1,721,057 research outputs found
Mythos und Geschichte in Max Aubs Magischem Labyrinth
Einschränkung der vergebenen Lizenz: Die Abbildungen in der Publikation sind von der vergebenen Lizenz ausgeschlossen.Neben dem Künstlerroman Jusep Torres Camplans ist der Werkzyklus Das Magische Labyrinth das bekannteste Werk von Max Aub, und sicherlich das mit der größten Wirkung. Wichtigen Autoren der spanischen Gegenwartsliteratur wie Antonio Muñoz Malina oder Rafael Chirbes ist es Bezugspunkt und Maßstab, wenn sie sich an die literarische Aufarbeitung der traumatischen Geschichte des 20. Jahrhunderts wagen. Aber auch jenseits des spanischen Kontextes hat Max Aub sich mit diesem Opus über und um den spanischen Bürgerkrieg in einen literarischen Olymp hineingeschrieben, in den nur wenige andere Autoren eingegangen sind, die wie er über Jahrzehnte hinweg eine Gesellschaft, eine Epoche oder ihr Schlüsselereignis analysierend umkreist und literarisch modelliert haben
El reto de la representación del trauma: fenomenología de la escritura sobre el detenido-desaparecido
Decir desaparecido(s) II Análisis transculturales de la desaparición forzada indaga en los diversos géneros literarios que representan la desaparición forzada de personas. El libro analiza, a partir de un estudio introductorio y de 18 capítulos, la traslación del concepto desaparecidos desde Argentina a otros territorios afectados por la violencia. Lo hace profundizando en cinco nudos de conflicto que tienen como arterias principales las formas de la desaparición (muerte, apropiación de niños, exilio) y de la aparición (recuperación de restos, fantasmas, propuesta artísticas); los agentes (perpetradores, delatores) y los territorios. A diferencia del volumen anterior, que abordaba la comparación entre España y Argentina, en este se extiende la investigación a la respuesta literaria de países como Chile, Uruguay, Colombia, El Salvador o México
Acerca de la historia del robo de niños y de su representabilidad (Soles negros, de Ignacio del Valle)
Las siguientes consideraciones están dedicadas al robo de niños en España y, como introducción a sus antecedentes fácticos y como contribución a la investigación de sus formas de representación en la literatura ( criminal). El robo de niños se entiende como un caso especial de violencia contra los recién nacidos y los niños, que para España, sin embargo, es un problema fundamental ya solo por razones meramente cuantitativas, además tanto históricas como de política de memoria
Einleitung : Literaturen des Bürgerkriegs - Überlegungen zu ihren soziohistorischen und ästhetischen Konfigurationen
[No abstract available
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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