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    Utjecaj tradicionalne narodne nošnje Kine i Japana na suvremeni dizajn

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    Opisan je pojam narodne nošnje i što on podrazumijeva, a potom su zasebno obrađene narodne nošnje Kine i Japana, njihove sličnosti ili razlike. Svako područje će se opisati posebno zbog potrebe za objašnjenjem da tradicionalna odjeća Kine i Japana nije jednaka. U tradicijskoj odjeći želi se pronaći utjecaj i inspiracija za stvaranje suvremenog dizajna. Ovaj završni rad sadržava eksperimentalni odnosno likovno- tehnički dio koje se sastoji od modne ilustracije cijele kolekcije, projektnih crteža, konstrukcije i modeliranja svakog modela zasebno

    THE FIGURE OF THE HEROINE'S MOTHER AS AN AUTOBIOGRAPHICAL NARRATIVE IN FASHION COLLECTION DESIGN

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    Lik majke heroine kao autobiografski narativ u oblikovanju modne kolekcije rad je koji kroz pojam samohranog roditeljstva proučava dizajnerski opus autoričine majke te stilske karakteristike odijevanja 1980-ih, epohe u kojoj dizajnerica stvara. Detaljnije obrađuje i pojam majke i djeteta, majčinstva i feminizma kroz likovnu umjetnost. Diplomski rad obuhvaća i sliku moćne žene u modi 1980-ih kao i power suit - modnu siluetu 1980-ih. Koncept rada i izrade modne kolekcije temelji se na istraživanju radova i fotografija autoričine majke koja je i sama bila tekstilna dizajnerica. Unutar modne kolekcije nastalo je dvadeset osam odjevnih kombinacija od čega se realiziralo sedam.The figure of the heroine's mother as an autobiographical narrative in the design of the fashion collection is a work that, through the concept of single parenthood, studies the designer's work of the author's mother and the stylistic characteristics of clothing in the 1980s, the era in which the designer creates. It deals in more detail with the concept of mother and child, motherhood and feminism through fine art. The master thesis includes the image of a powerful woman in the fashion of the 1980s as well as a power suit - a fashion silhouette of the 1980s. The concept of the work and creation of the fashion collection is based on the research of the works and photographs of the author's mother, who was a textile designer herself. Twenty-eight clothing combinations were created within the fashion collection, of which seven were realized

    THE FIGURE OF THE HEROINE'S MOTHER AS AN AUTOBIOGRAPHICAL NARRATIVE IN FASHION COLLECTION DESIGN

    No full text
    Lik majke heroine kao autobiografski narativ u oblikovanju modne kolekcije rad je koji kroz pojam samohranog roditeljstva proučava dizajnerski opus autoričine majke te stilske karakteristike odijevanja 1980-ih, epohe u kojoj dizajnerica stvara. Detaljnije obrađuje i pojam majke i djeteta, majčinstva i feminizma kroz likovnu umjetnost. Diplomski rad obuhvaća i sliku moćne žene u modi 1980-ih kao i power suit - modnu siluetu 1980-ih. Koncept rada i izrade modne kolekcije temelji se na istraživanju radova i fotografija autoričine majke koja je i sama bila tekstilna dizajnerica. Unutar modne kolekcije nastalo je dvadeset osam odjevnih kombinacija od čega se realiziralo sedam.The figure of the heroine's mother as an autobiographical narrative in the design of the fashion collection is a work that, through the concept of single parenthood, studies the designer's work of the author's mother and the stylistic characteristics of clothing in the 1980s, the era in which the designer creates. It deals in more detail with the concept of mother and child, motherhood and feminism through fine art. The master thesis includes the image of a powerful woman in the fashion of the 1980s as well as a power suit - a fashion silhouette of the 1980s. The concept of the work and creation of the fashion collection is based on the research of the works and photographs of the author's mother, who was a textile designer herself. Twenty-eight clothing combinations were created within the fashion collection, of which seven were realized

    THE FIGURE OF THE HEROINE'S MOTHER AS AN AUTOBIOGRAPHICAL NARRATIVE IN FASHION COLLECTION DESIGN

    No full text
    Lik majke heroine kao autobiografski narativ u oblikovanju modne kolekcije rad je koji kroz pojam samohranog roditeljstva proučava dizajnerski opus autoričine majke te stilske karakteristike odijevanja 1980-ih, epohe u kojoj dizajnerica stvara. Detaljnije obrađuje i pojam majke i djeteta, majčinstva i feminizma kroz likovnu umjetnost. Diplomski rad obuhvaća i sliku moćne žene u modi 1980-ih kao i power suit - modnu siluetu 1980-ih. Koncept rada i izrade modne kolekcije temelji se na istraživanju radova i fotografija autoričine majke koja je i sama bila tekstilna dizajnerica. Unutar modne kolekcije nastalo je dvadeset osam odjevnih kombinacija od čega se realiziralo sedam.The figure of the heroine's mother as an autobiographical narrative in the design of the fashion collection is a work that, through the concept of single parenthood, studies the designer's work of the author's mother and the stylistic characteristics of clothing in the 1980s, the era in which the designer creates. It deals in more detail with the concept of mother and child, motherhood and feminism through fine art. The master thesis includes the image of a powerful woman in the fashion of the 1980s as well as a power suit - a fashion silhouette of the 1980s. The concept of the work and creation of the fashion collection is based on the research of the works and photographs of the author's mother, who was a textile designer herself. Twenty-eight clothing combinations were created within the fashion collection, of which seven were realized

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

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