1,721,006 research outputs found
Tracing the History and Provenance of Medieval and Renaissance Manuscripts through Linked Data
No full textAbstract and poster of paper 0643 presented at the Digital Humanities Conference 2019 (DH2019), Utrecht , the Netherlands 9-12 July, 2019
Mapping Manuscript Migrations Knowledge Graph
No full textThe Mapping Manuscript Migrations (MMM) project transformed three separate datasets into a unified knowledge graph. The source databases include:
* Schoenberg Database of Manuscripts from the Schoenberg Institute for Manuscript Studies;
* Bibale database from the Institute for Research and History of Texts,;and,
* Medieval Manuscripts Catalogue from the Bodleian Libraries.
To test and demonstrate its usefulness, the MMM Knowledge Graph is in use in the MMM Semantic Portal, where it is explained in more detail:
https://mappingmanuscriptmigrations.org/about The Mapping Manuscript Migrations portal links disparate datasets from Europe and North America to provide an international view of the history and provenance of medieval and Renaissance manuscripts. Researchers are able to analyse and visualize the aggregated data at scales ranging from individual manuscripts to thousands of manuscripts. Our research addresses the origins and movements of these manuscripts, and the collectors and owners involved in their history. We show how these manuscripts have traveled across time and space to their current locations, where they continue to find new audiences
Tracing the Complex History of Manuscripts Using Linked Data
No full textAbstract of paper 1094 presented at the Digital Humanities Conference 2019 (DH2019), Utrecht , the Netherlands 9-12 July, 2019
DigiSpec: Scoping Future Born-Digital Data Services for the Arts and Humanities: Case Reports
Full text linkThe DigiSpec Project was funded by the UK Arts and Humanities Research Council in 2022 under its “Scoping Future Data Services for the Arts and Humanities” programme.
As part of the evidence base for its report, the project collected twenty short Case Reports from experts in the field of born-digital data services. Each of these describes the current and future activities and requirements of a significant UK project or service.
These Case Reports are published in this collection. The DigiSpec Project also commissioned three longer Case Studies, which are being published separately-
TABLE of CONTENTS
Author
Project
Pages
David Beavan, Timothy Hobson (Alan Turing Institute)
Living with Machines
1-4
Giles Bergel, Abhishek Dutta, Andrew Zisserman (University of Oxford)
National Library of Scotland Chapbooks
5-8
Aruna Bhaugeerutty (Oxford)
Oxford University Museums Digital Collections Service
9-12
Samantha Blickhan (Zooniverse & Adler Planetarium)
ALICE: The Aggregate Line Inspector & Collaborative Editor
13-14
Toby Burrows (University of Oxford)
Knowledge graphs – Mapping Manuscript Migrations
15-19
Alan Chamberlain (University of Nottingham)
Rider Spoke – Riders Have Spoken (Archive)
20-21
Arianna Ciula (King’s College London)
King’s Digital Lab Infrastructure at King’s College London
22-28
Ian Cooke (British Library)
The UK Web Archive
29-32
Ian Cooke & Stella Wisdom (British Library), Graeme Hawley (National Library of Scotland)
Emerging formats
33-37
Tim Crawford, Golnaz Badkobeh, & David Lewis (Goldsmiths University of London), Alastair Porter (Universitat Pompeu Fabra, Barcelona), Laurent Pugin & Rodolfo Zitellini (RISM Digital, Bern)
F-Tempo (Full-Text search of Early Music Prints Online)
38-41
Nicholas Cronk, Birgit Mikus (University of Oxford)
Challenges of Scholarly Editions: Digital Voltaire and Digital d’Holbach
42-44
Neil Jefferies (University of Oxford), Peter Cornwell (Data Futures)
Annotation: anəstor
45-47
Neil Jefferies (University of Oxford), Peter Cornwell (Data Futures)
Redelivery: freizo
48-50
Huw Jones (Cambridge University)
Cambridge Digital Library – TEI Metadata
51-54
Christopher Melen (Royal National College of Music)
PriSM Sample RNN
55-58
Kieron Niven (Archaeology Data Service)
High Speed 2 (HS2) Historic Environment Digital Archive
59-63
Rachel Proudfoot, Nicola Barnet, Masud Khokar, John Salter (University of Leeds)
White Rose Etheses Online: theses as complex digital objects
64-69
Gethin Rees (British Library)
Open Geospatial Data Application and Services viewer (OGDAS)
70-72
Pedro Maximo Rocha & Amy Sampson (The National Archives)
Environmental monitoring system and its integration with digital twins
73-75
Martin Wynne (University of Oxford)
Literary and Linguistic Data Service [formerly Oxford Text Archive]
76-78The "DigiSpec: Scoping future born-digital data services for the arts and humanities" project was funded by the UK Arts and Humanities Research Council (AHRC) under research grant number AH/W007592/1
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Creating and keeping a national treasure::the changing uses of Hans Sloane's collection in the eighteenth century
No full textCreating and keeping a national treasure::the changing uses of Hans Sloane's collection in the eighteenth century
No full textCreating and keeping a national treasure::the changing uses of Hans Sloane's collection in the eighteenth century
No full text- …
