taylor; Katras, Mary Jo; Butler, Sarah L; Mendoza, Francisca M; Lamas, José. (2016). Latino Financial Literacy Program Newsletter, 2016, Vol 10, Issue 2. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/189181
Boletín del Programa Latino de Extensión para la Educación Financiera, 2016, Vol 10, Número 2
No full textThis archival publication may not reflect current scientific knowledge or recommendations. Current information available from the University of Minnesota Extension: https://www.extension.umn.edu.Burk, Gabriela; Putz, Taylor; Katras, Mary Jo; Lamas, José; Mendoza, Francisca M; Butler, Sarah L. (2016). Boletín del Programa Latino de Extensión para la Educación Financiera, 2016, Vol 10, Número 2. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/189176
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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