305,774 research outputs found
Description des fossiles
par ... François-Xavier BurtinRückentitel: Description des fossile
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
The treatise on painting by François-Xavier de Burtin (1743-1818) in the context of conservation and restoration of art in the 19th century
[EN] The doctor François Xavier de Burtin¿s treatise on painting, written in 1808, coincides with the cultural and intellectual transformation
brought about by the Enlightenment movement and is a clear reference for the first specific texts on painting restoration that emerged
throughout the 19th century. For the contextualization and recognition of the author and his work, his biography and literary production are
considered in the convulsive historical, artistic, social and political context that transits between the Enlightenment and the early years of the 19th
century, emphasizing his contributions related to conservation and pictorial restoration. His treatise on painting must be considered as a text of
indisputable importance, which appears in relation to Burtin¿s interest in collecting and after his visits to the most important European painting
galleries of the time.[PT] O tratado sobre pintura do médico François Xavier de Burtin, escrito em 1808, coincide com a transformação cultural e
intelectual trazida pelo movimento iluminista e representa uma referência clara para os primeiros textos específicos sobre restauro de
pinturas que surgiram ao longo do século XIX.[ES] El tratado sobre pintura del médico François Xavier de Burtin, escrito en 1808, coincide con la transformación cultural e
intelectual que había traído el movimiento ilustrado y supone un claro referente para los primeros textos específicos sobre restauración
de pinturas que surgieron a lo largo del siglo XIX. Para la contextualización y reconocimiento del autor y de su obra se considera su
biografía y su producción literaria en el convulso contexto histórico, artístico, social y político que transita entre el siglo de las luces y
los primeros años del siglo XIX, haciendo hincapié en sus aportaciones relacionadas con la conservación y restauración pictórica. Su
tratado de pintura debe considerarse como un texto de indiscutible trascendencia, que aparece en relación con el interés de Burtin por
el coleccionismo y después de sus visitas a las más importantes galerías europeas de pintura de la época.Colomina Subiela, A.;Guerola Blay, V. (2024). El tratado sobre pintura de François-Xavier de Burtin (1743-1818) en el contexto de la conservación y restauración de arte en el siglo XIX. Ge-Conservacion. 26(1):6-15. https://doi.org/10.37558/gec.v26i1.1204S61526
Author, publisher and bookseller : a tripartite synergy in Nigerian book industry
This work is about the roles of Author, Publisher and Bookseller in Book development in
Nigeria. The paper started by delving into the history of Book Publishing in Nigeria after
which it proceeded by defining who an author, a publisher, and a bookseller is and
expatiated on the indispensable roles of these key actors in Nigerian Book Industry and in
the emerging Information Society. Furthermore, the various constraints to book
development were identified while the paper advised on how the Book Industry can be
further promoted in Nigeria. However, the paper concluded and made recommendations
on how the Book sector can help in enhancing scholarship in the country
El tratado sobre pintura de François-Xavier de Burtin (1743-1818) en el contexto de la conservación y restauración de arte en el siglo XIX
O tratado sobre pintura do médico François Xavier de Burtin, escrito em 1808, coincide com a transformação cultural e intelectual trazida pelo movimento iluminista e representa uma referência clara para os primeiros textos específicos sobre restauro de pinturas que surgiram ao longo do século XIX.
Para a contextualização e reconhecimento do autor e da sua obra, considera-se a sua biografia e a sua produção literária no conturbado contexto histórico, artístico, social e político que transita entre o século das luzes e os primeiros anos do século XIX, com ênfase nas suas contribuições relacionadas com a conservação e restauro pictórico. O seu tratado de pintura deve ser considerado como um texto de indiscutível importância, que surge em relação ao interesse de Burtin pelo colecionismo e após as suas visitas às mais importantes galerias europeias de pintura da época.El tratado sobre pintura del médico François Xavier de Burtin, escrito en 1808, coincide con la transformación cultural e intelectual que había traído el movimiento ilustrado y supone un claro referente para los primeros textos específicos sobre restauración de pinturas que surgieron a lo largo del siglo XIX. Para la contextualización y reconocimiento del autor y de su obra se considera su biografía y su producción literaria en el convulso contexto histórico, artístico, social y político que transita entre el siglo de las luces y los primeros años del siglo XIX, haciendo hincapié en sus aportaciones relacionadas con la conservación y restauración pictórica. Su tratado de pintura debe considerarse como un texto de indiscutible trascendencia, que aparece en relación con el interés de Burtin por el coleccionismo y después de sus visitas a las más importantes galerías europeas de pintura de la época.The doctor François Xavier de Burtin’s treatise on painting, written in 1808, coincides with the cultural and intellectual transformation brought about by the Enlightenment movement and is a clear reference for the first specific texts on painting restoration that emerged throughout the 19th century. For the contextualization and recognition of the author and his work, his biography and literary production are considered in the convulsive historical, artistic, social and political context that transits between the Enlightenment and the early years of the 19th century, emphasizing his contributions related to conservation and pictorial restoration. His treatise on painting must be considered as a text of indisputable importance, which appears in relation to Burtin’s interest in collecting and after his visits to the most important European painting galleries of the time
[Report to Chief J. E. Curry, by an unknown author #2]
Report to Chief J. E. Curry, by an unknown author. The report contains a list of officers who gave depositions to the United States Attorney
[Report to Chief J. E. Curry, by an unknown author #1]
Report to Chief J. E. Curry, by an unknown author. The report contains a list of officers who gave depositions to the United States Attorney
Mining e-mail content for author identification forensics
We describe an investigation into e-mail content mining for author identification, or authorship attribution, for the purpose of forensic investigation. We focus our discussion on the ability to discriminate between authors for the case of both aggregated e-mail topics as well as across different email topics. An extended set of e-mail document features including structural characteristics and linguistic patterns were derived and, together with a Support Vector Machine learning algorithm, were used for mining the e-mail content. Experiments using a number of e-mail documents generated by different authors on a set of topics gave promising results for both aggregated and multi-topic author categorisation
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