1,720,953 research outputs found
Examining the (in)significance of the African boychild as an unheard voice in feminist critical discources: A literary exploration of BA, Dangarembga and Andreas' selected works
No full textA thesis submitted in partial fulfillment of the requirements for the Degree of master of Arts in English StudiesThis thesis examined how literature presents the (in)significance of the African boy child as an unheard voice in the selected feminist critical discourses of three literary works - Mariama Ba’s (1979) So Long a Letter, Tsitsi Dangarembga’s (1989) Nervous Conditions and Neshani Andreas’s The Purple Violet of Oshantuu (2001). The presentation of the boy child in African feminist writing is an area which has not been given much attention in gender writing. The thrust in this research rests on the traditional African perspective, on who can be defined as the African boy child. This study incorporated young and grown up males, bearing in mind the fact that a grown up man in the African culture can be considered a boy child. This is so as to accommodate all males that are presented in the selected feminist critical discourse. Studies on the (re)presentation of the boy child in literary fiction is, as far as the research has established, an understudied area within the broader area of gender discourse. The three novels were selected using purposive sampling as they portray an array of masculinities. The researcher employed Masculinities and Nego-feminism as literary theories to underpin this study, from examining the various roles boy children and males in general play in the texts. Masculinities as a concept was used in order to magnify the construction of the boy child’s identity as it has a lot of bearing on the character of men. Nego-feminism places both genders side by side as men and women try to negotiate their spaces in life and mirrors how the negotiated spaces between the boy children and the females bring about a transformed society in which negative patriarchal values melt away. The study analysed how the three selected female authors portray masculinities as they are experienced in daily life and where historical periods determine their different reactions to the social constructs that gender is. A qualitative research design was adopted to interpret the portrayal of masculinities in the two novels. Thematic analysis was used to analyse the three novels for the portrayal of the boy child characters. The study indicated that the boy child’s identities are a product of a social construct which differs from community to community, and are constantly subject to change. The study observed that the selected feminist discourses have seemingly muted the voice of the boy child who is represented in the three texts as having a privileged position in the society compared to the girl child. The study further noted that feminist writers employ a boy child inhibiting motif that is embraced in muted efforts of the African patriarch to improve gender issues by pedestalising the female voice. The study evaluated the effectiveness of the boy children’s silences in matters pertaining to human affairs and the erasure of hegemonic influences on the globe as one of the fundamental aspects of feminism. The three selected female authors seemingly represented the boy children in a society that exploits the patriarchal dividend of power and hold on to the characteristics of hegemonic masculinity. However, the research also observed that, as portrayed by Ba, Dangarembga and Andreas, some of the boy children are virtuous, admirable and responsible. In discoursing about the boy child (re)presentations of the boy child adjunct inter-texting themes include brotherhood, boy child education as reflection of gender preferences and an instrument of oppression, fathers and son relationships and boy hood as a construct through socialisation, tradition, cultural practices, education and projections of gender
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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