5,735 research outputs found
No. 694 Anne Butler
Transcript (29 pages) of an interview by Greg Smoak with Anne M. Butler at Denver, Colorado, on 4 October 2012. Part of the Western History Association Oral History Project, Everett Cooley Collection tape no. U-3168Emeritus professor of history at Utah State University, Anne Butler, remembers her academic career with emphasis on her membership in the Western Historical Association and her time as editor of the WHA´s organ the Western Historical Quarterly. Raised in Massachusetts, Dr. Butler discovered her love of the West and Western history in childhood, and, as a single mother of two in the 1960s, embarked on a college career that started at Towson State University and led her to a PhD at the University of Maryland. She worked closely with Walter Rundell and Richard Farrell at Maryland, and throughout the interview discusses Rundell´s scholarship, his manner with students, and his work in the WHA. Dr. Rundell was responsible for Dr. Butler´s own entry into the WHA, and she gave her first paper at the San Diego conference in 1979. She replaced Chaz Peterson at Utah State University in 1988 with Clyde Milnerôs encouragement, and indeed credits him with making her academic experience and her entire time in Logan until his departure wonderful. Dr. Butler retired from USU to give David Lewis room to grow as editor, but also because Dr. Milner had already left. Her work for the WHQ spanned fourteen years, and she professionalized the establishment as well as gearing the journal up for online access and publication. She remembers the WHQ being the only small journal to join History Co-op at first, alongside the bigger names. Dr. Butler also made a concerted effort at the WHQ to reach out to Hispanic and women scholars. She mentions the journal´s emphasis on cutting-edge research and notes the rise of graduate students´ work in the publication. She mentions a number of fine graduate students the WHQ sponsored with fellowships, and discusses the process. In 2012 Dr. Butler received the WHA´s Award of Merit. Project: Western History Association. Interviewer: Greg Smoa
Interview: Anne-Marie Fortier
This paper is an edited version of an email interview conducted by Debra Ferreday and Adi Kuntsman with Anne-Marie Fortier, the author of Multicultural Horizons: Diversity and the Limits of the Civil Nation (Routledge, 2008). Fortier’s work has been informative in the development of some of the arguments explored in this special issue; in their conversation Ferreday and Kuntsman asked her to comment on the ideas of haunting, racial imaginaries, nostalgia, national anxieties, political feelings and hopes for the future
Review of "Sir Kenelm Digby (1603���1665), un penseur �� l�����ge du baroque" by Anne-Laure de Meyer.
Anne-Laure de Meyer. Sir Kenelm Digby (1603���1665), un penseur �� l�����ge du baroque. Paris: Honor�� Champion, 2021. 580 pp. 88���. Review by Larry W. Riggs, Butler University
Review of Daughters of Joy, Sisters of Misery: Prostitutes in the American West, 1865-90 By Anne M. Butler
Anne M. Butler\u27s Daughters of Joy, Sisters of Misery is a broad history of prostitution throughout the American West, based on extensive primary research and illustrated with some wonderful photographs. Like many women\u27s historians, Butler begins with two assumptions: that she will rescue a particular group of women from historical obscurity and that she will test and ultimately undermine the stereotypical and often one-dimensional portrayal of their lives. Her major thesis, however, gives her book added scope: while her discussion of the lives of prostitutes reveals that they were often powerless and victimized, she demonstrates convincingly that as a group they made unmistakable contributions to the development of social institutions in the West
Across God\u27s Frontiers: Catholic Sisters in the American West, 1850-1920
Roman Catholic sisters first traveled to the American West as providers of social services, education, and medical assistance. In Across God\u27s Frontiers, Anne M. Butler traces the ways in which sisters challenged and reconfigured contemporary ideas about women, work, religion, and the West; moreover, she demonstrates how religious life became a vehicle for increasing women\u27s agency and power. Moving to the West introduced significant changes for these women, including public employment and thoroughly unconventional monastic lives. As nuns and sisters adjusted to new circumstances and immersed themselves in rugged environments, Butler argues, the West shaped them; and through their labors and charities, the sisters in turn shaped the West. These female religious pioneers built institutions, brokered relationships between Indigenous peoples and encroaching settlers, and undertook varied occupations, often without organized funding or direct support from the church hierarchy. A comprehensive history of Roman Catholic nuns and sisters in the American West, Across God\u27s Frontiers reveals Catholic sisters as dynamic and creative architects of civic and religious institutions in western communities.https://digitalcommons.usu.edu/usufaculty_monographs/1085/thumbnail.jp
Cautionary Comments (author response)
Reply to concerns about a safety factor in the paper, “A Solvent-Free Oxidation of Alcohols in an Organic Laboratory
Decomposition Structures for Event-B
Abstract. Event-B provides a flexible approach to modelling and re-finement of systems. In this paper we outline two important ways in which Event-B refinement can be augmented with additional structuring to support further the management of complex refinements. Firstly we show how event refinement diagrams can be used to structure refinement steps involving decomposition of atomicity. Secondly we outline a tech-nique for decomposing models into sub-models to allow for independent refinement. We show how these two structuring techniques can be used together.
'The cracked mirror': Anne Sexton's poetics of self-representation
This thesis re-evaluates the work of the poet Anne Sexton (1928-1974), concentrating, in particular, on the indeterminacies, contradictions and aporia which it finds to be characteristic of her ostensibly frank and self-revelatory writing. The study is based on a close textual
analysis of Sexton's writing, is informed by oststructuralist theories, and is sustained by an
examination and discussion of archive collections of her previously unpublished papers. In seeking an understanding of Sexton's poetics, the thesis identifies and interrogates the strategies of denial and obfuscation apparent in her own explication of her work - principally, by scrutiny of the unpublished, and previously unresearched, drafts of a series of lectures
which she delivered in 1972. Chapters One and Two consider the origins of `confessional' or - Sexton's preferred term - 'personal' poetry and reassess her place within contemporary poetry. They suggest that
Sexton's writing is engaged in a process of negotiation and contestation, both with the boundaries and expectations of confessionalism, and with the strictures of T. S. Eliot's theory of `impersonality'. In support of these arguments, Chapter Two offer a reading of Sexton's
little-known poem, `Hurry Up Please It's Time', alongside its intertext, Eliot's The Waste Land. Chapter Three reassesses received views of the supposedly beneficial interrelationship between confessional speaker and reader. It examines Sexton's appropriation of dramatic
masks and personae and her use of metaphors of striptease and prostitution, and suggests that these are employed simultaneously to appease and to repel an intrusive audience. Similarly, Chapters Four and Five trace Sexton's problematisation of two previously-accepted tenets of confessional poetry: its status as autobiography and its truthfulness, drawing attention to the techniques employed in order to give the impression of both. Chapter Six considers Sexton's
problematic engagement with a language which is not malleable, transparent, and referential but, rather, is experienced as uncooperative and occlusive. Finally, the thesis recuperates Sexton from the common charge of narcissism, arguing that it is the writing, rather than the poet, which is self-reflexive and self-conscious. In this respect, it concludes that her work - perhaps unexpectedly - anticipates many of the tendencies of postmodernist writing
The Sapphire Vortex : blending virtual world machinima with real world commentary for effective learning of criminal law
Traditional approaches to teaching criminal law in Australian law schools include lectures that focus on the transmission of abstracted and decontextualised knowledge, with content often prioritised at the expense of depth. This paper discusses The Sapphire Vortex, a blended learning environment that combines a suite of on-line modules using Second Life machinima to depict a narrative involving a series of criminal offences and the ensuing courtroom proceedings, expert commentary by practising lawyers and class discussions
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