1,722,005 research outputs found

    Les éléments: une trame d'histoire des religions

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    (Résumé de l'ouvrage) Les articles du présent volume, issus d'un symposium international ayant eu lieu à l'Université de Lausanne en juin 1998, présentent la perception des éléments comme base de recherche de l'étude des religions (Maya Burger), exemplifiée à l'aide des traditions hindoues. Chaque élément est traité par un spécialiste d'une discipline académique particulière dans le but de souligner la variété des approches nécessaire à la discipline d'histoire des religions. L'éther (akasa) a été considéré sous l'angle de la philosophie (Wilhelm Halbfass), le vent sous celui de l'histoire des religions (Bettina Bäumer), le feu sous celui de la philologie classique (Peter Schreiner), l'eau par un spécialiste de la médecine indienne (Arion Rosu) et la terre sous l'angle de l'anthropologie (Gabriella Eichinger Ferro-Luzzi, se concentrant sur la littérature tamoule)

    Large time behavior of nonlocal aggregation models with nonlinear diffusion

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    The aim of this paper is to establish rigorous results on the large time behavior of nonlocal models for aggregation, including the possible presence of nonlinear diffusion terms modeling local repulsions. We show that, as expected from the practical motivation as well as from numerical simulations, one obtains concentrated densities (Dirac δ distributions) as stationary solutions and large time limits in the absence of diffusion. In addition, we provide a comparison for aggregation kernels with infinite respectively finite support. In the first case, there is a unique stationary solution corresponding to concentration at the center of mass, and all solutions of the evolution problem converge to the stationary solution for large time. The speed of convergence in this case is just determined by the behavior of the aggregation kernels at zero, yielding either algebraic or exponential decay or even finite time extinction. For kernels with finite support, we show that an infinite number of stationary solutions exist, and solutions of the evolution problem converge only in a measure-valued sense to the set of stationary solutions, which we characterize in detail. Moreover, we also consider the behavior in the presence of nonlinear diffusion terms, the most interesting case being the one of small diffusion coefficients. Via the implicit function theorem we give a quite general proof of a rather natural assertion for such models, namely that there exist stationary solutions that have the form of a local peak around the center of mass. Our approach even yields the order of the size of the support in terms of the diffusion coefficients. All these results are obtained via a reformulation of the equations considered using the Wasserstein metric for probability measures, and are carried out in the case of a single spatial dimension

    Charré (Jacques-Gilbert), Boisse (Claude) et Burger (M. A.)- — Atlas des villes françaises

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    Chaumet Michel. Charré (Jacques-Gilbert), Boisse (Claude) et Burger (M. A.)- — Atlas des villes françaises. In: Norois, n°95, Juillet-Septembre 1977. pp. 497-498

    Porous medium equation and cross-diffusion systems as limit of nonlocal interaction

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    This paper studies the derivation of the quadratic porous medium equation and a class of cross-diffusion systems from nonlocal interactions. We prove convergence of solutions of a nonlocal interaction equation, resp. system, to solutions of the quadratic porous medium equation, resp. cross-diffusion system, in the limit of a localising interaction kernel. The analysis is carried out at the level of the (nonlocal) partial differential equations and we use gradient flow techniques to derive bounds on energy, second order moments, and logarithmic entropy. The dissipation of the latter yields sufficient regularity to obtain compactness results and pass to the limit in the localised convolutions. The strategy we propose relies on a discretisation scheme, which can be slightly modified in order to extend our result to PDEs without gradient flow structure. In particular, it does not require convexity of the associated energies. Our analysis allows to treat the case of limiting weak solutions of the non-viscous porous medium equation at relevant low regularity, assuming the initial value to have finite energy and entropy

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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