1,720,953 research outputs found
O DISTANCIAMENTO DE BRECHT EM TUDO VAI BEM (TOUT VA BIEN, 1972)
Full text linkResumoO Grupo Dziga Vertov foi um coletivo de cineastas criado, em 1968, por Jean-Luc Godard e Jean-Pierre Gorin, então editor cultural do Le Monde, e que se dissolveu em 1972. O coletivo também surge logo após os eventos do Maio de 68 na França, um marco na política mundial. Os filmes do Grupo Dziga Vertov tiveram muitos temas políticos e que dialogavam com a esquerda francesa da época. A pesquisa tem como objetivo geral analisar o filme Tudo vai bem, buscando aproximações com o “distanciamento” de Bertolt Brecht. A relação entre o filme e Brecht já é conhecida e já foi anteriormente citada por Gorin, mas a pesquisa busca aprofundar o entendimento dessa relação e contribuir com as análises já existentes do filme. Para isso, fez-se um levantamento bibliográfico conceitual sobre os assuntos tratados e uma análise do filme citado seguindo a metodologia de análise fílmica proposta de Manuela Penafria. Em seus resultados, a pesquisa conclui que as aproximações entre Brecht e Tudo vai bem aparecem no travelling que mostra os vários cenários simultaneamente, no humor de algumas cenas, nas quebras da quarta parede e até no trecho inicial com os cheques. E, embora essa relação já fosse conhecida, acredita-se que o artigo atingiu seu objetivo ao aprofundar o entendimento dela e demonstrar como ela ocorre em trechos ainda não comentados como quando o patrão quer ir ao banheiro.AbstractThe Dziga Vertov Group was a collective of filmmakers created in 1968 by Jean-Luc Godard and Jean-Pierre Gorin, who was the cultural editor of Le Monde at the time, and which dissolved in 1972. The collective emerged shortly after the events of May 1968 in France, a landmark in world politics. The films of the Dziga Vertov Group tackled many political themes and engaged in dialogue with the leftist movement in France during that period. The overarching goal of the research is to analyze the film Tout va bien seeking connections with Bertolt Brecht's concept of "distancing effect." The relationship between the film and Brecht is already known and has been previously mentioned by Gorin, but the research aims to deepen the understanding of this relationship and contribute to the existing analyses of the film. To achieve this, a conceptual bibliographic survey was conducted on the relevant topics, followed by an analysis of the mentioned film using the film analysis methodology proposed by Manuela Penafria. In its findings, the research concludes that the connections between Brecht and Tout va bien appear in the tracking shot that simultaneously shows various scenes, the humor in certain scenes, the breaking of the fourth wall, and even in the initial segment involving the checks. Although this relationship was already known, it is believed that the article has achieved its objective by delving deeper into the understanding of it and demonstrating how it manifests in previously unexplored scenes, such as when the boss wants to go to the bathroom
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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