4,061 research outputs found
Women of Goethe\u27s Time: A Correspondence: Caroline von Humboldt and Friederike Brun (English Translation)
No full textThis work is a complete English translation of the correspondence between Friederike Brun and Caroline von Humboldt
Caroline Brun L'irrationnel dans l'entreprise
No full textVettraino-Soulard Marie-Claude. Caroline Brun L'irrationnel dans l'entreprise . In: Communication et langages, n°84, 2ème trimestre 1990. p. 124
Caroline Brun L'irrationnel dans l'entreprise
No full textVettraino-Soulard Marie-Claude. Caroline Brun L'irrationnel dans l'entreprise . In: Communication et langages, n°84, 2ème trimestre 1990. p. 124
Caroline Gordon Collection
No full textArrangement Description
EXTENT
Linear Feet: 2 linear feet
Number of Containers: 2 boxes
Series 1: Writings, 31 files
Series 2: Lectures, 19 files
Series 3: Courses, 10 files
Series 4: Book Reviews, 5 files
Series 5: About Caroline Gordon,8 files
Series 6: Correspondence, 18 files
Series 7: Books, 5 books
Series 8: Media: 9 digital files, 9 cassettes, 2 reelsCOLLECTION DETAILS
<---Please open FindingAid .pdf under "FILES" to see full collection details To request any materials from this collection please email: [email protected]
BIOGRAPHICAL / Historical Note: Twentieth-century novelist Caroline Gordon was born into the Kentucky line of the extensive Meriwether family in 1895. Exploration of the family's past and its evolution is a major theme of her fiction. She grew up at Merry Mont in Todd County, near Clarksville where she received her early education. She earned a Bachelor of Arts degree from Bethany College in 1916. Her father is the idealized subject of Gordon's second novel, Alec Maury, Sportsman (1934), and the central character in her much-anthologized story, "Old Red." Gordon taught briefly; then, as a journalist, she became one of the first reviewers to comment favorably on a new Nashville-based magazine of poetry, The Fugitive. During the summer of 1924, Robert Penn Warren, a Todd County neighbor, introduced her to Allen Tate. Within a year they were married and living in New York City, where their daughter, Nancy Meriwether was born. With Tate, she began a period of life abroad, devoted to writing and sustained by various fellowships granted to one or the other. In London, Gordon was secretary to the influential British writer Ford Madox. In 1930 the Tates returned to the United States and settled in Clarksville in a house provided by Tate's brother Ben and called "Benfolly." Both Tates were exceptionally hospitable to friends and encouraging to younger writers. Both were prolific correspondents, generous with constructive criticism. (Gordon eventually became mentor to several writers, most notably Flannery O'Connor). Although she had to wrest time for her writing from domestic and social obligations, the eight Benfolly years were especially productive for Gordon, who published four novels and several stories before 1937. The first novel was Penhally (1931), followed by Alec Maury, Sportsman (1934), None Shall Look Back (1937), and The Garden of Adonis (1937), studies of the southern family during the Civil War and Great Depression. Academic appointments of the 1940s took the Tates throughout the Southeast and to Princeton, where they established a home near their daughter, who married psychiatrist Percy Wood in 1944. During this time Gordon published her fifth novel, Green Centuries (1941). Her second related group of novels, The Woman on the Porch (1944), which deals with a troubled marriage, The Strange Children (1951), based on life at Benfolly, and The Malefactors (1956), is informed by her conversion to Roman Catholicism. She and her husband wrote The House of Fiction (1950), which was followed by Gordon's How to Read a Novel in 1957. Gordon lived in Princeton until 1973, teaching, and writing: The Glory of Hera (1972). An appointment in the creative writing program drew her to the University of Dallas (Gordon was 77 years old when she proposed the new creative writing program at UD). When her health began to fail in 1978, she moved to San Cristobal de las Casas in Chapas, Mexico, with her daughter and family. She died there on April 11, 1981.
COLLECTION DESCRIPTION Caroline Gordon (1895-1981) was an American author. This collection consists of manuscripts of Gordon's work, including novels, lectures, and poetry during her time at the University of Dallas. It also includes correspondence with authors and family members, writings of others, and photographs.
Lectures and Commentary available here: https://hdl.handle.net/20.500.14026/2548University of Dalla
Un nouveau business : la presse gratuite
No full textLa presse gratuite est devenue en 30 ans en France un secteur important de l'édition. Il englobe des publications très diverses. Source de profit considérable, il tend à s'internationaliser. Eurostaf vient de publier une étude de 100 pages sur « la presse gratuite française dans la perspective européenne ». Elle a été réalisée par Caroline Brun et Joël Morio, avec la collaboration de Jean Gall. Nous en publions la partie introductive, claire et alléchante, en renvoyant le lecteur au document complet : Eurostaf, 60/62, rue d'Haute- ville, 7501 0 Paris - tél. : 49 24 90 50.Brun Caroline, Morio Joël. Un nouveau business : la presse gratuite. In: Communication et langages, n°93, 3ème trimestre 1992. pp. 6-17
Le Recueil de Fontaines et de Frises maritimes gravé par Louis de Châtillon d’après Le Brun
No full textAbout the Recueil de Fontaines et de Frises maritimes engraved by Louis de Châtillon after Le Brun.
Numerous books of etchings devoted to fountains appear since the beginning of the 17th century. The first ones, mostly Roman, represent gardens, or urban views. In France, they tend to become books of standard models. Around 1680, Charles Le Brun suggests the engraving of some of his works to Louis de Châtillon. One of these is a Livre de Fontaines et de Frises maritimes (Book of Fountains and maritime Friezes) in which a group of seven prints stand out in the series. It concerns fountains where sculpture plays a major part. The themes derive from mythological cycles. One can link these etchings with some drawings ascribed to Le Brun, kept in the Louvre. Their conception is close to Bernini’s baroque vision. Even though no source evidences it, it is, in all likelihood an informal commission given to Le Brun for the ornamentation of new watering places in Paris around 1665. But the plan was not carried out. There remains a very beautiful book of prints demonstrating — far from the topographical and typological collections — how Le Brun was concerned with the preservation of the compositions he had created.Janand Marie-Caroline. Le Recueil de Fontaines et de Frises maritimes gravé par Louis de Châtillon d’après Le Brun. In: Histoire de l'art, N°45, 1999. L’estampe et le livre illustré. pp. 45-56
The role english plays in the construction of professional identities in nest-nnes bilingual marriages in İstanbul
No full textCaroline Fell Kurban (MEF Author)…WOS:000389065100011Book Citation Index- Social Sciences and HumanitiesArticle; Book ChapterOcakYÖK - 2014-1
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