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Memoir characteristics of Julienne Eden Bušić's prose
No full textMemoari su jedan od modela autobiografske proze u kojemu autor nastoji problematizirati političku, povijesnu ili socijalnu stvarnost u kojoj je živio i djelovao. Najčešće se radi o autoru koji je poziciju pripovjedača stekao zahvaljujući svom društvenom položaju, a iz njegova položaja mogu se iščitati i razlozi koji su ga naveli na pisanje. Cilj je ovoga rada iznijeti memoarske odrednice u Ljubavnicima i luđacima Julienne Bušić. Najprije se iznosi kratka biografija autorice, kao i recenzije koje su o Ljubavnicima i luđacima pisali književni teoretičari i kritičari. Rad je podijeljen na dva dijela. Prvi je dio teorijski u kojemu se predstavljaju književni žanrovi koji se uz djelo najčešće vezuju. Iznose se definicije i karakteristike autobiografije, kao i za temu relevantna podjela suvremene hrvatske autobiografije Helene Sablić Tomić. Nakon toga definiraju se memoari, opisuje povijest žanra, osvrće na vjerodostojnost memoara kao povijesnih izvora i navode osnovne razlike između memoara i autobiografije u užem smislu. U drugom se dijelu analizira književni predložak. Najprije se iznosi kratak opis Ljubavnika i luđaka, s naglaskom na potvrdu autobiografičnosti teksta. Potom se prelazi na najistaknutiji dio rada, a to je analiziranje zastupljenosti memoarskih karakteristika u samom predlošku, pri čemu se opisuje autoričin položaj u izvanjezičnoj stvarnosti, retorička priroda teksta, i njegov sadržaj.Memoirs are one model of autobiographical prose in which the author seeks to problematize the political, historical or social reality in which he lived. Most often it is the autor who has acquired the position of narrator thanks to his social position from which we can also read the reasons that led him to writing. This paper deals with the characteristics of a memoir found in Julienne Bušić's Lovers and Madmen. The first part of the paper deals with a short biography of their author, as well as the reviews written about the work by theorists and critics. The work has two parts. The first part is theoretical and it is about the literary genres to which novel belongs. It contains the definitions and the characteristics of an autobiographical work, as well as the division of contemporary Croatian autobiographical works which is relevant for the thesis. Following are the definitions of a memoir. The history of the genre is described and plausibility of memoirs as historical sources, as well as the main differences between memoirs and autobiographies, in the strict sense of that term. The second part brings the analysis of the literary work. First, there is a short description of Lovers and Madmen. The emphasis is on confirming that the work is autobiographical. Following, there is the main part of the work with the analysis of the number of memoir characteristics found within, where the author's position outside of the literar
Works of visual arts as national heritage in the visual arts syllabus of high schools
Get PDFU radu se govori o važnosti položaja koji nacionalna likovno-umjetnička baština zauzima u srednjoškolskoj nastavi Likovne umjetnosti u gimnazijskim i u njoj srodnim predmetima strukovnih programa. Spomenici likovno-umjetničke baštine na području Republike Hrvatske vjerna su preslika različitih događaja koji su se na njezinim teritorijima odvijali od pretpovijesti pa sve do danas i kao takvi odraz su nacionalnog i kulturnog identiteta hrvatskog naroda. U vrijeme globalizacije, velike povezanosti cijeloga svijeta, uznapredovale tehnologije i neprestane čežnje da se što bolje upozna i shvati kultura drugoga, često se previđa vrijednost koju ima poznavanje vlastitoga. Ukoliko vrijednost nacionalne spomeničke ostavštine ne prepoznaju njezini neposredni baštinici, postoji velika opasnost da će ona ostati neprepoznata i u svijetu, ali i da se njezino postojanje neće nastojati sačuvati od prolaznosti. Kulturni turizam u Hrvatskoj je, unatoč velikim potencijalima, još uvijek u začetcima. Veliku ulogu u razvijanju svijesti o važnosti poznavanja i očuvanja likovno-umjetničke baštine imaju obrazovne institucije zbog čega je važno promotriti način na koji se odnose prema ovome gradivu i ističu li ga dovoljno u relevantnim dokumentima, udžbenicima, katalozima i ispitima državne mature. Kako se često radi o ostavštini koja nam je fizički dostupna, jedno od mogućih rješenja za unapređenje poučavanja ovih sadržaja je projektna nastava čiji je sastavni dio izravno suočavanje učenika sa spomenikom, ali i samostalnost u istraživanju. I dok se dobar dio svjetske likovne baštine može pronaći jednostavnim internetskim pretraživanjem, u Hrvatskoj je čest problem s kojim se nastavnici likovnih umjetnosti susreću nedostatak kvalitetnih vizualnih materijala, zbog čega treba ustrajati na što većoj dostupnosti digitaliziranih sadržaja.This paper focuses on the importance of the works of visual arts as national heritage in the Visual Arts syllabus of gymnasiums and vocational schools following similar programs. Works of visual arts found in Croatia are true representatives of various events which happened on the country's territory from the prehistoric times until this day and as such they reflect the national and cultural identity of Croatian people. In the time of globalization, which closely connected the entire world, and the advanced technology, as well as the general desire to learn as much as possible about other people's culture, it can often happen that the value of knowing one's own culture gets neglected. Unless the value visual arts as national heritage gets recognized by those who inherited it, it is possible that it will remain unrecognized by the rest of the world or that it will not get preserved for the future generations due to its neglection. In spite of its great potential, cultural tourism in Croatia is only getting started. Educational facilities have an important role in developing awareness about the importance of knowing and preserving visual arts as national heritage, so it is crucial to analyze the way this heritage is handled in schools and whether enough is taught about it in the releveant studybooks and catalogues, as well as the final high school exam. As most of this heritage can easily be accessed, one of the possible solutions for the improvement of the way these materials are taught in schools is through field trips where students get to physically access the artworks, and also practice independence in researching. While most of the world's visual arts heritage can be reached by basic internet search, it is often a problem for visual arts teachers in Croatia to find visual materials with good quality, which is why a greater availability of the digitized materials ought to be championed
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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